| | Karl Böhm & Wiener Staatsopernorchester | Wiener Blut, Op. 354 | |
| | Anton Paulik & Wiener Staatsopernorchester | An der schönen blauen Donau, Op. 314 | |
| | Felicja Blumental, Wiener Staatsopernorchester & Michael Gielen | Piano Concerto No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco | |
| | Wiener Staatsopernorchester, Mario Rossi, Teresa Stich-Randall, Elisabeth Höngen, Wiener Academie Kammerchor, Anton Dermota & Frederick Guthrie | Missa in Angustiis in D Minor, Hob. XXII:11 "Nelson Mass": Agnus Dei | |
| | Wiener Staatsopernorchester, Henry Swoboda & Radko Delorco | Christ on the Mount of Olives, Op. 85: Recitative. "Jeovah, du mein Vater!" (Jesus) | |
| | Dean Dixon, Wiener Staatsopernorchester & Wiener Akademie-Chor | Rosamunde, Princess of Cyprus, D. 797: No. 4, Chorus of Spirits. "In der Tiefe wohnt das Licht" | |
| | Wiener Staatsopernorchester, Hermann Scherchen, Léopold Simoneau & Nan Merriman | Messiah, HWV 56, Pt. 3, Scene 3: No. 50, Duet. "O Death, Where Is Thy Sting" | |
| | Wiener Staatsopernorchester & Felix Prohaska | Concerto brandebourgeois No. 2 in F Major, BWV 1047: II. Andante | |
| | Wiener Staatsopernorchester & Walter Goehr | Light Cavalry: Overture | |
| | Wiener Staatsopernorchester & Edouard Lindenberg | Liebesträume, S. 541: No. 3 in A-Flat Major, Oh Lieb, so lang du lieben kannst (Orchestral Version) | |
| | Wiener Staatsopernorchester & Felix Prohaska | Concerto grosso in B-Flat Major, Op. 3 No. 2, HWV 313: I. Vivace | |
| | Franz Koch, Wiener Staatsopernorchester & Anton Heiller | Horn Concerto No. 1 in D Major, Hob. VIId:3: II. Adagio | |
| | Wiener Staatsopernorchester & Hermann Scherchen | Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile | |
| | Paul Badura-Skoda, Artur Rodzinski & Wiener Staatsopernorchester | Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | |
| | Felicja Blumental, Wiener Staatsopernorchester & Michael Gielen | Concerto pour piano No. 1 in B-Flat Minor, Op. 23: III. Allegro con fuoco | |
| | Wiener Staatsopernorchester & Hermann Scherchen | Symphony No. 92 in G Major, Hob. I:92 "Oxford": III. Menuet. Allegretto | |
| | Paul Badura-Skoda, Artur Rodzinski & Wiener Staatsopernorchester | Concerto pour piano No. 2 in F Minor, Op. 21: II. Larghetto | |
| | Wiener Staatsopernorchester & Hans Swarowsky | Tristan und Isolde, Act I: Prelude | |
| | Wiener Staatsopernorchester & Henry Swoboda | Concert pour petit orchestre, Op. 34: I. Allegro | |
| | Mario Rossi, Teresa Stich-Randall, Wiener Staatsopernorchester, Elisabeth Höngen & Wiener Academie Kammerchor | Missa in Angustiis in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | |
| | Vivian Rivkin, Wiener Staatsopernorchester & Dean Dixon | Piano Concerto No. 22 in E-Flat Major, K. 482: II. Andante | |
| | Wiener Staatsopernorchester, Hans Gillesberger & Wiener Akademie Kammerchor | Missa in tempore belli in C Major, Hob. XXII:9 "Paukenmesse": Agnus Dei | |
| | Edith Farnadi, Wiener Staatsopernorchester & Hermann Scherchen | Concerto pour piano No. 1 in E-Flat Major, S. 124: II. Quasi adagio | |
| | Wiener Staatsopernorchester, Henry Swoboda, Wiener Kammerchor & Margit Opawsky | Christ on the Mount of Olives, Op. 85: Chorus of Angels. "O Heil euch, ihr Erlösten" (Choir, Seraph) | |
| | Wiener Staatsopernorchester & Mario Rossi | 21 Danses hongroises, WoO 1: No. 20 in E Minor, Poco allegretto | |
| | Wiener Staatsopernorchester, Wiener Akademie-Chor & Hermann Scherchen | Requiem in D Minor, K. 626: Offertorium. Hostias et preces | |
| | Wiener Staatsopernorchester & Anton Paulik | Bahn frei!, Op. 45 | |
| | Wiener Staatsopernorchester, Hans Swarowsky & Walther Kamper | Concerto pour piano No. 5 in E-Flat Major, Op. 73 "Empereur": II. Adagio un poco mosso | |
| | Wiener Staatsopernorchester, Henry Swoboda & Radko Delorco | Christ on the Mount of Olives, Op. 85: Recitative. "Wilkommen, Tod" (Jesus) | |
| | Edith Farnadi, Wiener Staatsopernorchester & Hermann Scherchen | Concerto pour piano No. 2 in A Major, S. 125: III. Allegro deciso - Marziale un poco meno allegro | |
| | Wiener Staatsopernorchester, Hermann Scherchen, Sena Jurinac, Lucretia West, Hans Loeffler & Frederick Guthrie | Requiem in D Minor, K. 626: Sequentia. Tuba mirum | |
| | Wiener Staatsopernorchester & Felix Prohaska | Orchestral Suite No. 3 in D Major, BWV 1068: Bourrée | |
| | Wiener Staatsopernorchester & Felix Prohaska | Orchestral Suite No. 4 in D Major, BWV 1069: Ouverture (French Style Version) | |
| | Wiener Staatsopernorchester & Anton Paulik | Roses from the South, Op. 388 | |
| | Reine Gianoli, Wiener Staatsopernorchester & Milan Horvat | Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: II. Andante | |
| | Edith Farnadi, Wiener Staatsopernorchester & Hermann Scherchen | Concerto pour piano No. 2 in A Major, S. 125: IV. Allegro animato | |
| | Wiener Staatsopernorchester & Hermann Scherchen | Egmont, Op. 84: Clärchens Tod bezeichnend, Larghetto | |
| | Albert Linder, Wiener Staatsopernorchester & Hans Swarowsky | Concerto pour cor No. 1 in D Major, K. 412: I. Allegro | |
| | Karl Böhm & Wiener Staatsopernorchester | Eine kleine Nachtmusik in G Major, K. 525: II. Romanze. Andante, Pt. 1 | |
| | Wiener Staatsopernorchester, Hermann Scherchen, Sena Jurinac, Lucretia West, Hans Loeffler & Frederick Guthrie | Requiem in D Minor, K. 626: Sequentia. Tuba mirum | |
| | Wiener Staatsopernorchester, Hermann Scherchen & Wiener Akademie Kammerchor | Messiah, HWV 56, Pt. 2, Scene 6: No. 41, Chorus. "Let Us Break Their Bonds Asunder" | |
| | Wiener Staatsopernorchester & Argeo Quadri | Sheherazade, Op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks Against a Cliff Surmounted By a Bronze Horseman | |
| | Wiener Staatsopernorchester, Jonathan Sternberg, Wilma Lipp, Margarita Kenney, Waldemar Kmentt, Keith Engen & Wiener Staatsopernchor | Mass in B-Flat Major, Hob. XXII:14 "Harmoniemesse": Qui tollis | |
| | Wiener Staatsopernorchester, Hermann Scherchen & Wiener Akademie Kammerchor | Messe in B Minor, BWV 232, Gloria: Gratias agimus ibi | |
| | Paul Badura-Skoda, Hermann Scherchen & Wiener Staatsopernorchester | Concerto pour piano No. 5 in E-Flat Major, Op. 73 "L'empereur": I. Allegro | |
| | Magda Lászlò, Wiener Staatsopernorchester & Hermann Scherchen | O holder Tag, erwünschte Zeit, BWV 210 "Wedding Cantata": Recitative. "Hochteurer Mann, so fahre ferner fort" | |
| | Wiener Staatsopernorchester, Hermann Scherchen & Wiener Akademie Kammerchor | Messe in B Minor, BWV 232, Symbolum Nicenum: Confiteor | |
| | Wiener Staatsopernorchester, Jonathan Sternberg, Teresa Stich-Randall, Nathalie Narischkine, Waldemar Kmentt, Paul Schöffler & Chor des Vienna Konservatoriums | Ich hatte viel Bekümmernis, BWV 21, Pt. 2: Chorus. "Das Lamm, das erwürget ist" | |
| | Albert Linder, Wiener Staatsopernorchester & Hans Swarowsky | Concerto pour cor No. 2 in E-Flat Major, K. 417: III. Rondo | |
| | Wiener Staatsopernorchester, Hermann Scherchen & Richard Standen | Messiah, HWV 56, Pt. 1, Scene 3: No. 10, Recitative. "For Behold, Darkness Shall Cover the Earth" | |
