| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem: Requiem (sop, chorus) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Lacrymosa (quartet, chorus) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson & City of London Sinfonia | The Rape of Lucretia, Op. 37, Act II Scene 2: Flowers bring to ev'ry year the same perfection (Lucretia, Bianca) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia & Patricia Rozario | The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia) | |
| | Sir Stephen Cleobury, Ameral Gunson & The Choir of King's College, Cambridge | In the Beginning | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Agneoe Bozij (Agnus Dei) | |
| | Stephen Roberts, The Bach Choir, Sir David Willcocks, Ameral Gunson, Philharmonia Orchestra & Neil Mackie | Gloria | |
| | Alan Opie, Richard Hickox, Ameral Gunson, Anne Collins, City of London Sinfonia, John Graham Hall, Yvonne Barclay & Pamela Helen Stepen | Peter Grimes, Op. 33, Act I Scene 2: Past time to close (Auntie, Balstrode, Mrs Sedley, Boles, Nieces) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Tuba mirum (bass, chorus) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson & City of London Sinfonia | The Rape of Lucretia, Op. 37, Act II Scene 2: Flowers bring to ev'ry year the same perfection (Lucretia, Bianca) | |
| | Roderick Williams, London Symphony Chorus, Richard Hickox, Stephen Westrop, Ameral Gunson, Anne Collins & City of London Sinfonia | Peter Grimes, Op. 33, Act I Scene 2: Have you heard the cliff is down (Ned, Auntie, Mrs Sedley, Chorus) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia, Patricia Rozario & Catherine Pierard | The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Bianca, Collatinus, Junius, Male Chorus, Female Chorus) | |
| | Alan Opie, London Symphony Chorus, Richard Hickox, Ameral Gunson, City of London Sinfonia, John Graham Hall, John Fryatt & Janice Watson | Peter Grimes, Op. 33, Act II Scene 1: People… No! I will speak! (Boles, Balstrode, Rector, Auntie, Ellen, Chorus) | |
| | Ameral Gunson, The Choir of King's College, Cambridge & Sir Stephen Cleobury | In the Beginning | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia, Patricia Rozario & Catherine Pierard | The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Female Chorus) | |
| | Leeds Fesitval Chorus, Yan Pascal Tortelier, Ameral Gunson, Della Jones, BBC Philharmonic, Susan Bullock, Maria Treadaway & Mark Rowlinson | Sancta Susanna, Op. 21 | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Intrada | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Uvod (Introduction) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Recordare (sop, mezzo) | |
| | Alan Opie, Alastair Miles, Richard Hickox, Ameral Gunson, City of London Sinfonia, Patricia Rozario, Nigel Robson & Catherine Pierard | The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Bianca, Collatinus, Junius, Male Chorus, Female Chorus) | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Gospodi pomiluy (Kyrie eleison) | |
| | Owain Arwel Hughes, Ameral Gunson, Brighton Festival Chorus, Edmund Barham, Elizabeth Connell, Sir John Tomlinson, Laszlo Heltay, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem: II. Quid sum miser | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia, Patricia Rozario & Catherine Pierard | The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, Female Chorus) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Dies irae (chorus) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Liber scriptus (mezzo, chorus) | |
| | Richard Hickox, Ameral Gunson, Anne Collins, City of London Sinfonia, Yvonne Barclay & Pamela Helen Stepen | Peter Grimes, Op. 33, Act I Scene 2: Loud man (Auntie, Nieces, Mrs Sedley) | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Veruju (Credo) | |
| | Richard Hickox, Ameral Gunson, City of London Sinfonia & Patricia Rozario | The Rape of Lucretia, Op. 37, Act II Scene 2: O what a lovely day (Lucia, Bianca) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, III. Offertorio: Hostias (quartet) | |
| | John Connell, London Symphony Chorus, Richard Hickox, Stephen Westrop, Ameral Gunson, City of London Sinfonia & John Graham Hall | Peter Grimes, Op. 33, Act III Scene 2: To those who pass the Borough (Chorus, Swallow, Auntie, Boles) | |
| | Alan Opie, Roderick Williams, Richard Hickox, Ameral Gunson, City of London Sinfonia, Janice Watson, John Fryatt & John Graham Hall | Peter Grimes, Op. 33, Act II Scene 1: We planned that their lives (Ellen, Rector, Balstrode, Ned, Boles, Auntie, Mrs Sedley, Hobson, Nieces, Chorus) | |
| | Alan Opie, Roderick Williams, Matthew Best, Richard Hickox, Ameral Gunson, City of London Sinfonia, Philip Langridge & John Graham Hall | Peter Grimes, Op. 33, Act I Scene 1: Hi! Give us a hand (Peter, Balstrode, Boles, Ned, Auntie, Hobson) | |
| | Owain Arwel Hughes, Ameral Gunson, Brighton Festival Chorus, Edmund Barham, Elizabeth Connell, Sir John Tomlinson, Laszlo Heltay, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem: II. Quid sum miser | |
| | Alan Opie, Alastair Miles, Richard Hickox, Ameral Gunson, City of London Sinfonia, Patricia Rozario, Nigel Robson & Catherine Pierard | The Rape of Lucretia, Op. 37, Act II Scene 2: This dead hand lets fall all that my heart held when full (Collatinus, Junius, Bianca, Lucia, Male Chorus, Female Chorus) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem: I. Requiem & Kyrie (quartet, chorus) | |
| | Owain Arwel Hughes, Ameral Gunson, Elizabeth Connell, Royal Philharmonic Orchestra, Brighton Festival Chorus & Royal Choral Society | Messa da Requiem: No. 5, Agnus Dei | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Uvod (Introduction) | |
| | Sir Stephen Cleobury, Ameral Gunson & The Choir of King's College, Cambridge | In the Beginning | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Slava (Gloria) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia & Patricia Rozario | The Rape of Lucretia, Op. 37, Act II Scene 2: Hush! Here she comes! (Lucretia, Bianca, Lucia) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Quid sum miser (sop, mezzo, tenor) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Ingemisco (tenor) | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Agneoe Bozij (Agnus Dei) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Mors stupebit (bass) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem: VI. Lux aeterna (mezzo, tenor, bass) | |
| | Roderick Williams, Matthew Best, Richard Hickox, Ameral Gunson, City of London Sinfonia, Janice Watson, Yvonne Barclay & Pamela Helen Stepen | Peter Grimes, Op. 33, Act I Scene 2: The bridge is down (Hobson, Ellen, Peter, Ned, Auntie, Nieces) | |
| | Richard Hickox, Jean Rigby, Ameral Gunson, City of London Sinfonia, Patricia Rozario & Catherine Pierard | The Rape of Lucretia, Op. 37, Act I Scene 2: Time turns upon the hands of women (Lucretia, Bianca, Lucia, Female Chorus) | |
| | Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle | Glagolitic Mass: Intrada | |
| | John Connell, Matthew Best, Richard Hickox, Ameral Gunson, Anne Collins & City of London Sinfonia | Peter Grimes, Op. 33, Act III Scene 1: Mr Swallow (Mrs Sedley, Auntie, Swallow, Hobson) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem: VII. Libera me / Libera me - Dies irae (sop, chorus) | |
