| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena V, "Oh giusto cielo!" No. 14 - Scena ed Aria (Coro, Andrea Rost) | |
| | Anthony Michaels-Moore, Arnold Schoenberg Choir, Concentus Musicus Wien, Elisabeth von Magnus, Nikolaus Harnoncourt & Sylvia McNair | The Fairy Queen, Act 2: "See, Even Night Herself Is Here" (Night] "I Am Come to Lock All Fast" [Mystery] "One Charming Night" (Secrecy) "Hush, No More" [Sleep, Chorus] | |
| | Margaret Jane Wray, Dagmar Peckova, Glenn Winslade, Alessandra Marc, Christiane Boesiger, Eugenie Grunewald, Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Europe Choir Academy, Michael Gielen & South West German Radio Symphony Orchestra, Baden-Baden | Symphony No. 8 in E flat major, "Symphony of a Thousand": Bei der Liebe, die den Fussen - | |
| | Marcello Viotti, Anthony Michaels-Moore, Francesco Piccoli & Münchner Rundfunkorchester | La favorite, Act II Scene 1: Jardin de l' Alcazar | |
| | Anthony Michaels-Moore & Marcello Viotti | La Favorite - Opera in four Acts: Act II: Scene 2: Léonor, viens, j'abandonne | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena III, "D'immenso giubilo" No. 12 - Coro (Coro) | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena V, "Piange la madre estinta" (Anthony Michaels-Moore, Paul Charles Clarke, Andrea Rost, Alastair Miles, Louise Winter, Coro, Bruce Ford) | |
| | Anthony Michaels-Moore, David Parry, London Philharmonic Orchestra, Susan Patterson & Dennis O'Neill | A Masked Ball, Act II: Do you hear how the menacing voices (Amelia, Anckarstroem, Gustavus) | |
| | Anthony Michaels-Moore, André Previn & Wiener Philharmoniker | Carmina Burana: "Dies, Nox Et Omnia" | |
| | Alessandra Marc, Margaret Jane Wray, Dagmar Peckova, Eugenie Grunewald, Glenn Winslade, Anthony Michaels-Moore, Peter Lika, Europe Choir Academy, Aurelius Sangerknaben Calw, SWR Sinfonieorchester des Südwestrundfunks & Michael Gielen | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ic. Infirma nostri corporis | |
| | Alessandra Marc, Margaret Jane Wray, Dagmar Peckova, Eugenie Grunewald, Glenn Winslade, Anthony Michaels-Moore, Peter Lika, Europe Choir Academy, Aurelius Sangerknaben Calw, SWR Sinfonieorchester des Südwestrundfunks & Michael Gielen | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Ib. Imple superna gratia | |
| | Margaret Jane Wray, Dagmar Peckova, Glenn Winslade, Alessandra Marc, Christiane Boesiger, Eugenie Grunewald, Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Europe Choir Academy, Michael Gielen & South West German Radio Symphony Orchestra, Baden-Baden | Symphony No. 8 in E flat major, "Symphony of a Thousand": Tu septiformis munere - | |
| | Roger Honeywell, Roy Hage, Anthony Michaels-Moore, Andrea Núñez, Nathan Gunn, Robert Pomakov, Santa Fe Opera Orchestra & Miguel Harth-Bedoya | Cold Mountain, Act I: We Once Lived in a Land of Paradise (Live) | |
| | Anthony Michaels-Moore, Marcello Viotti & Münchner Rundfunkorchester | La favorite, Act II Scene 2: Léonor, viens, j'abandonne | |
| | Michael Pollock & Anthony Michaels-Moore | Songs of the Fleet, Op. 117: I. Sailing at Dawn | |
| | Anthony Michaels-Moore & Michael Pollock | Blackmwore by the Stour | |
| | Anthony Michaels-Moore, Wiener Philharmoniker, André Previn, Arnold Schoenberg Choir & Erwin Ortner | Carmina Burana: "Circa Mea Pectora" | |
| | Anthony Michaels-Moore, David Parry & London Philharmonic Orchestra | A Masked Ball, Act III Scene 1: We are gathered. Now hear me (Anckarstroem) | |
| | David Parry, Philharmonia Orchestra, Anthony Michaels-Moore & Marcus Jerome | Orazi e Curiazi, Act 1: "Ora fatal! ... de' padri" (Oriazio) | |
| | Margaret Jane Wray, Dagmar Peckova, Glenn Winslade, Alessandra Marc, Christiane Boesiger, Eugenie Grunewald, Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Europe Choir Academy, Michael Gielen & South West German Radio Symphony Orchestra, Baden-Baden | Symphony No. 8 in E flat major, "Symphony of a Thousand": Poco adagio - Waldung, sie schwankt heran - | |
| | Anthony Michaels-Moore, Kevin Burdette, Miguel Harth-Bedoya, The Santa Fe Opera Orchestra, Roy Hage & Jay Hunter Morris | Cold Mountain, Act II: Howdy, strangers... Keep playin'… | |
| | Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Margaret Jane Wray, South West German Radio Symphony Orchestra, Baden-Baden, Michael Gielen, Europe Choir Academy, Dagmar Peckova, Alessandra Marc, Glenn Winslade, Christiane Boesiger & Eugenie Grunewald | Symphony No. 8 In e Flat Major, "Symphony of a Thousand": Tu Septiformis Munere - | |
| | Anthony Michaels-Moore, Peter Bronder, Hillevi Martinpelto, Eirian James, Sara Mingardo, Rebecca Evans, Orchestre Révolutionnaire et Romantique & John Eliot Gardiner | Falstaff, Act III: "Non dubitar, tu sposerai mia figlia" | |
| | Anthony Michaels-Moore, David Parry, Dennis O'Neill & Philharmonia Orchestra | The Force of Destiny, Act III: In death's awful shadow… (Solenne in quest'ora) (Don Carlo, Alvaro) | |
| | Michael Pollock & Anthony Michaels-Moore | La Belle Dame sans merci | |
| | Anthony Michaels-Moore, Christopher Purves, Brindley Sherratt, David Parry, London Philharmonic Orchestra & Susan Patterson | A Masked Ball, Act III Scene 1: So which name has been chosen? (Anckarstroem, Ribbing, Amelia, Horn) | |
| | David Parry, Philharmonia Orchestra, Anthony Michaels-Moore & Nelly Miricioiu | Orazi e Curiazi, Act 3: "Final dammi, se a queste lagrime" (Camilla, Orazio, People, All the Others) | |
| | Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Margaret Jane Wray, Dagmar Peckova, South West German Radio Symphony Orchestra, Baden-Baden, Michael Gielen, Europe Choir Academy, Glenn Winslade, Alessandra Marc, Christiane Boesiger & Eugenie Grunewald | Symphony No. 8 In e Flat Major, "Symphony of a Thousand": Infirma Nostri Corporis - | |
| | Orchestra of the Royal Opera House, Sir John Tomlinson, Alasdair Elliott, Sir Thomas Allen, Richard Lloyd Morgan, Anthony Michaels-Moore, Gwynne Howell, Grant Dickson, Robin Leggate, John Dobson, Herbert Lippert, Paul Crook, Simon Wilding, Geoffrey Moses, Royal Opera Chorus & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Gott gruss' euch, Meister! (Live) | |
| | Anthony Michaels-Moore, Christopher Purves, Brindley Sherratt, David Parry, London Philharmonic Orchestra, Dennis O'Neill & Linda Richardson | A Masked Ball, Act I Scene 1: My friends, will you come with me (Gustavus, Anckarstroem, Oscar, Ribbing, Horn) | |
| | Margaret Jane Wray, Dagmar Peckova, Glenn Winslade, Alessandra Marc, Christiane Boesiger, Eugenie Grunewald, Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Europe Choir Academy, Michael Gielen & South West German Radio Symphony Orchestra, Baden-Baden | Symphony No. 8 in E flat major, "Symphony of a Thousand": Dir, der Unberuhrbaren - | |
| | Anthony Michaels-Moore, André Previn & Wiener Philharmoniker | Carmina Burana: XI. Estuans interius | |
| | Anthony Michaels-Moore, Miguel Harth-Bedoya, Emily Fons, Isabel Leonard, The Santa Fe Opera Orchestra & Roy Hage | Cold Mountain, Act II: Bless you, Ruby | |
| | Anthony Michaels-Moore, David Parry, London Philharmonic Orchestra & Dennis O'Neill | A Masked Ball, Act II: My friend, I ask you a personal favour (Gustavus, Anckarstroem) | |
| | Wiener Philharmoniker, André Previn, Anthony Michaels-Moore, Arnold Schoenberg Choir & Erwin Ortner | Carmina Burana: "Si Puer Cum Puellula" | |
| | Basler Chelsea, Bridgette Gan, Heather Phillips, Shabnam Kalbasi, Emily Fons, Megan Marino, Isabel Leonard, Roy Hage, Roger Honeywell, Anthony Michaels-Moore, Nathan Gunn, Robert Pomakov, Nicholas Ottersberg, Santa Fe Opera Chorus, Santa Fe Opera Orchestra & Miguel Harth-Bedoya | Cold Mountain, Act II: Tell Her (Live) | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena I, "Orrida è questa notte" Parte Seconda (Atto Secondo)/No. 11 - Uragano, Scena e Duetto (Bruce Ford, Anthony Michaels-Moore) | |
| | Michael Pollock & Anthony Michaels-Moore | Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | |
| | Anthony Michaels-Moore, Barbara Bonney, Concentus Musicus Wien & Nikolaus Harnoncourt | The Fairy Queen: Act 1 "Come, Let Us Leave the Town" [Soprano, Bass] | |
| | Marcello Viotti, Vesselina Kasarova, Abbie Furmansky, Anthony Michaels-Moore & Münchner Rundfunkorchester | La favorite, Act II Scene 3: Pour la fête... Ainsi donc on raconte | |
| | Anthony Michaels-Moore, David Parry, London Philharmonic Orchestra & Susan Patterson | A Masked Ball, Act III Scene 1: I go, but in compassion (Amelia, Anckarstroem) | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: No. 1 - Preludio e coro d'introduzione (Ryland Davies) | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: "Ah! Verranno a te sull'aure" (Andrea Rost, Bruce Ford) | |
| | Margaret Jane Wray, Dagmar Peckova, Glenn Winslade, Alessandra Marc, Christiane Boesiger, Eugenie Grunewald, Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Europe Choir Academy, Michael Gielen & South West German Radio Symphony Orchestra, Baden-Baden | Symphony No. 8 in E flat major, "Symphony of a Thousand": Veni, creator spiritus - | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: "La pietade in suo favore" (Anthony Michaels-Moore, Coro, Alastair Miles) | |
| | Alessandra Marc, Margaret Jane Wray, Christiane Boesiger, Dagmar Peckova, Eugenie Grunewald, Glenn Winslade, Anthony Michaels-Moore, Peter Lika, Europe Choir Academy, Aurelius Sangerknaben Calw, SWR Sinfonieorchester des Südwestrundfunks & Michael Gielen | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIc. Wie Felsenabgrund mir zu Füßen | |
| | Margaret Jane Wray, Dagmar Peckova, Glenn Winslade, Alessandra Marc, Christiane Boesiger, Eugenie Grunewald, Anthony Michaels-Moore, Peter Lika, Aurelius Sangerknaben Calw, Europe Choir Academy, Michael Gielen & South West German Radio Symphony Orchestra, Baden-Baden | Symphony No. 8 in E flat major, "Symphony of a Thousand": Accende lumen sensibus - | |
| | Anthony Michaels-Moore & Michael Pollock | Songs of the Sea, Op. 91: I. Drake's Drum | |
| | Sir Charles Mackerras, Hanover Band, Andrea Rost, London Voices, Marten Root, Anthony Michaels-Moore, Angela Moore, Ryland Davies, Alastair Miles, Graham Jackson, Paul Charles Clarke, Louise Winter & Bruce Ford | Lucia di Lammermoor: Scena III, "Ebben? Di tua speranza" (Andrea Rost, Alastair Miles) | |
| | Aurelius Sangerknaben Calw, Alessandra Marc, Margaret Jane Wray, Eugenie Grunewald, Christiane Boesiger, Glenn Winslade, Dagmar Peckova, Europe Choir Academy, Michael Gielen, South West German Radio Symphony Orchestra, Baden-Baden, Peter Lika & Anthony Michaels-Moore | Symphony No. 8 In e Flat Major, "Symphony of a Thousand": Accende Lumen Sensibus - | |
