| | Diana Haller, Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Marguerite! | |
| | Marjukka Tepponen, Aljaž Farasin, Rijeka Opera Symphony Orchestra & Adriano Martinolli D'Arcy | Des Matrosen Heimkehr (Sung in Italian): Partir degg'io diletta | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: No. 8, Allerseelen | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Louise: Depuis le jour ou je me suis donnée | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Don Pasquale: Quel guardo il cavaliere | |
| | Diana Haller, Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Si le bonheur | |
| | Lucio Gallo, Marjukka Tepponen, Rijeka Opera Chorus, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Ecoutez! Les voici! Venezvite! | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Les contes d'Hoffmann: Elle a fui, la tourterelle | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | 6 Lieder, Op. 68, TrV 235: No. 5, Amor | |
| | Marjukka Tepponen, Rijeka Opera Chorus, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Elles ne sont plus là | |
| | Marjukka Tepponen, Giorgio Surian, Aljaž Farasin, Rijeka Opera Choir, Rijeka Opera Symphony Orchestra & Adriano Martinolli D'Arcy | Des Matrosen Heimkehr (Sung in Italian): Talvolta Amor di buon umor | |
| | Anúna & Michael McGlynn | Evocation XI (Maalaulu) (feat. Isaac Cates & Ordained, Marjukka Tepponen & Aisling McGlynn) | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Die Entführung aus dem Serail, K. 384: Welche Wonne, welche Lust | |
| | Marjukka Tepponen, Aljaž Farasin, Rijeka Opera Choir, Rijeka Opera Symphony Orchestra & Adriano Martinolli D'Arcy | Des Matrosen Heimkehr (Sung in Italian): Parti fremente l'improvido messer | |
| | Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act III (1864 Version): Il était un roi de Thulé | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Zaide, K. 344: Ruhe sanft, mein holdes Leben | |
| | Ljubomir Puškarić, Marjukka Tepponen, Giorgio Surian, Aljaž Farasin, Marco Fortunato, Rijeka Opera Choir, Rijeka Opera Symphony Orchestra & Adriano Martinolli D'Arcy | Des Matrosen Heimkehr (Sung in Italian): Zitti! Dobbiam trattar di chose più serie | |
| | Aljaž Farasin, Carlo Colombara, Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act V (1864 Version): Alerte! | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Roméo et Juliette, CG 9: Ah! Je veux vivre dans le rêve | |
| | Marjukka Tepponen, Carlo Colombara, Rijeka Opera Chorus, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Seigneur, daignez permettre à votre humble servante | |
| | Ivana Srbljan, Lucio Gallo, Marjukka Tepponen, Diana Haller, Rijeka Opera Chorus, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Par ici, par ici. | |
| | Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act III (1864 Version): Ah! Je ris de me voir | |
| | Aljaž Farasin, Carlo Colombara, Diana Haller, Marjukka Tepponen, Rijeka Opera Chorus, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act II (1864 Version): Ainsi que la brise légère | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Le nozze di Figaro, K. 492: E Susanna non vien! | |
| | Aljaž Farasin, Carlo Colombara, Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act V (1864 Version): Vat'en! | |
| | Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act III (1864 Version): Je voudrais bien | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | I puritani: Son vergin vezzosa | |
| | Ljubomir Puškarić, Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Adriano Martinolli D'Arcy | Des Matrosen Heimkehr (Sung in Italian): Nun v'e che dir, l'addio | |
| | Ljubomir Puškarić, Marjukka Tepponen, Aljaž Farasin, Rijeka Opera Symphony Orchestra & Adriano Martinolli D'Arcy | Des Matrosen Heimkehr (Sung in Italian): O Jela | |
| | Marjukka Tepponen, Aljaž Farasin, Carlo Colombara, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act III (1864 Version): Il se fait tard | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | Don Giovanni, K. 527: Crudele! Ah no, mio bene - Non mi dir | |
| | Marjukka Tepponen, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act IV (1864 Version): Soyez béni, Siébel | |
| | Anúna & Michael McGlynn | Maalaulu (feat. Marjukka Tepponen, Isaac Cates & Ordained) | |
| | Ivana Srbljan, Marjukka Tepponen, Carlo Colomara, Aljaž Farasin, Rijeka Opera Symphony Orchestra & Ville Matvejeff | Faust, CG 4, Act III (1864 Version): Seigneur Dieu | |
| | Marjukka Tepponen, Kuopio Symphony Orchestra & Alberto Hold-Garrido | I Capuleti e i Montecchi: Oh! Quante volte, oh quante | |
