| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Preludio | |
| | Erik Saeden, Birgit Nilsson, Bayreuth Festival Chorus, Bayreuther Festspielorchester & Wolfgang Sawallisch | Tristan und Isolde, WWV 90, Act I: Ho! He! Ha! He! (Live) | |
| | Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg & Karl-Birger Blomdahl | Aniara, Act II Scene 3: Nu är den här vår sköna gjutjärnstid | |
| | Erik Saeden, Rolf Lindblom, Ole Hjorth & Christer Karlberg | Vastanvind | |
| | Elisabeth Grummer, Erik Saeden, Josef Greindl, Fritz Uhl, Sandor Konya, Theo Adam, Hans Hotter, Rita Gorr, Hans Knappertsbusch & Bayreuther Festspiele | Das Rheingold, Scene 2: Was ein Dieb stahl | |
| | Anders Naslund, Margareta Hallin, Barbro Ericson, Sven-Erik Vikstrom, Erik Saeden, Kungliga Teaterns Kor, Swedish Radio Symphony Orchestra & Karl-Birger Blomdahl | I speglarnas sal: VI. Vad skakar då döden ur ärmen | |
| | Kerstin Lindberg-Torlind, Birgit Scholdberg-Stenberg, Olle Sivall, Erik Saeden, Uno Ebrelius, Bernhard Sonnerstedt, Carl Henrik Gillberg, Alvar Cedermark, Swedish Radio Boys Choir, Engelbrekt Church Choir, Musikalista Sallskapet, Royal Philharmonic Orchestra of Stockholm & David Ahlen | St. Matthew Passion, BWV 244: Pt. II: Chorale: Säg, vem som så dig plågat | |
| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Schwules Gedunst | |
| | Ingeborg Kjellgren, Hjordis Schymberg, Jussi Björling, Bertil Alstergård, Hugo Hasslo, Olle Sivall, Kerstin Meyer, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Sture Ingebretzen, Herbert Sandberg & Erik Saeden | Il trovatore, Act IV Scene 1: D'amor sull'ali rosee vanne (Leonora) | |
| | Set Svanholm, Arne Tyren, Ingeborg Kjellgren, Kjerstin Dellert, Anders Naslund, Busk Margit Jonsson, Kolbjorn Hoiseth, Knut Erik Sundquist, Kerstin Meyer, Barbro Ericson, Erik Saeden, Arne Hendriksen, Georg Svedenbrant, The Royal Swedish Opera Chorus, Kungliga Hovkapellet & Herbert Sandberg | Les Troyens, Act I Scene 5: Echappes a grand peine (Iopas, Didon) | |
| | Kerstin Lindberg-Torlind, Birgit Scholdberg-Stenberg, Olle Sivall, Erik Saeden, Uno Ebrelius, Bernhard Sonnerstedt, Carl Henrik Gillberg, Alvar Cedermark, Swedish Radio Boys Choir, Engelbrekt Church Choir, Musikalista Sallskapet, Royal Philharmonic Orchestra of Stockholm & David Ahlen | St. Matthew Passion, BWV 244: Pt. I: Chorale: O giv mig bland de sälla | |
| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Lugt, Schwestern | |
| | Erik Saeden, Stig Westerberg & Kungliga Hovkapellet | Kung Eriks visor: IV. En visa till Karin ur fängelset | |
| | Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg & Karl-Birger Blomdahl | Aniara, Act I Scene 1: Förflyttningen till Tundra tre tog 9 år | |
| | Erik Saeden, Rolf Lindblom, Ole Hjorth & Christer Karlberg | Vals I Provence | |
| | Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg & Karl-Birger Blomdahl | Aniara, Act I Scene 3: Det kunde varit like illa här | |
| | Sture Ingebretzen, Herbert Sandberg, Bertil Alstergård, Hugo Hasslo, Olle Sivall, Stockholm Royal Opera Orchestra, Ingeborg Kjellgren, Hjordis Schymberg, Jussi Björling, Stockholm Royal Opera Chorus, Erik Saeden & Kerstin Meyer | Il trovatore, Act I Scene 2: Tacea la notte placida (Leonora) | |
| | Erik Saeden, Ernst Krukowski, Jean Madeira, Orchester der Deutschen Oper Berlin & Lorin Maazel | Odysseus, Act II: Meinen Anruf vernahmst du Kirke! | |
| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Scena Seconda | |
| | Stig Westerberg, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Erik Saeden, Elisabeth Söderström & Lars Ekborg | Forkladd gud (The Disguised God), Op. 24: Narration: Apollon bor i ett tessaliskt stall… (Apollo lives in a Thessalonian stable…) - Kring hostlig vaktelds brander… (Around the glowing watchfire of autumn…) (Baritone, Chorus) | |
| | Royal Swedish Opera Chorus, The Royal Swedish Opera Chorus, Ruth Moberg, Margareta Bergstrom, Aase Nordmo-Lovberg, Jussi Björling, Gosta Bjorling, Kungliga Hovkapellet, Herbert Sandberg, Hugo Hasslo, Sture Ingebretzen, Erik Saeden & Sven Wallskog | Il trovatore : Act IV: Scene: Udiste? Come albeggi (Conte, Leonora) | |
| | Erik Saeden, Elizabeth Saeden & Thomas Schuback | Pastoral och parodi: Vårfantasi | |
| | Arnold Östman & Erik Saeden | 24 Barfotasånger: No. 22, Vännen i söndagslandet | |
| | Erik Saeden, Wolfgang Windgassen, Grace Hoffman, Bayreuth Festival Chorus, Bayreuther Festspielorchester & Wolfgang Sawallisch | Tristan und Isolde, WWV 90, Act I: Hab acht, Tristan! Botschaft von Isolde (Live) | |
| | Iwa Sorenson, Edith Thallaug, Christer Solén, Erik Saeden, Olle Johansson, Orchestra of the Stockholm University College of Music, Oratory Choir of Engelbrekt Church, Stockholm, Hans Kyhle & Stig Westerberg | Requiem, Op. 21: IV. Domine Jesu | |
| | Bertil Alstergård, Stockholm Royal Opera Chorus, Herbert Sandberg, Stockholm Royal Opera Orchestra, Erik Saeden, Kerstin Meyer, Sture Ingebretzen, Jussi Björling, Hugo Hasslo, Olle Sivall, Ingeborg Kjellgren & Hjordis Schymberg | Il trovatore, Act I Scene 2: Non m'inganno … Di geloso amor sprezzato (Conte, Leonora, Manrico) | |
| | Loren Driscoll, Erik Saeden, Orchester der Deutschen Oper Berlin & Lorin Maazel | Odysseus, Act II: Geh nur, geh nur ins Tal schon | |
| | Erik Saeden, Elizabeth Saeden & Thomas Schuback | Pastoral och parodi: Kovisa | |
| | Anders Andersson, Catharina Olsson, Per-Arne Wahlgren, Erik Saeden, Royal Stockholm Philharmonic Orchestra & Yuri Ahronovitch | Singoalla, Op. 22 (Excerpts): Prior, ädle Herr Bengt! | |
| | Uno Ebrelius, Margareta Hallin, Olle Sivall, Norrköpings Barnkör, Norrköpings Symfoniorkester, Sven-Erik Bäck & Erik Saeden | Tranfjädrarna: Scene 2 | |
| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Zur Bang Fuhrt Die Brucke | |
| | Stig Westerberg, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Erik Saeden, Elisabeth Söderström & Lars Ekborg | Forkladd gud (The Disguised God), Op. 24: Prelude | |
| | Jussi Björling, Gosta Bjorling, Erik Saeden, Sture Ingebretzen, Ruth Moberg, Kungliga Hovkapellet, Herbert Sandberg, Hugo Hasslo, Royal Swedish Opera Chorus, The Royal Swedish Opera Chorus, Aase Nordmo-Lovberg, Margareta Bergstrom & Sven Wallskog | Il trovatore : Act I: Scene and Romance: Tace la notte! - Deserto sulla terra (Conte, Manrico, Leonora) | |
| | Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg & Karl-Birger Blomdahl | Aniara, Act I Scene 3: Mimaband 2 | |
| | Erik Saeden, Rolf Lindblom, Ole Hjorth & Christer Karlberg | Balladen om Ernst Georg Johansson Fran Uddevalla | |
| | Bertil Alstergård, Erik Saeden, Ingeborg Kjellgren, Hjordis Schymberg, Hugo Hasslo, Olle Sivall, Kerstin Meyer, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Sture Ingebretzen, Herbert Sandberg & Jussi Björling | Il trovatore, Act III Scene 1: In braccio al mio rival! (Conte, Ferrando, Chorus, Azucena) | |
| | Erik Saeden & Stig Westerberg | Stjernklart from Op. 1 | |
| | Erik Saeden, Rolf Lindblom, Ole Hjorth & Christer Karlberg | Vals I Furusund | |
| | Erik Saeden, Rolf Lindblom, Ole Hjorth & Christer Karlberg | Huldas Karin | |
| | Kerstin Lindberg-Torlind, Birgit Scholdberg-Stenberg, Olle Sivall, Erik Saeden, Uno Ebrelius, Bernhard Sonnerstedt, Carl Henrik Gillberg, Alvar Cedermark, Swedish Radio Boys Choir, Engelbrekt Church Choir, Musikalista Sallskapet, Royal Philharmonic Orchestra of Stockholm & David Ahlen | St. Matthew Passion, BWV 244: Pt. I: Då kom Jesus med dem till den platsen som | |
| | Kerstin Lindberg-Torlind, Birgit Scholdberg-Stenberg, Olle Sivall, Erik Saeden, Uno Ebrelius, Bernhard Sonnerstedt, Carl Henrik Gillberg, Alvar Cedermark, Swedish Radio Boys Choir, Engelbrekt Church Choir, Musikalista Sallskapet, Royal Philharmonic Orchestra of Stockholm & David Ahlen | St. Matthew Passion, BWV 244: Pt. II: Och Josef tog hans kropp och svepte | |
| | Stig Westerberg, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Erik Saeden, Elisabeth Söderström & Lars Ekborg | Forkladd gud (The Disguised God), Op. 24: Narration: Ej for de starka i varlden… (Not for the strong in the world…) - Vem spelar pa en pipa en lat av gryningsluft… (Who plays upon a pipe a song of the morning air…) (Chorus) | |
| | Josef Greindl, Erik Saeden, Fritz Uhl, Grace Hoffmann, Hermann Winkler, Egmont Koch, Bayreuther Festspielorchester & Wolfgang Sawallisch | Tristan und Isolde, WWV 90, Act III: Kurwenal! Hör'! Ein zweites Schiff! | |
| | Jussi Björling, Gosta Bjorling, Kungliga Hovkapellet, Hugo Hasslo, Royal Swedish Opera Chorus, The Royal Swedish Opera Chorus, Margareta Bergstrom, Aase Nordmo-Lovberg, Sture Ingebretzen, Ruth Moberg, Herbert Sandberg, Erik Saeden & Sven Wallskog | Il trovatore : Act IV: Finale: Ti scosta! (Manrico, Leonora) | |
| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Freia, Die Schone | |
| | Stockholm Royal Opera Orchestra, The Royal Orchestra, Ingeborg Kjellgren, Erik Saeden, Michael Gielen & Margareta Bergstrom | Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act II: Gut'n Abend, Meister! [Sung in Swedish] | |
| | Hans Hotter, Rita Gorr, Erik Saeden, Sándor Kónya, Orchestra E Coro Del Festival Di Bayreuth & Hans Knappertsbusch | Das Rheingold: Was Gleicht, Wotan | |
| | Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg & Karl-Birger Blomdahl | Aniara, Act II Scene 2: Stån upp till svars | |
| | Erik Saeden, Wolfgang Windgassen, Bayreuther Festspielorchester & Wolfgang Sawallisch | Tristan und Isolde, WWV 90, Act III: O Wonne! Freude! (Live) | |
| | Erik Saeden & Hans Pålsson | 4 Ernste Gesänge, Op. 121: IV. Wenn ich mit Menschen | |
