| | Hallé & Sir Mark Elder | The Wasps, Act I: I. Overture | |
| | Sir Mark Elder & Hallé | Preludes, Book II, L. 123: XII. Feux d'artifice (Arranged for Orchestra) | |
| | Sir Mark Elder & Hallé | Preludes, Book II, L. 123: II. Feuilles mortes (Arranged for Orchestra) | |
| | Sir Mark Elder & Hallé | Preludes, Book I, L. 117: VII. Ce qu'a vu le vent d'Ouest (Arranged for Orchestra) | |
| | Hallé & Sir Mark Elder | Dream Children, Op. 43 : No. 2: Allegretto piacevole | |
| | Hallé, Sir Mark Elder & Anne Schwanewilms | Wiegenlied, Op. 41 No. 1 : Wiegenlied, Op. 41 No. 1 | |
| | Hallé, Sir Mark Elder & Heinrich Schiff | Cello Concerto in E Minor, Op. 85 : I. Adagio - Moderato | |
| | Hallé, Sir Mark Elder & Graham Salvage | Romance for Bassoon and Orchestra, Op. 62 : Romance for Bassoon and Orchestra, Op. 62 | |
| | Lise Davidsen, London Philharmonic Orchestra & Sir Mark Elder | Wesendonck Lieder, WWV 91: IV. Schmerzen (Orch. Mottl) | |
| | Lise Davidsen, London Philharmonic Orchestra & Sir Mark Elder | Fidelio, Op. 72, Act I: Abscheulicher! Wo eilst du hin? | |
| | Misha Kiria, Sir Mark Elder & Britten Sinfonia | Il Paria, Act 1: "Ah no, che il core" (Zarete) | |
| | Chorus of the Dutch National Opera, Sir Mark Elder & Het Koninklijk Concertgebouworkest | Lohengrin, WWV 75, Act III: "Treulich geführt ziehet dahin" (Chorus) [Live] | |
| | Simon Keenlyside, Alastair Miles, Sir Mark Elder, Vesselina Kasarova & Orchestra of the Royal Opera House, Covent Garden | Dom Sebastien, roi de Portugal, Act 3: "Pour eteindre une guerre aux deux pays cruelle" (Dom Juam de Sylva, Abayaldos) | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Arie "O wär' ich schon mit dir vereint" | |
| | Roderick Williams, Bergen Philharmonic Orchestra & Sir Mark Elder | A Mass of Life, RT II/4, Pt. 2: II. Andante—Süsse Leier! Ich liebe deinen Ton | |
| | Roberto Alagna, Sir Mark Elder & Orchestra of the Royal Opera House, Covent Garden | Andrea Chénier: Come un bel dì di maggio | |
| | Hallé & Sir Mark Elder | Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | |
| | Sarah Walker, Timothy Walker, BBC Symphony Orchestra & Sir Mark Elder | Proenca: IX. En brèu brisarà'l temps braus | |
| | Marcelo Álvarez, Sir Mark Elder & Orchestre Philharmonique de Nice | La fille du régiment: Ah, mes amis...pour man âme | |
| | Hallé, Sir Mark Elder, Iain Paterson, Susan Bickley, Reinhard Hagen, Clive Bayley, David Stout, David Butt Philip & Will Hartmann | Das Rheingold, WWV 86A, Scene 4: "Lieblichste Schwester süsseste Lust!" | |
| | Sir Mark Elder, Victoria Simmonds, Orchestra of the Age of Enlightenment & Mark le Brocq | Maria di Rohan, Act 3: Finale (Chevreuse, Maria, Chalais) | |
| | Neil Howlett, Sir Mark Elder, English National Opera Orchestra & Charles Craig | Otello, Act II Scene 3: Beware, O my lord, beware of jealousy (Iago, Otello) | |
| | Sir Mark Elder, Daniela Barcellona, Orchestra of the Age of Enlightenment & Albina Shagimuratova | Semiramide, Act 2: "No, non ti lascio" (Semiramide, Arsace) | |
| | City of Birmingham Symphony Orchestra, Marc-André Hamelin & Sir Mark Elder | Piano Concerto in C Major, BV 247: I. Prologo e Introito. Allegro, dolce e solenne | |
| | Sarah Walker, BBC Symphony Orchestra & Sir Mark Elder | Proenca: IV. Ai, tantas vètz m'a trach nècis parlars | |
| | Gianluca Buratto, James Platt, Mirco Palazzi, Sir Mark Elder, Orchestra of the Age of Enlightenment, Susana Gaspar & Barry Banks | Semiramide, Act 1: "Ergi omai la fronte altera" (Idreno, Oroe, Assur, Azema, L'ombra di Nino) | |
| | Susan Bickley, Claire Rutter, Hallé & Sir Mark Elder | The Kingdom, Op. 51: IVd. The Sign of Healing "The Sun Goeth Down" | |
| | Hallé & Sir Mark Elder | Variations on an Original Theme ('Enigma'), Op.36 : XIII. * * * | |
| | Simon Keenlyside, Sir Mark Elder, Vesselina Kasarova & Orchestra of the Royal Opera House, Covent Garden | Dom Sebastien, roi de Portugal, Act 3: "C'est qu'en tous lieux" (Abayaldos, Zayda) | |
| | Hugo Santos, James Platt, Choeur de L'Opéra National de Lyon, Sir Mark Elder, London Symphony Orchestra, John Osborn, Valerio Contaldo, Guilhem Worms & Maxime Melnik | Le Prophète, Acte II: No. 6, Valse villageoise. Valsons toujours | |
| | Stephane Rancourt, Hallé & Sir Mark Elder | Apollinaire's Bird | |
| | Hallé, Hallé Youth Choir, Royal Opera Chorus, Trinity Boys Choir & Sir Mark Elder | Parsifal, WWV 111, Act I: "Wein und Brot" | |
| | Hallé, Sir Mark Elder, Stig Andersen & Yvonne Howard | Die Walküre, Act II Scene II: "So sah ich Siegvater nie" (Brünnhilde) | |
| | Brian Mulligan, Opera Rara Chorus, Sir Mark Elder, London Philharmonic Orchestra, Ermonela Jaho & Arsen Soghomonyan | Le Willis: "Angiol di Dio" (Guglielmo, Anna, Roberto, Chorus) | |
| | John Rawnsley, Sir Mark Elder, English National Opera Orchestra & Arthur Davies | Rigoletto, Act III: He's there, murdered, oh yes (Rigoletto, Duke) | |
| | Hallé, Sir Mark Elder, Susan Bickley, David Stout, David Butt Philip & Will Hartmann | Das Rheingold, WWV 86A, Scene 2: "Über Stock und Stein zu Thal stapfen sie hin" | |
| | Hallé, Sir Mark Elder & Alice Coote | Sea Pictures, Op. 37: IV. Where Corals Lie (Dr Richard Garnett) | |
| | Sir Mark Elder, Orchestra of the Age of Enlightenment, Nicole Cabell & Massimo Giordano | Imelda de' Lambertazzi, Act 2: "Segui i miei passi" (Lamberto, Imelda) | |
| | Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment & Joyce El-Khoury | Les Martyrs, Act 1: "O Dieu tutelaire! O toi, notre pere!" (Chorus, Pauline) | |
| | Hallé & Sir Mark Elder | Symphony No. 7 in C Major, Op. 60 - 'Leningrad': III. Adagio | |
| | Hallé, Sir Mark Elder, Iain Paterson, Susan Bickley, Emma Bell, Reinhard Hagen, Clive Bayley, David Stout, David Butt Philip & Will Hartmann | Das Rheingold, WWV 86A, Scene 4: "So sind wir den fertig!" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Duett "Jetzt, Alter, jetzt hat es Eile!" | |
| | Sir Mark Elder, Orchestra of the Age of Enlightenment & Brenda Rae | Fantasio, Act 1: "Voilà toute la ville en fête" (La princesse Elsbeth) | |
| | Hallé, Sir Mark Elder & Samuel Youn | Das Rheingold, WWV 86A, Scene 3: "Zitt’re und zage, gezähmtes Heer!" | |
| | Sir Mark Elder & Orchestra of the Royal Opera House, Covent Garden | Linda di Chamounix: Sinfonia (Live) | |
| | Misha Kiria, Sir Mark Elder, Britten Sinfonia & René Barbera | Il Paria, Act 1: "Non m’obliasti" (Zarete, Idamore) | |
| | Sir Mark Elder, English National Opera Orchestra, Rosalind Plowright & Charles Craig | Otello, Act IV Scene 3: Who's there?… Otello? (Desdemona, Otello) | |
| | Hallé, Sir Mark Elder, Egils Silins & Susan Bickley | Die Walküre, Act II Scene I: "Heut’ hast du ‘s erlebt!" (Wotan) | |
| | Sir Mark Elder & London Symphony Orchestra | Le Prophète, Acte IV: No. 23, Marche du sacre | |
| | Hallé, Sir Mark Elder, Egils Silins, Susan Bullock, Katherine Broderick, Alison Kettlewell, Linda Finnie, Sarah Castle, Ceri Williams, Elaine McKrill & Leah-Marian Jones | Die Walküre, Act III Scene II: "Wo ist Brünnhild’, wo die Verbrecherin?" (Wotan) | |
