| | Richard Boothby & Nancy Argenta | O Solitude! Z.406a | |
| | Richard Studt, Stephen Farr, Bournemouth Sinfonietta / David Hill, Simon Keenlyside, Winchester Cathedral Choir, Bournemouth Sinfonietta, David Hill, Bournemouth Symphony Orchestra & Nancy Argenta | Requiem, Op. 48: VII. In Paradisum | |
| | Richard Studt, Simon Keenlyside, Stephen Farr, Winchester Cathedral Choir, Bournemouth Sinfonietta, Nancy Argenta & David Hill | Requiem, Op.48: IV. Pie Jesu | |
| | Nancy Argenta, Hans Braun, Catherine Robbin, Linda Maguire, Ingrid Attrot, Tafelmusik & Alan Curtis | Floridante, HWV 14: Act I: Aria - Alma Mia | |
| | Nancy Argenta, The English Concert, Trevor Pinnock & The English Concert Choir | Mass No. 6 in G Missa Sti. Nicolai, HXXII No. 6 "Nicolaimesse": Gloria - Vivace - Vivace - Allegro | |
| | Bournemouth Sinfonietta, Nancy Argenta, David Hill, Simon Keenlyside, Richard Studt, Winchester Cathedral Choir & Stephen Farr | Requiem pour soli, choeur & orchestre (1893 version): IV Pie Jesu | |
| | Nigel North, Mr. Robinson, Trevor Jones, Monica Huggett, Richard Boothby & Nancy Argenta | Dido and Aeneas, Z.626: Thy hand, Belinda ... When I am laid in earth | |
| | John Toll, Nigel North, Mr. Robinson, Richard Boothby & Nancy Argenta | The Plaint: O let me weep, Z.629 | |
| | Andrew Parrott, Taverner Players, Emily Van Evera & Nancy Argenta | Magnificat in G Minor, RV 610b: V. Esurientes | |
| | Taverner Choir, Andrew Parrott, Taverner Players & Nancy Argenta | Magnificat in G Minor, RV 610b: IV. Fecit potentiam | |
| | Taverner Choir, Andrew Parrott, Taverner Players, Alison Place, Emily Van Evera & Nancy Argenta | Magnificat in G Minor, RV 610b: II. Et exsultavit | |
| | Frieder Bernius, Kammerchor Stuttgart, Tafelmusik, Christoph Prégardien, Gordon Jones, Michael Chance & Nancy Argenta | Missa Dei Filii, ZWV 20: Gloria in exclesis Deo (Coro, Soprano, Alto, Tenore, Basso) | |
| | Nancy Argenta, Michael Chance, Laurie Reviol, Julian Podger, Hanoverian Court Orchestra, Maulbronn Chamber Choir, Jurgen Budday & Steffen Balbach | Solomon, HWV 67, Act I, Scene 2: Recitative: Thou Fair Inhabitant of Nile - Duet: Welcome As the Dawn of Day (Solomon, Queen) | |
| | Nancy Argenta, Klaus Mertens, Sigiswald Kuijken & La Petite Bande | Ach Gott, wie manches Herzeleid, BWV 58: Aria with Chorale: Ich hab fur mir ein schwere Reis (Soprano, Bass) | |
| | Nancy Argenta, Klaus Mertens, Sigiswald Kuijken & La Petite Bande | Ich geh und suche mit Verlangen, BWV 49: Aria and Chorale: Dich hab ich je und je geliebet (Soprano, Bass) | |
| | English Baroque Soloists, John Eliot Gardiner, Michael Chance, Nancy Argenta & George Frideric Handel | Tamerlano : Act 3 "Vivo In Te, Mio Caro Bene!" [Asteria, Andronico] | |
| | Nancy Argenta, Catherine Robbin, Michael Schade, Alastair Miles, The English Concert, Trevor Pinnock & The English Concert Choir | Mass No. 6 in G Missa Sti. Nicolai, HXXII No. 6 "Nicolaimesse": Agnus Dei - Adagio - Allegretto | |
| | Diana Montague, Sir Thomas Allen, Nancy Argenta, Lucinda Houghton, Sophie Boulin, Jane Armstrong, Suzanne Flowers, Carol Hall, Nicola Jenkin, Jean Knibbs, Rachel Platt, Mary Seers, Orchestre de l'Opéra de Lyon & John Eliot Gardiner | Iphigénie en Tauride, Act 2: Scène V. Récitatif. "Je vois toute" - Scène: VI. Choeur. "Patrie infortunée" | |
| | Rufus Muller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin & Jonathan Miller | Matthäus Passion, BWV 244, Pt. 1, Jesus' Despair on the Mount of Olives: XVIII. Recitative (Evangelist/Jesus) I, Da kam Jesus mit ihnen zu einem Hofe | |
| | Mark Padmore, Paul McCreesh, Gabrieli & Nancy Argenta | Saul, HWV 53: 27. Recitative: Imprudent Women! | |
| | Nancy Argenta, Michael Chance, Laurie Reviol, Stephen Varcoe, Mark le Brocq, Hanoverian Court Orchestra, Michael Berner, Maulbronn Chamber Choir, Jurgen Budday & Steffen Balbach | Saul, HWV 53, Act I, Scene 5: Recitative: Rack'd With Infernal Pains (Abner) - Air: O Lord, Whose Mercies No. less (David) | |
| | Nancy Argenta, Nicholas Robinson, Fiona Huggett, Trevor Jones, Richard Boothby & Nigel North | The Indian Queen, Z. 630, Act III: XIX. They tell us that your mighty powers | |
| | Nancy Argenta, John Eliot Gardiner, English Baroque Soloists, Anne Sofie von Otter, Hans Peter Blochwitz & Olaf Bär | Christmas Oratorio, BWV 248: No.63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?" | |
| | Sir Roger Norrington, Nancy Argenta, Peter Thorley, Alastair Miles, Catherine Robbin, John Mark Ainsley, London Classical Players & Schütz Choir of London | Requiem in D Minor, K. 626: III. Sequenz: No. 7, Amen | |
| | Richard Studt, Nancy Argenta, Stephen Farr, Simon Keenlyside, Winchester Cathedral Choir, Bournemouth Sinfonietta & David Hill | Requiem pour soli, choeur & orchestre (1893 version): V Agnus Dei | |
| | Rufus Muller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin & Jonathan Miller | Matthäus Passion, BWV 244, Pt. 2, Jesus before Pilate: X. Recitative (Evangelist/Pilate/Pilate's Wife/Chorus) I/II, Auf das Fest aber hatte der Landpfleger Gewohnheit | |
| | Nancy Argenta, Monica Huggett & CBC Vancouver Orchestra | The Married Beau, Z. 603, "The Curious Impertinent": Trumpet Air | |
| | Ensemble Sonnerie, Monica Huggett, Nancy Argenta & Paul Goodwin | Cantata No. 202, "Weichet nur, betrübte Schatten" BWV 202(Wedding Cantata): Aria: Weichet nur, betrübte Schatten | |
| | Nancy Argenta, Peter Thorley, The London Classical Players, Sir Roger Norrington, London Classical Players, Felicitas Mander, Schütz Choir of London, Catherine Robbin & John Mark Ainsley | Mass No. 19 in D minor K626, 'Requiem' (completed by Duncan Druce), Offertorium: Hostias et preces tibi | |
| | Frieder Bernius, Tafelmusik & Nancy Argenta | Litaniae Lauretanae, ZWV 152 "Salus infirmorum": Pater de coelis (Aria: Soprano) | |
| | Nancy Argenta, Werner van Mechelen, Sigiswald Kuijken & La Petite Bande | Livietta e Tracollo: Intermezzo I: Recitative: Invano ti lusinghi rimovermi dal mio pensier costante (Livietta, Tracollo) | |
| | Gottfried von der Goltz, Nancy Argenta, Michael Chance & Freiburger Barockorchester | The Prophetess, or the History of Dioclesian, Z. 627 - Orchestral Suite With Songs for Soprano, Countertenor and B.c.: Dance / Song "If Music Be the Food" | |
| | Trevor Pinnock, The English Concert & Nancy Argenta | King Arthur, or the British Worthy (1691): No. Pt. of My Dominium (Cupid) | |
| | Collegium Musicum 90 Choir, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore & Stephen Varcoe | Mass in C Major, Hob. XXII:9, "Paukenmesse": V. Benedictus | |
| | Taverner Choir, Andrew Parrott, Taverner Players, Alison Place, Emily Van Evera & Nancy Argenta | Magnificat in G Minor, RV 610b: II. Et exsultavit | |
| | Bournemouth Sinfonietta, Nancy Argenta, David Hill, Simon Keenlyside, Richard Studt, Winchester Cathedral Choir & Stephen Farr | Requiem, Op. 48: VI. Libera me | |
| | Nancy Argenta, Peter Thorley, Sir Roger Norrington, The London Classical Players, London Classical Players, Schütz Choir of London, Felicitas Mander, Catherine Robbin & John Mark Ainsley | Mass No. 19 in D Minor, K.626, 'Requiem' (completed by Duncan Druce): Kyrie eleison | |
| | English Baroque Soloists, John Eliot Gardiner, Nancy Argenta & Nigel Robson | Tamerlano : Act 1 "Non ascolto più nulla" [Bajazet, Andronico, Asteria] | |
| | The English Concert, Trevor Pinnock & Nancy Argenta | Dioclesian: "Let the Graces and Pleasures Repair" | |
| | Nancy Argenta, Michael Chance, Laurie Reviol, Stephen Varcoe, Mark le Brocq, Hanoverian Court Orchestra, Michael Berner, Maulbronn Chamber Choir, Jurgen Budday & Steffen Balbach | Saul, HWV 53, Act III, Scene 3: Symphony: Allegro | |
| | Nancy Argenta, Michael Chance, Laurie Reviol, Stephen Varcoe, Mark le Brocq, Hanoverian Court Orchestra, Michael Berner, Maulbronn Chamber Choir, Jurgen Budday & Steffen Balbach | Saul, HWV 53, Act II, Scene 5: Is There a Man, Who All His Ways Directs (Chorus) | |
| | Andreas Schmidt, Gerald Finley, Schütz Choir of London, Sir Roger Norrington, London Classical Players & Nancy Argenta | Don Giovanni, K. 527, Act 1: Finale. "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Coro) | |
| | Andreas Schmidt, Gerald Finley, Gregory Yurisich, Sir Roger Norrington, London Classical Players & Nancy Argenta | Don Giovanni, K. 527, Act 1: "Riposate, vezzose ragazze!" (Don Giovanni, Leporello, Masetto, Zerlina) | |
| | Adrian Thompson, Nancy Argenta, John Mark Ainsley & Graham Johnson | Don Gayseros I, D. 93 No. 1 | |
| | Tafelmusik, Nancy Argenta, Stefan Beckerbauer, Michael Chance & Frieder Bernius | Orfeo ed Euridice, Wq. 30: Act III, Scene 2: "Orfeo, che fai?" (Amore, Orfeo, Euridice) | |
| | John Toll, Nigel North, Richard Boothby & Nancy Argenta | Fly swift, ye hours, Z.369 | |
| | Stephen Varcoe, Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists & Nancy Argenta | King Arthur, Z. 628, Act III: Duet. "Sound a Parley" - Ritornello - Chorus. "Tis Love That Has Warm'd Us" | |
| | Andreas Schmidt, Gerald Finley, Sir Roger Norrington, London Classical Players & Nancy Argenta | Don Giovanni, K. 527, Act 1: Recitativo. "Guarda un po'" (Masetto, Don Giovanni, Zerlina) | |
| | Nancy Argenta, Michael Chance, Laurie Reviol, Stephen Varcoe, Mark le Brocq, Hanoverian Court Orchestra, Michael Berner, Maulbronn Chamber Choir, Jurgen Budday & Steffen Balbach | Saul, HWV 53, Act III, Scene 2: Recitative: With Me What Would'st Thou?… I Wou'd (Witch of Endor, Saul) | |
| | Monica Huggett, Ensemble Sonnerie & Nancy Argenta | Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" | |
