| | Monteverdi Choir, Sylvia McNair, John Eliot Gardiner, Diana Montague, English Baroque Soloists, Anthony Rolfe Johnson, Cornelius Hauptmann, Lisa Beznosiuk, Anthony Robson & Alastair Mitchell | Mass in C Minor, K. 427 "Grosse Messe": 3b. Credo: Et Incarnatus Est | |
| | Southwest German Radio Symphony Orchestra, Edith Mathis, Doris Soffel, Anthony Rolfe Johnson, John Shirley-Quirk & Kaszimierz Kord | Requiem Mass in D Minor, K. 626: I. Introitus: Requiem aeternam | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Hillyer | The Seven Last Words of Christ on the Cross : Il Terremoto "Er ist nicht mehr" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ on the Cross, H 20/2: No. 7 "Vater, in deine Hande" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ on the Cross, H 20/2: No. 6 "Es ist vollbracht" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ on the Cross, H 20/2: No.1 "Vater, vergib ihnen" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ on the Cross, H 20/2: No. 2 "Fürwahr, ich sag' es dir" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Hillyer | The Seven Last Words of Christ on the Cross, H 20/2: No. 5 "Jesus rufet" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ on the Cross, H 20/2: No. 4 "Mein Gott, mein Gott" | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ on the Cross, H 20/2: No. 3 "Frau, hier siehe deinen Sohn" | |
| | Anthony Rolfe Johnson & Graham Johnson | It was a lover and his lass | |
| | Jean-Christophe Spinosi, Sara Mingardo, Ensemble Matheus, Philippe Jaroussky, Laurens Guillemette, Anthony Rolfe Johnson & Nathalie Stutzmann | La verità in cimento, opera in 3 acts, RV739 - Act II, Scene 9: Quintetto "Anima mia, mio ben" (Mamud, Rustena, Damira, Zelim e Melindo.) | |
| | Luba Orgonasova, John Eliot Gardiner, Orchestre Révolutionnaire et Romantique, Anne Sofie von Otter, Monteverdi Choir, Anthony Rolfe Johnson & Gilles Cachemaille | Symphony No. 9 in D Minor, Op. 125 - "Choral": IV. Presto - "O Freunde Nicht Diese Töne" - | |
| | Simon Birchall, Olaf Bär, Schütz Choir of London, Sir Roger Norrington, London Classical Players, Rufus Müller, Anthony Rolfe Johnson & Wolfgang Riedelbauch | Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) | |
| | Anthony Rolfe Johnson & Graham Johnson | The Salley Gardens | |
| | Graham Johnson & Anthony Rolfe Johnson | 3 Shakespeare Songs, Op. 6: O mistress mine | |
| | Anthony Rolfe Johnson, John Eliot Gardiner, Monteverdi Choir & Orchestre de l'Opéra de Lyon | L'enfance Du Christ Op.25 : Part 3 the Arrival At Sais "O Mon Âme, Pour Toi Que Reste-t-il À Faire" [Chorus, Narrator] | |
| | Anthony Rolfe Johnson & Graham Johnson | The House of Life: No. 2. Silent Noon | |
| | Anthony Rolfe Johnson, Arnold Schoenberg Choir, Concentus Musicus Wien, Inga Nielsen, Margareta Hintermeier, Nikolaus Harnoncourt & Robert Holl | The Seven Last Words of Christ On the Cross Hob. XX, 2: III. "Fürwahr: Ich Sag' Es Dir" | |
| | Anthony Rolfe Johnson, Trevor Pinnock, The English Concert & Arleen Auger | Belshazzar: "For You, My Friends" | |
| | Edith Mathis, Hanna Schwarz, Anthony Rolfe Johnson, Arleen Auger, Mozarteumorchester Salzburg & Leopold Hager | Apollo et Hyacinthus, K. 38, Act I: Recitativo "Amice! iam parata sunt omnia" | |
| | Norma Burrowes, John Eliot Gardiner, English Baroque Soloists, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson & Sir Willard White | Acis & Galatea, HWV 49, Act II: Must I my Acis still bemoan | |
| | Anthony Rolfe Johnson, John Eliot Gardiner & English Baroque Soloists | Christmas Oratorio, BWV 248 / Pt. Six - For the Feast of Epiphany: No. 58 Evangelist: "Als sie nun den König gehöret hatten" | |
| | Anthony Rolfe Johnson & Graham Johnson | To the Virgins, to Make Much of Time | |
| | Nikolaus Harnoncourt, Concentus Musicus Wien & Anthony Rolfe Johnson | Samson, HWV 57, Act I, Scene 2: Aria. "Total eclipse!" (Samson) | |
| | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner, Monteverdi Choir & The London Oratory Junior Choir | Matthäus-Passion, BWV 244 / Zweiter Teil: No. 58 "Und da sie an die Stätte kamen" | |
| | Sir Thomas Allen, Bernard Haitink, Orchestra of the Royal Opera House, Covent Garden, Dame Felicity Lott & Anthony Rolfe Johnson | Peter Grimes, Op. 33, Act 3, Scene 2: "Peter, We've Come to Take You Home" (Ellen, Peter, Balstrode) | |
| | Anthony Rolfe Johnson, John Eliot Gardiner, English Baroque Soloists & Cornelius Hauptmann | La Clemenza Di Tito, K. 621: "Dove S'intese Mai Più Contumace Infedeltà?" - "Publio. - Cesare." | |
| | Anthony Rolfe Johnson, John Eliot Gardiner, English Baroque Soloists, Olaf Bär, Monteverdi Choir & The London Oratory Junior Choir | St. Matthew Passion, BWV 244: No.38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast" | |
| | Anthony Rolfe Johnson & Graham Johnson | 6 Songs from A Shropshire Lad: No. 4, Think No. More, Lad | |
| | Graham Johnson, Anthony Rolfe Johnson & Duke Quartet | To Julia, Op. 8: iv - The night piece | |
| | Helen Donath, Antal Doráti, Orchestre de Chambre de Lausanne, Kari Lövaas, Claes-Håkon Ahnsjö, Domenico Trimarchi & Anthony Rolfe Johnson | La vera costanza: "Vanne, sciocco balordo; intendo" | |
| | Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner, Monteverdi Choir & The London Oratory Junior Choir | Matthäus-Passion, BWV 244 / Zweiter Teil: No. 61 "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal" | |
| | Graham Johnson & Anthony Rolfe Johnson | White in the Moon the Long Road Lies | |
| | Anthony Rolfe Johnson, English Baroque Soloists & John Eliot Gardiner | Idomeneo, re di Creta, K. 366, Act II: "Qual mi conturba i sensi" | |
| | Angela Kazimierczuk, Jonathan Peter Kenny, Philip Salmon, Stephen Charlesworth, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner & Monteverdi Choir | Idomeneo, re di Creta, K. 366, Act I: "Godiam la pace" - "Prence, signor" - "Ma quel pianto" - "Estinto è Idomeneo?" - "Tutte nel cor vi sento" - "Pietà! Numi, pietà!" - "Eccoci salvi alfin" - "Oh voi" | |
| | Anthony Rolfe Johnson, John Eliot Gardiner & English Baroque Soloists | Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio): 7. Rezitativ: "Sie aber beteten ihn an" | |
| | Anthony Rolfe Johnson, Trevor Pinnock & The English Concert | Belshazzar: "I Thank Thee, Sesach" | |
| | Anthony Rolfe Johnson, John Eliot Gardiner, Monteverdi Choir & English Baroque Soloists | Messiah: 32. Recitative: "Unto Which of the Angels" | |
| | Anthony Rolfe Johnson, English Baroque Soloists & John Eliot Gardiner | St. John Passion, BWV 245 / Part One: No. 6 Evangelist:" Die Schar aber" | |
| | John Eliot Gardiner, English Baroque Soloists, Anthony Rolfe Johnson, Olaf Bär & Andreas Schmidt | St. Matthew Passion, BWV 244: No. 43, Evangelist, Pilatus, Jesus: "Sie Hielten Aber Einen Rat" | |
| | Klaus Tennstedt, Benjamin Luxon, London Philharmonic Orchestra, Anthony Rolfe Johnson & Lucia Popp | The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Arie "Auf starkem Fittiche schwinget sich" (Gabriel) | |
| | Anthony Rolfe Johnson & Graham Johnson | Possession | |
| | London Philharmonic Choir, Tiffin Boys' Choir, Kent Nagano, Anne Fournet, London Philharmonic Orchestra & Anthony Rolfe Johnson | Perséphone, Tableau II "Perséphone aux enfers": "Tu viens pour dominer" (Chœur, Eumolpe, Perséphone) | |
| | Sir Thomas Allen, Bernard Haitink, Orchestra of the Royal Opera House, Covent Garden & Anthony Rolfe Johnson | Peter Grimes, Op. 33, Act 1, Scene 1: "And Do You Prefer the Storm" (Balstrode, Peter) | |
| | Anthony Rolfe Johnson & Graham Johnson | A Cycle of 7 Songs from A Shropshire Lad: No. 6, Hughley Steeple | |
| | Anthony Rolfe Johnson, Graham Johnson, John Mark Ainsley & Michael Schade | Glaube, Hoffnung und Liebe, D. 955 | |
| | Anthony Rolfe Johnson, John Eliot Gardiner & English Baroque Soloists | "Nun komm, der Heiden Heiland", BWV 62: 2. Aria "Bewundert, o Menschen" (Tenor) | |
| | Anthony Rolfe Johnson & Graham Johnson | Die Taubenpost, D. 965a | |
| | Anthony Rolfe Johnson & Graham Johnson | 4 Indian Love Lyrics: II. Till I Wake | |
