| | Mark Padmore, Andrew Manze, Lucy Crowe & The English Concert | L'Allegro, Il Penseroso, ed il Moderato, Part III: As steals the morn | |
| | The Sixteen, Harry Christophers & Mark Padmore | Messiah, HWV 56, Pt. 2: Hallelujah! - Chorus | |
| | Mark Padmore, Andrew Manze & The English Concert | Jephtha: Act III, Scene 1, Waft her, angels | |
| | The Sixteen, Harry Christophers & Mark Padmore | Messiah, HWV 56, Pt. 1: Comfort ye, my people - Accompagnato | |
| | Joanne Lunn, Mark Padmore, Bernarda Fink, Julian Clarkson, Hanno Müller-Brachmann, Monteverdi Choir, Robert Murray, Peter Harvey, Paul Tindall, Katherine Fuge, English Baroque Soloists & John Eliot Gardiner | St John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621: Ouverture | |
| | Jonathan Best, Les Arts Florissants, Mark Padmore, Véronique Gens & William Christie | King Arthur : Fourth Act "Passacaglia / "How happy the lover" / Ritornello / For love every creature" / "In vain are our | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | St. John Passion, Part 1: No. 13. Aria (Tenor) "Zerschmettert Mich, Ihr Felsen Und Ihr Hügel" | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | Cantata No. 8, "Liebster Gott, Wenn Werd Ich Sterben", BWV 8: II. Aria (T) "Was Willst Du Dich, Mein Geist, Entsetzen" | |
| | Collegium Vocale Gent, Mark Padmore, Michael Volle & Philippe Herreweghe | St. John Passion, Part 2: No. 27a. Rezitativ (Evangelist) "Die Kriegsknechte Aber" - 27b. Chorus "Lasset Uns Den Nicht Zerteilen" - 27c. Rezitativ (Evangelist) "Auf Daß Erfüllet Würde Die Schrift" | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | St. John Passion, Part 2: No. 19. Aria (Tenor) "Ach Windet Euch Nicht So" | |
| | Genia Kühmeier, Elisabeth Kulman, Mark Padmore, Hanno Müller-Brachmann, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks & Bernard Haitink | Missa solemnis, Op. 123: Kyrie. Assai sostenuto (Live) | |
| | Mark Padmore, The English Concert & Andrew Manze | Semele, Act II, Scene 3: Where'er You Walk | |
| | Collegium Vocale Gent, Mark Padmore, Philippe Herreweghe & Sebastian Noack | St. John Passion, Part 2: No. 23. (Evangelist Und Chorus) "Die Jüden Aber Schrieen Und Sprachen", Usw. | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | Cantata No. 29, "Wir Danken Dir, Gott, Wir Danken Dir", BWV 29: No. 3. Arie "Halleluja, Stärk Und Macht" | |
| | Collegium Vocale Gent, Mark Padmore, Peter Kooij & Philippe Herreweghe | Cantata No. 125, "Mit Fried Und Freud Ich Fahr Dahin", BWV 125: IV. Aria Duetto (T, B) "Ein Unbegreiflich Licht Erfüllt" | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621, Act II: No.15 Coro "Ah Grazie Si Rendano" | |
| | Mark Padmore, Peter Harvey, John Eliot Gardiner, Paul Tindall, Katherine Fuge, Monteverdi Choir, Julian Clarkson, English Baroque Soloists, Joanne Lunn, Bernarda Fink, Hanno Müller-Brachmann & Robert Murray | St John Passion, BWV 245: Part II: Aria: Zerfliesse, mein Herze (Soprano) | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | St. John Passion, Part 1: No. 6. Rezitativ (Evangelist) "Die Schar Aber Und Der Oberhauptmann" | |
| | Mark Padmore, Katharina Spreckelsen, The English Concert & Andrew Manze | Esther: Act I, Scene 2, Tune your harps | |
| | Hanno Müller-Brachmann, Joanne Lunn, John Eliot Gardiner, Robert Murray, Mark Padmore, Peter Harvey, Julian Clarkson, Katherine Fuge, English Baroque Soloists, Bernarda Fink, Monteverdi Choir & Paul Tindall | St John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | |
| | Collegium Vocale Gent, Mark Padmore, Michael Volle & Philippe Herreweghe | St. John Passion, Part 1: No. 2a. Rezitativ (Evangelist) "Jesus Ging Mit Seinen Jüngern" - 2b. Chorus "Jesum Von Nazareth" - 2c. Rezitativ (Evangelist) "Jesus Spricht Zu Ihnen" - 2d. Chorus "Jesum Von Nazareth" - 2e. Rezitativ (Evangelist) "Jesus An | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | Unser Mund Sei Voll Lachens, BWV 110: 2. Aria T "Ihr Gedanken Und Ihr Sinnen" | |
| | Collegium Vocale Gent, Mark Padmore & Philippe Herreweghe | Cantata No. 138, "Warum Betrübst Du Dich, Mein Herz", BWV 138: IV. Recitativo (T) "Ach Süßer Trost" | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621, Act II: No.23 Rondo Vitellia "Non Più Di Fiori" | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621, Act I: No.9 Aria Sesto "Parto, Ma Tu Ben Mio" | |
| | Mark Padmore & Kristian Bezuidenhout | Abendempfindung, K. 523 | |
| | Mark Padmore, Britten Sinfonia, Jacqueline Shave & Nicholas Daniel | The End | |
| | Mark Padmore & Nicholas Daniel | Ten Blake Songs: X. Eternity | |
| | Mark Padmore & Paul Lewis | Schwanengesang, D. 957: Ständchen | |
| | The Sixteen, Harry Christophers & Mark Padmore | Messiah, HWV 56, Pt. 1: Ev'ry valley shall be exalted - Air | |
| | Julian Clarkson, English Baroque Soloists, Joanne Lunn, Bernarda Fink, Mark Padmore, Peter Harvey, John Eliot Gardiner, Paul Tindall, Katherine Fuge, Monteverdi Choir, Hanno Müller-Brachmann & Robert Murray | St John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | |
| | Mark Padmore, Bernarda Fink, Julian Clarkson, Monteverdi Choir, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Robert Murray, Katherine Fuge, John Eliot Gardiner, English Baroque Soloists & Joanne Lunn | St John Passion, BWV 245: Part I: Aria: Ich folge dir gleichfalls (Soprano) | |
| | Collegium Vocale Gent, Dominik Wörner, Malcolm Bennett, Mark Padmore & Philippe Herreweghe | St. John Passion, Part 1: No. 12a. Rezitativ (Evangelist) "Und Hannas Sandte Ihn Gebunden" - 12b. Chorus "Bist Du Nicht Seiner Jünger Einer?" - 12c. Rezitativ (Evangelist) "Er Leugnete Aber" | |
| | Collegium Vocale Gent, Mark Padmore, Michael Volle & Philippe Herreweghe | St. John Passion, Part 1: No. 4. Rezitativ (Evangelist) "Auf Daß Das Wort Erfüllet Würde" | |
| | Collegium Vocale Gent, Mark Padmore, Philippe Herreweghe & Vasiljka Jezovsek | Unser Mund Sei Voll Lachens, BWV 110: 5. Duetto ST "Ehre Sei Gott In Der Höhe" | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621, Act II: No.13 Aria Annio "Torna Di Tito Al Lato" | |
| | Lucy Crowe, Mark Padmore, The English Concert & Andrew Manze | L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | |
| | Mark Padmore, The English Concert & Andrew Manze | Tamerlano: Act III, Scene 10, Figlia mia / Tu, spietato | |
| | Mark Padmore, Paul Lewis & Richard Watkins | Auf dem Strom, Op. posth. 119, D. 943: | |
| | Mark Padmore & Britten Sinfonia | Dies Natalis, Op. 8: V. The Salutation. Aria | |
| | Mark Padmore & Britten Sinfonia | Dies Natalis, Op. 8: II. Rhapsody. Recitativo stromentato | |
| | Mark Padmore, Robin Tyson, Monteverdi Choir, John Eliot Gardiner, Katherine Fuge, Thomas Guthrie & English Baroque Soloists | Christus, der ist mein Leben, BWV 95: Aria: Ach, schlage doch bald, selge Stunde (Tenor) | |
| | Katherine Fuge, Robin Tyson, Monteverdi Choir, Thomas Guthrie, Mark Padmore, English Baroque Soloists & John Eliot Gardiner | Komm, du susse Todesstunde, BWV 161: Chorale: Der Leib zwar in der Erden | |
| | John Eliot Gardiner, Robin Tyson, Thomas Guthrie, Mark Padmore, English Baroque Soloists, Katherine Fuge & Monteverdi Choir | Komm, du susse Todesstunde, BWV 161: Wenn es meines Gottes Wille (Chorus) | |
| | English Baroque Soloists, Thomas Guthrie, Mark Padmore, Monteverdi Choir, John Eliot Gardiner, Katherine Fuge & Robin Tyson | Komm, du susse Todesstunde, BWV 161: Recitative: Der Schluss ist schon gemacht (Alto) | |
| | Thomas Guthrie, English Baroque Soloists, Monteverdi Choir, Mark Padmore, John Eliot Gardiner, Katherine Fuge & Robin Tyson | Komm, du susse Todesstunde, BWV 161: Aria: Mein Verlangen (Tenor) | |
| | Mark Padmore, English Baroque Soloists, Robin Tyson, Monteverdi Choir, Katherine Fuge, Thomas Guthrie & John Eliot Gardiner | Komm, du susse Todesstunde, BWV 161: Recitative: Welt, deine Lust ist Last (Tenor) | |
| | English Baroque Soloists, Thomas Guthrie, Monteverdi Choir, Mark Padmore, Katherine Fuge, Robin Tyson & John Eliot Gardiner | Komm, du susse Todesstunde, BWV 161: Aria With Chorale: Komm, du susse Todesstunde (Alto) | |
| | Mark Padmore, Andrew Manze & The English Concert | Semele, Act II, Scene 3: Where'er You Walk | |
