| | Anneliese Rothenberger, Gerhard Unger & Kerstin Meyer | Berg: Lulu, 2. Akt, 1. Szene: Sein Vater! .../Wo ist denn der hin?/Du Kreatur, die mich durch den... | |
| | Jussi Björling, Kerstin Meyer, Eva Prytz, Barbro Ericson, Olle Sivall, Erik Sundqvist, Kungliga Hovkapellet & Kurt Bendix | Rigoletto, Act 3: La donna è mobile | |
| | Ingeborg Kjellgren, Hjordis Schymberg, Jussi Björling, Bertil Alstergård, Hugo Hasslo, Olle Sivall, Kerstin Meyer, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Sture Ingebretzen, Herbert Sandberg & Erik Saeden | Il trovatore, Act IV Scene 1: D'amor sull'ali rosee vanne (Leonora) | |
| | Set Svanholm, Arne Tyren, Ingeborg Kjellgren, Kjerstin Dellert, Anders Naslund, Busk Margit Jonsson, Kolbjorn Hoiseth, Knut Erik Sundquist, Kerstin Meyer, Barbro Ericson, Erik Saeden, Arne Hendriksen, Georg Svedenbrant, The Royal Swedish Opera Chorus, Kungliga Hovkapellet & Herbert Sandberg | Les Troyens, Act I Scene 5: Echappes a grand peine (Iopas, Didon) | |
| | Kerstin Meyer & Jan Eyron | Det blir vackert där du går | |
| | Sture Ingebretzen, Herbert Sandberg, Bertil Alstergård, Hugo Hasslo, Olle Sivall, Stockholm Royal Opera Orchestra, Ingeborg Kjellgren, Hjordis Schymberg, Jussi Björling, Stockholm Royal Opera Chorus, Erik Saeden & Kerstin Meyer | Il trovatore, Act I Scene 2: Tacea la notte placida (Leonora) | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act I Scene 1: Prelude - Wes Herd dies auch sei (Siegmund) | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act III Scene 3: Leb wohl, du kuhnes, herrliches Kind! (Wotan) | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act II: Scorrendo uniti remota via | |
| | Kerstin Meyer, Royal Stockholm Philharmonic Orchestra & Paul Kletzki | Lieder eines fahrenden Gesellen: III. Ich hab'ein glühend Messer | |
| | Jussi Björling | Rigoletto, Act 3: La Donna È Mobile (with Barbro Ericson, Erik Sundqvist, Eva Prytz, Kerstin Meyer & Olle Sivall) | |
| | Kerstin Meyer, Sixten Ehrling & Stockholm Philharmonic Orchestra | Hjärtats sånger, Op. 27: VI. Som en våg | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act III: Chi e mai | |
| | Elisabeth Schwarzkopf, Otto Edelmann, Christa Ludwig, Eberhard Wächter, Teresa Stich-Randall, Ljuba Welitsch, Paul Kuen, Kerstin Meyer, Nicolai Gedda, Franz Bierbach, Erich Majkut, Gerhard Unger, Harald Pröglhöf, Karl Friedrich, Anny Felbermayer, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt II, "Ohne mich, ohne mich jeder Tag dir zu bang" | |
| | Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert, Arne Hendriksen, Busk Margit Jonsson & Kerstin Meyer | Carmen, Act I: Sag, herr Korpralen … (Micaela, Jose) [Sung in Swedish] | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act III: Lassu in cielo | |
| | Elisabeth Söderström, Kerstin Meyer & Jan Eyron | Moravské dvojzpěvy (Moravian Duets), Op. 32, B. 62: Skromna [Die Bescheidene, the Modest Maid], Op. 32, No. 8 | |
| | Birgit Nilsson, Kerstin Meyer, Bayreuther Festspielorchester & Karl Böhm | Tristan und Isolde, WWV 90, Act I: Mir erkoren, mir verloren (Live) | |
| | Busk Margit Jonsson, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert, Kerstin Meyer, Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing & Arne Hendriksen | Carmen, Act II: Rassel, pingel … (Carmen, Mercedes, Frasquita) [Sung in Swedish] | |
| | Kerstin Meyer, Elisabeth Söderström & Jan Eyron | Duetto buffo di due gatti | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act I Scene 2: Mud am Herd fand ich den Mann (Sieglinde) | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act I: Gia da tre lune | |
| | Jussi Björling, Kerstin Meyer, Royal Swedish Orchestra & Herbert Sandberg | Il trovatore (Excerpts): Madre, non dormi? [Live] | |
| | Kerstin Meyer & Jan Eyron | Saliga väntan | |
| | Otto Edelmann, Christa Ludwig, Eberhard Wächter, Paul Kuen, Kerstin Meyer, Franz Bierbach, Erich Majkut, Gerhard Unger, Karl Friedrich, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt III, "Er ist es! Es ist mein Mann!" | |
| | Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Royal Opera Chorus, Kerstin Meyer, Sixten Ehrling & The Royal Orchestra | Carmen (Sung in Swedish): Act I: Seguidille | |
| | Kerstin Meyer & Glenn Gould | Das Buch der hangenden Garten, Op. 15: III. Als Neuling trat ich ein in dein Gehege | |
| | Kerstin Meyer & Glenn Gould | Das Buch der hangenden Garten, Op. 15: XIII. Du lehnest wider eine Silberweide | |
| | Kerstin Meyer & Jacqueline Bonneau | 5 Lieder, Op. 47: No. 1, Botschaft | |
| | Kerstin Meyer & Jacqueline Bonneau | 9 Songs, Op. 69: No. 9, Mädchenfluch | |
| | Busk Margit Jonsson, Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert, Kerstin Meyer & Arne Hendriksen | Carmen, Act I: Finale: Har ar ordern. Sa ga! (Sung in Swedish) | |
| | Elisabeth Schwarzkopf, Anny Felbermayer, Christa Ludwig, Gerhard Unger, Herbert von Karajan, Kerstin Meyer, Paul Kuen & Philharmonia Orchestra | Der Rosenkavalier, Op. 59, Act 1: "I komm' glei '... Drei arme, adelige Waisen" (Octavian, Orphans, Milliner, Animal-seller, Marschallin, Valzacchi) | |
| | Kerstin Meyer & Glenn Gould | Das Buch der hangenden Garten, Op. 15: X. Das schone Beet betracht ich mir im Harren | |
| | Kerstin Meyer & Jan Eyron | Haugtussa, Op. 67: II. Veslemøy | |
| | Set Svanholm, Arne Tyren, Ingeborg Kjellgren, Kjerstin Dellert, Anders Naslund, Busk Margit Jonsson, Kolbjorn Hoiseth, Knut Erik Sundquist, Kerstin Meyer, Barbro Ericson, Erik Saeden, Arne Hendriksen, Georg Svedenbrant, The Royal Swedish Opera Chorus, Kungliga Hovkapellet & Herbert Sandberg | Les Troyens, Act II: Pantomime: Andromaque de son fils (Chorus, Cassandre) | |
| | Jussi Björling, Olle Sivall, Bertil Alstergård, Carl-Axel Hallgren, Kurt Bendix, Georg Svedenbrant, Kerstin Meyer, Eva Prytz, Ingvar Wixell, Barbro Ericson, Erik Sundquist, Carrie Nilsson, Judith Garellick, Sven-Erik Jacobsson, Stockholm Royal Opera Chorus & Stockholm Royal Opera Orchestra | Rigoletto*: Act I Scene 2: Che m'ami, deh, ripetimi (Duke, Gilda, Ceprano, Borsa, Giovanna) | |
| | Sven-Erik Vikstrom, Royal Swedish Orchestra, Anna-Greta Soderholm, Joel Berglund, Set Svanholm, Hjordis Schymberg, Sixten Ehrling, Margareta Bergstrom, Kjerstin Dellert, Arne Wiren, Kerstin Meyer, Arne Tyren, Ingvar Wixell, Elisabeth Söderström, Royal Opera Chorus, Sigurd Bjorling, Conny Soderstrom, Eva Prytz, Carrie Nilsson & Margareta Bakker-Sunnegardh | Parsifal: Act II: Ich sah das Kind | |
| | Jussi Björling, Kerstin Meyer, Olle Sivall, Royal Philharmonic Orchestra of Stockholm, Kurt Bendix, Barbro Ericson, Eva Prytz & Erik Sundquist | Rigoletto, Act II: Signor ne principe - T'amo - E il sol dell'anima | |
| | Kerstin Meyer, Karl Ridderbusch, René Kollo, Gundula Janowitz, Peter Schreier, Berliner Philharmoniker & Herbert von Karajan | Die Meistersinger von Nürnberg, Act 3: Selig, wie die Sonne | |
| | Anneliese Rothenberger, Gerhard Unger & Kerstin Meyer | Berg: Lulu, 2. Akt, 2. Szene: Er läßt auf sich warten wie ein Kapellmeister | |
| | Kerstin Meyer & Jacqueline Bonneau | 6 Lieder, Op. 85: No. 3, Mädchenlied | |
| | Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Sixten Ehrling, Sigurd Bjorling, Kjerstin Dellert, Kerstin Meyer, Arne Hendriksen & Busk Margit Jonsson | Carmen, Act II: Dialogue: Varfor gor du sa har? (Smugglar) [Sung in Swedish] | |
| | Hugo Hasslo, Olle Sivall, Ingeborg Kjellgren, Bertil Alstergård, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Herbert Sandberg, Erik Saeden, Kerstin Meyer, Hjordis Schymberg, Jussi Björling & Sture Ingebretzen | Il trovatore, Act II Scene 2: Perche piangete? (Leonora, Ines, Conte, Chorus) | |
| | Kerstin Meyer & Jacqueline Bonneau | 9 Lieder and Songs, Op. 32: No. 2, Nicht mehr zu dir zu gehen | |
| | Arne Hendriksen, Busk Margit Jonsson, Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert & Kerstin Meyer | Carmen, Act III: Forsiktigt, forsiktigt (Smugglar) [Sung in Swedish] | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act III: Bella figlia dell'amore | |
| | Jussi Björling, Hjordis Schymberg, Kerstin Meyer, Hugo Hasslo, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Herbert Sandberg & Olle Sivall | Il trovatore, Act II: Non son tuo figlio? - Mal reggendo | |
| | Jussi Björling, Stockholm Royal Opera House Orchestra, Kerstin Meyer & Herbert Sandberg | Il Trovatore, Act 2: Mal Reggendo | |
| | Elisabeth Söderström, Kerstin Meyer & Jan Eyron | Sound the Trumpet, Z. 335 | |
| | Set Svanholm, Arne Tyren, Ingeborg Kjellgren, Kjerstin Dellert, Anders Naslund, Busk Margit Jonsson, Kolbjorn Hoiseth, Knut Erik Sundquist, Kerstin Meyer, Barbro Ericson, Erik Saeden, Arne Hendriksen, Georg Svedenbrant, The Royal Swedish Opera Chorus, Kungliga Hovkapellet & Herbert Sandberg | Les Troyens, Act III Scene 7: Errante sur tes pas (Didon, Enee, Chorus) | |
