| | Rebecca Afonwy-Jones, Presteigne Festival Orchestra & George Vass | Beginnings (Three Early Songs), Op. 54: III. O Unicorn Among The Cedars | |
| | Rebecca Afonwy-Jones, Samuel Boden, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part III (Arr. for Wind Ensemble by Stian Aareskjold): VI. O Death Where Is Thy sting? | |
| | London Concertante & Rebecca Afonwy-Jones | Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" | |
| | London Concertante, Claire Wild & Rebecca Afonwy-Jones | Lakmé, Act 1: Flower Duet | |
| | Susanna Hurrell, Rebecca Afonwy-Jones, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part II (Arr. for Wind Ensemble by Stian Aareskjold): XVII. How Beautiful Are the Feet | |
| | London Concertante, Claire Wild & Rebecca Afonwy-Jones | MoLe Nozze di Figaro, K. 492, Act 3zart: "Canzonetta sull aria" | |
| | Rebecca Afonwy-Jones, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part III (Arr. for Wind Ensemble by Stian Aareskjold): V. Then Shall Be Brought | |
| | Rebecca Afonwy-Jones, Presteigne Festival Orchestra & George Vass | Beginnings (Three Early Songs), Op. 54: I. Tom O'Bedlam's Song | |
| | Rebecca Afonwy-Jones, Felix Kemp, Nova Music Opera Ensemble & George Vass | Juliana: Scene 8, Daylight Strengthens | |
| | Zoe Drummond, Rebecca Afonwy-Jones, Felix Kemp, Nova Music Opera Ensemble & George Vass | Juliana: Scene 3, Twilight Outside | |
| | Zoe Drummond, Rebecca Afonwy-Jones, Nova Music Opera Ensemble & George Vass | Juliana: Scene 1, Evening Light Outside | |
| | Rebecca Afonwy-Jones, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part I (Arr. for Wind Ensemble by Stian Aareskjold): VIII. Behold a Virgin Shall Conceive | |
| | Rebecca Afonwy-Jones, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part II (Arr. for Wind Ensemble by Stian Aareskjold): II. He Was Despised | |
| | London Concertante, Claire Wild & Rebecca Afonwy-Jones | Lakmé, Act 1: Flower Duet | |
| | Rebecca Afonwy-Jones, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part I (Arr. for Wind Ensemble by Stian Aareskjold): XVII. Then Shall the Eyes of the Blind | |
| | Rebecca Afonwy-Jones, Presteigne Festival Orchestra & George Vass | Beginnings (Three Early Songs), Op. 54: II. Why East Wind Chills | |
| | Rebecca Afonwy-Jones, Felix Kemp, Nova Music Opera Ensemble & George Vass | Juliana: Scene 2, Light Fading Outside | |
| | London Concertante, Rebecca Afonwy-Jones & Dominic Walsh | Samson et Dalilah, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" | |
| | Rebecca Afonwy-Jones, Felix Kemp, Nova Music Opera Ensemble & George Vass | Juliana: Scene 13, Morning Light | |
| | Rebecca Afonwy-Jones, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part I (Arr. for Wind Ensemble by Stian Aareskjold): XVIII. He Shall Feed His Flock | |
| | London Concertante & Rebecca Afonwy-Jones | Carmen, Act 1: Habanera | |
| | Zoe Drummond, Rebecca Afonwy-Jones, Felix Kemp, Nova Music Opera Ensemble & George Vass | Juliana: Dance Sequence | |
| | London Concertante & Rebecca Afonwy-Jones | Il trovatore, Act 2: "Stride la vampa" | |
| | Rebecca Afonwy-Jones, Nova Music Opera Ensemble & George Vass | Juliana: Scene 6, The Night Is Serene | |
| | Rebecca Afonwy-Jones, BBC Singers, The Norwegian Wind Ensemble & David Hill | Messiah, HWV 56, Part I (Arr. for Wind Ensemble by Stian Aareskjold): IX. O Thou That Tellest Good Tidings | |
