| | Michael Behringer, James Taylor, Sibylla Rubens, Michael Gross & Helmuth Rilling | Komm, Susser Tod, BWV 478 | |
| | Michael Behringer, James Taylor, Michael Gross & Helmuth Rilling | Vergiss Mein Nicht, Mein Allerliebster Gott, BWV 505 | |
| | Philippe Herreweghe, Rosa Mannion, Birgit Remmert, James Taylor, Cornelius Hauptmann, La Chapelle Royale, Orchestre des Champs Elysées & Collegium Vocale Gent | Missa Solemnis, Op. 123 in D Major: Benedictus | |
| | Michael Behringer, James Taylor, Michael Gross & Helmuth Rilling | Es Ist Vollbracht! Vergiss Ja Nicht Dies Wort, BWV 458 | |
| | Philippe Herreweghe, Rosa Mannion, Birgit Remmert, James Taylor, Cornelius Hauptmann, La Chapelle Royale, Orchestre des Champs Elysées & Collegium Vocale Gent | Missa Solemnis, Op. 123 in D Major: Sanctus | |
| | Michael Volle, Monica Groop, Donna Brown, Oregon Bach Festival Choir, Helmuth Rilling, Oregon Bach Festival Orchestra & James Taylor | Mass No. 5 In a Flat Major, D. 678: Agnus Dei: Dona Nobis Pacem | |
| | Monica Groop, James Taylor, Donna Brown, Michael Volle, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra & Helmuth Rilling | Mass No. 5 In a Flat Major, D. 678: Agnus Dei: Dona Nobis Pacem | |
| | Michael Schade, Andreas Schmidt, Ingeborg Danz, Matthias Goerne, Juliane Banse, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | St. John Passion, BWV 245: Aria and Chorale: Himmel, Reisse, Welt Erhebe (Bass, Soprano, Chorus) | |
| | Michael Schade, Andreas Schmidt, Ingeborg Danz, Matthias Goerne, Juliane Banse, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | St. John Passion, BWV 245: Herr, Unser Herrscher (Chorus) | |
| | James Taylor, Ingeborg Danz, Eva Lind, Reinhard Hagen, Michael Gielen, South West German Radio Symphony Orchestra, Baden-Baden & Europa Chor Akademie | Mass No. 11 In D Minor, Hob.XXII:11, "Nelsonmesse", "Imperial Mass", "Coronation Mass": Kyrie | |
| | Michael Behringer, James Taylor, Sibylla Rubens, Michael Gross, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Kommt, Seelen, Dieser Tag: Sacred Song, BWV 479 | |
| | Christine Schafer, James Taylor, Thomas Quasthoff, Helmuth Rilling & Stuttgart Bach Collegium | Schweigt Stille, Plaudert Nicht, BWV 211, "Coffee Cantata": Die Katze Lasst Das Mausen Nicht (Chorus, Soprano, Tenor, Bass) | |
| | Michael Volle, Monica Groop, Donna Brown, Oregon Bach Festival Choir, Helmuth Rilling, Oregon Bach Festival Orchestra & James Taylor | Mass No. 5 In a Flat Major, D. 678: Credo | |
| | James Taylor, Thomas Quasthoff, Helmuth Rilling, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra, Ingeborg Danz & Sibylla Rubens | Messiah, HWV 56: Air: O Thou That Tellest Good Tidings to Zion (Alto) | |
| | Helmuth Rilling, James Taylor, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra, Thomas Quasthoff, Sibylla Rubens & Ingeborg Danz | Messiah, HWV 56: Accompanied Recitative: Thus Saith the Lord of Hosts (Bass) | |
| | Lori Phillips, Robynne Redmon, James Taylor, Jay Baylon, Mary Kathryn van Osdale, Nashville Symphony Chorus, Nashville Symphony & Kenneth Schermerhorn | Mass in D Major, Op. 123 "Missa Solemnis": Benedictus | |
| | James Taylor & Donald Sulzen | 3 Chinese Love Lyrics: No. 2, Through Your Window | |
| | James Taylor, Helmuth Rilling, Oregon Bach Festival Orchestra, Oregon Bach Festival Choir, Thomas Quasthoff, Sibylla Rubens & Ingeborg Danz | Messiah, HWV 56: Pifa: Pastoral Symphony | |
| | James Taylor, Sibylla Rubens, Ingeborg Danz, Matthias Goerne, Lothar Odinius, Dietrich Henschel, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Geschwinde, Ihr Wirbelnden Winde, BWV 201: Recitative: Komm, Midas, Sage Du Nun an (Tenor, Bass) | |
| | James Taylor, Sibylla Rubens, Ingeborg Danz, Matthias Goerne, Lothar Odinius, Dietrich Henschel, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Geschwinde, Ihr Wirbelnden Winde (Chorus) | |
| | Sibylla Rubens, Matthias Goerne, Eva Kirchner, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208, "Hunt Cantata": Sinfonia, BWV 1046a | |
| | Christian Elsner, James Taylor, Franz-Josef Selig, Michael Volle & Gerold Huber | Untreue | |
| | Christine Schafer, James Taylor, Thomas Quasthoff, Ingeborg Danz, Ibolya Verebics, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Magnificat In D Major, BWV 243: Deposuit Potentes (Tenor) | |
| | Marek Rzepka, Ellen Hargis, Karina Gauvin, James Taylor, Matthew White, Jan Kobow & Boston Early Music Festival Orchestra | Ariadne, Act II: Verwegensterl | |
| | Donna Brown, Monica Groop, James Taylor, Michael Volle, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra & Helmuth Rilling | Mass No. 5 in A-Flat Major, D. 678: Gloria. Quoniam tu solus sanctus | |
| | James Taylor, Gächinger Kantorei, Bach Collegium Stuttgart & Helmuth Rilling | Weihnachts-Oratorium, BWV 248, Teil 3, Am 3. Heiligen Weyhnachts-Feyertage, Evangelista: Und die Hirten kehrten wieder um | |
| | Michael Behringer, James Taylor, Michael Gross & Helmuth Rilling | Liebster Gott, Wann Werd Ich Sterben, BWV 483 | |
| | Michael Schade, Andreas Schmidt, Ingeborg Danz, Matthias Goerne, Juliane Banse, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | St. John Passion, BWV 245: Chorale: Er Nahm Alles Wohl In Acht (Chorus) | |
| | Christian Elsner, James Taylor, Franz-Josef Selig, Michael Volle & Gerold Huber | Grab und Mond, D. 893 | |
| | Enoch zu Guttenberg, James Taylor & KlangVerwaltung | Die Jahreszeiten, Hob. XXI:3 - Winter: "Hier Steht Der Wand'rer Nun" (Lukas) | |
| | Dann Coakwell, James Taylor, Paul Max Tipton, Yale Institute of Sacred Music & Masaaki Suzuki | Paratum cor meum: II. Confitebor tibi in populis Domine | |
| | Lori Phillips, Robynne Redmon, James Taylor, Jay Baylon, Mary Kathryn van Osdale, Nashville Symphony Chorus, Nashville Symphony & Kenneth Schermerhorn | Missa solemnis, Op. 123: Sanctus. Benedictus | |
| | Helmuth Rilling, Oregon Bach Festival Orchestra, James Taylor, Oregon Bach Festival Choir, Michael Volle, Monica Groop & Donna Brown | Mass No. 5 In a Flat Major, D. 678: Agnus Dei | |
| | Christine Schafer, James Taylor, Thomas Quasthoff, Ingeborg Danz, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Mass In a Major, BWV 234: Quoniam Tu Solus Sanctus (Alto) | |
| | Lori Phillips, Robynne Redmon, Jay Baylon, Mary Kathryn van Osdale, Nashville Symphony Chorus, Kenneth Schermerhorn, Nashville Symphony & James Taylor | Mass in D major, Op. 123, "Missa Solemnis" : Sanctus | |
| | Michael Schade, Andreas Schmidt, Ingeborg Danz, Matthias Goerne, Juliane Banse, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | St. John Passion, BWV 245: Chorale: O Grosse Lieb (Chorus) | |
| | James Taylor, Oregon Bach Festival Orchestra & Helmuth Rilling | Messiah, HWV 56, Pt. I (Excerpts): No. 3, Ev'ry Valley Shall Be Exalted | |
| | Sibylla Rubens, Matthias Goerne, Eva Kirchner, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208, "Hunt Cantata": Aria: Weil Die Wollenreichen Herden (Soprano) | |
| | Hanno Müller-Brachmann, Sibylla Rubens, Ingeborg Danz, Marcus Ullmann, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | Christmas Oratorio, BWV 248: Chorale: Wie Soll Ich Dich Empfangen (Chorus) | |
| | James Taylor & Münchner Klaviertrio | Hela'r Ysgyfarnog, Hob. XXXIb:33 | |
| | Christian Elsner, James Taylor, Franz-Josef Selig, Michael Volle & Gerold Huber | Im Gegenwartigen Vergangenes, D. 710 | |
| | Oregon Bach Festival Choir, Thomas Quasthoff, James Taylor, Helmuth Rilling, Oregon Bach Festival Orchestra, Sibylla Rubens & Ingeborg Danz | Messiah, HWV 56: Sinfonia: Grave - Allegro Moderato | |
| | Oregon Bach Festival Orchestra, Helmuth Rilling, James Taylor, Ingeborg Danz, Thomas Quasthoff & Marina Shaguch | Stabat Mater, Op. 58, B. 71: Quis est homo qui non fleret. Andante sostenuto | |
| | Helmuth Rilling, Marina Shaguch, Oregon Bach Festival Orchestra, James Taylor, Ingeborg Danz, Thomas Quasthoff & Oregon Bach Festival Choir | Stabat Mater, Op. 58, B. 71: Fac, Ut Ardeat Cor Meum (Bass, Chorus) | |
| | Lori Phillips, Robynne Redmon, Jay Baylon, Mary Kathryn van Osdale, Nashville Symphony Chorus, Kenneth Schermerhorn, Nashville Symphony & James Taylor | Mass in D major, Op. 123, "Missa Solemnis" : Agnus Dei - Dona nobis pacem | |
| | James Taylor, Barbara Borden & Boston Early Music Festival Orchestra | Ariadne, Act II: Geneigte Liebe beglücke die Lust | |
| | Oregon Bach Festival Choir, Thomas Quasthoff, Oregon Bach Festival Orchestra, Sibylla Rubens, Ingeborg Danz, Helmuth Rilling & James Taylor | Messiah, HWV 56: Air: Every Valley Shall Be Exalted (Tenor) | |
| | Helmuth Rilling, Michael Volle, James Taylor, Oregon Bach Festival Orchestra, Oregon Bach Festival Choir, Donna Brown & Monica Groop | Mass No. 5 In a Flat Major, D. 678: Sanctus: Benedictus | |
| | Nashville Symphony, Jay Baylon, Mary Kathryn van Osdale, Robynne Redmon, Lori Phillips, Kenneth Schermerhorn, James Taylor & Nashville Symphony Chorus | Mass in D Major, Op. 123, "Missa solemnis": Kyrie eleison | |
| | Sibylla Rubens, Matthias Goerne, Eva Kirchner, Gächinger Kantorei Stuttgart, Helmuth Rilling, Stuttgart Bach Collegium & James Taylor | Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208, "Hunt Cantata": Recitative: Was Mir Behagt, Ist Nur Die Muntre Jagd! (Soprano) | |
