| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Amadigi di Gaula, HWV 11 (Excerpts): Sussurrate, onde vezzose | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Radamisto, HWV 12a: Già che morir non posso | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Agrippina, HWV 6 (Excerpts): Voi che udite il mio lamento | |
| | Avery Amereau, La Nuova Musica & David Bates | Dido and Aeneas, Z. 626, Act II: The queen of Carthage - Ho, Ho, Ho | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Silla, HWV 10 (Excerpts): Con tromba guerriera | |
| | Avery Amereau, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | The Listeners: No. 1, Prologue (Live) | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Giulio Cesare in Egitto, HWV 17 (Excerpts): Priva son d'ogni conforto | |
| | Avery Amereau, La Nuova Musica, David Bates, Helen Charlston & Martha McLorinan | Dido and Aeneas, Z. 626, Act II: Ruined ere the set of Sun! - The trojan Prince - Ho, Ho, Ho | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Rinaldo, HWV 7a (Excerpts): Cara sposa, amante cara | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Amadigi di Gaula, HWV 11 (Excerpts): È si dolce il mio contento | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Giulio Cesare in Egitto, HWV 17 (Excerpts): Dall'ondoso periglio. Aure deh per pietà | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Aci, Galatea e Polifemo, HWV 72: Benché tuoni e l'etra avvampi | |
| | Avery Amereau, Tim Mead, La Nuova Musica, David Bates & Matthew Brook | Dido and Aeneas, Z. 626, Act II: Stay Prince | |
| | Avery Amereau, La Nuova Musica, David Bates, Helen Charlston & Martha McLorinan | Dido and Aeneas, Z. 626, Act III: See, See the flags - Our next motion - Destruction's our delight | |
| | Avery Amereau, La Nuova Musica, David Bates, Helen Charlston, Martha McLorinan & Giulia Semenzato | Dido and Aeneas, Z. 626, Act II: Prelude for the Witches | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Rinaldo, HWV 7a (Excerpts): Venti, turbini | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Agrippina, HWV 6 (Excerpts): Otton, qual portentoso fulmine è questi | |
| | Avery Amereau, Dashon Burton, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | The Listeners: No. 7, Maps (Live) | |
| | Avery Amereau, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | The Listeners: No. 4, in World's Vast Frame (Live) | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Silla, HWV 10 (Excerpts): Senti, bell'idol mio | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Alcina, HWV 34: Verdi prati | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Amadigi di Gaula, HWV 11 (Excerpts): O rendetemi il mio bene | |
| | Avery Amereau, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | The Listeners: No. 10, Epilogue (Live) | |
| | Avery Amereau, La Nuova Musica, David Bates & Helen Charlston | Dido and Aeneas, Z. 626, Act II: Wayward sisters - Harm's our delight | |
| | Avery Amereau, Philharmonia Baroque Orchestra & Nicholas McGegan | Rinaldo, HWV 7a (Excerpts): Or la tromba in son festante | |
