| | A Brides Guide To Wedding Music | Samson, HWV 57, Act III: Let the Bright Seraphim (sung in German) | |
| | Susanne Ryden, Charles Medlam & London Baroque | Rinaldo, HWV 7a: Lascia ch'io pianga | |
| | Dame Emma Kirkby, Susanne Ryden, Annegret Siedel & Bell'Arte Salzburg | Motette für Sopran und Basso Continuo: "Magnificat anima mea Dominum" | |
| | Niklas Eklund, Susanne Ryden, Charles Medlam & London Baroque | Ode for the Birthday of Queen Anne: Eternal Source of Light Divine | |
| | Susanne Ryden, Hermann Oswald, Detlef Bratschke, Howard Arman, Manuel Warwitz, The Schutz Academy, Gunther Schmidt, Irena Troupova-Wilke, Eric Mentzel & Thomas Herberich | Vespers for the Feast of the Ascension: Hymnus: Salutis Humanae Sator | |
| | Susanne Ryden, Hermann Oswald, Detlef Bratschke, Howard Arman, Manuel Warwitz, The Schutz Academy, Gunther Schmidt, Irena Troupova-Wilke, Eric Mentzel & Thomas Herberich | Vespers for the Feast of the Ascension: Psalm: Beatus Vir | |
| | Susanne Ryden & Capella Orlandi Bremen | Musicalische Land-Lust, Von dem Land-Leben: No. 1, Beblümte Felder | |
| | Claudio Astronio, Massimiliano Mauthe von Degerfeld, Gemma Bertagnolli, Harmonices Mundi String Ensemble, Susanne Ryden & Bozen Baroque Orchestra | Laudate pueri Dominum, RV 602: Suscitans | |
| | Susanne Ryden, Bach Ensemble, The, Joshua Rifkin, Steven Rickards, John Elwes & Michael Schopper | Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | |
| | Bell'Arte Salzburg, Susanne Ryden & Annegret Siedel | Also Hat Gott Die Welt Geliebet | |
| | Gemma Bertagnolli, Susanne Ryden, Harmonices Mundi & Claudio Astronio | Toccata | |
| | Harmonices Mundi, Claudio Astronio & Susanne Ryden | "Al rigor di due tiranni" | |
| | Susanne Ryden, Constanze Backes, Marnix de Cat, Hans-Jörg Mammel, Harry van der Kamp, Weser-Renaissance & Manfred Cordes | Israelsbrünnlein: No. 8, Ich bin jung gewesen | |
| | Niklas Eklund, Susanne Ryden, Charles Medlam & London Baroque | Sinfonia avanti, "Il Barcheggio": I. Spiritoso, e staccato | |
| | Susanne Ryden, Capella Orlandi Bremen & Thomas Ihlenfeldt | Der geliebte Adonis, Act III: Die lieblichen Triebe der spielenden Liebe (Live) | |
| | Harmonices Mundi, Claudio Astronio & Susanne Ryden | "Il mio core per voi, luci belle" | |
| | Susanne Ryden, Mikael Bellini & Stockholm Baroque Orchestra | Stabat mater: Virgo virginum | |
| | Susanne Ryden | O Dulce Nomen Jesus | |
| | Susanne Ryden, Musica Fiorita & Daniela Dolci | Expeditionis musicae classis IV, Op. 5: No. 20, Veni, Sancte Spiritus | |
| | Susanne Ryden, Dominique Labelle, Philharmonia Baroque Orchestra & Nicholas McGegan | Atalanta, HWV 35, Act II: Amarilli? Oh Dei! Qui Tirsi? (Live) | |
| | Dame Emma Kirkby, Susanne Ryden, Annegret Siedel & Bell'Arte Salzburg | Geistliches Konzert für Sopran, 2 Violinen und Basso Continuo: "Wie bin ich doch so herzlich froh" | |
| | Susanne Ryden | 6 Original Canzonettas, Book 1, Hob.XXIVa:25-30: No. 27. Pastoral Song | |
| | Harmonices Mundi, Claudio Astronio & Susanne Ryden | "Le luci vezzose volgetemi, o clori" | |
| | Susanne Ryden, Björn Gäfvert, Nils-Erik Sparf, Kari Ottesen & Sven Aberg | Är det hela tidsfördrifvet | |
| | Susanne Ryden, Mikael Bellini & Stockholm Baroque Orchestra | Stabat mater: Quae moerebat | |
| | Susanne Ryden, Marietta Zumbult, Capella Orlandi Bremen & Thomas Ihlenfeldt | Der geliebte Adonis, Act III: Ein schneller Wind - Doch wird der Gift (Live) | |
| | Niklas Eklund, Susanne Ryden, Charles Medlam & London Baroque | Arie con Tromba Sola: III. Mio tesoro per te moro | |
| | Susanne Ryden, Mikael Bellini & Stockholm Baroque Orchestra | Stabat mater: Pia Mater | |
| | Harmonices Mundi, Claudio Astronio & Susanne Ryden | "Cara e dolce libertà" | |
| | Marietta Zumbult, Ralf Popken, Susanne Ryden, Jan Kobow, Capella Orlandi Bremen & Thomas Ihlenfeldt | Der geliebte Adonis, Act II: Freut euch mit uns (Live) | |
| | Jan Stromberg, Ralf Popken, Manfred Cordes, Bremen Weser-Renaissance & Susanne Ryden | Il sacrifizio di Abram, Pt. I: Aria. Non entri in mio dolor (Abramo) | |
| | Susanne Ryden, Hermann Oswald, Detlef Bratschke, Howard Arman, Manuel Warwitz, The Schutz Academy, Gunther Schmidt, Irena Troupova-Wilke, Eric Mentzel & Thomas Herberich | Vespers for the Feast of the Ascension: Antiphon: Regina Caeli Laetare | |
| | Susanne Ryden, Hermann Oswald, Detlef Bratschke, Howard Arman, Manuel Warwitz, The Schutz Academy, Gunther Schmidt, Irena Troupova-Wilke, Eric Mentzel & Thomas Herberich | Vespers for the Feast of the Ascension: Antiphon: Cumque Intuerentur | |
| | Susanne Ryden, Hermann Oswald, Detlef Bratschke, Howard Arman, Manuel Warwitz, The Schutz Academy, Gunther Schmidt, Irena Troupova-Wilke, Eric Mentzel & Thomas Herberich | Vespers for the Feast of the Ascension: Antiphon: Exaltate Regem Regum | |
| | Susanne Ryden, Constanze Backes, Marnix de Cat, Hans-Jörg Mammel, Harry van der Kamp, Weser-Renaissance & Manfred Cordes | Israelsbrünnlein: No. 3, Die mit Tränen säen | |
| | Susanne Ryden, Stockholm Baroque Ensemble & Mark Tatlow | Si Bel Volto | |
| | Harmonices Mundi, Claudio Astronio & Susanne Ryden | "Destatevi, o sensi, risvegliati, onore" | |
| | Drottningholm Baroque Ensemble, Susanne Ryden & Eric Ericson | Te Deum, Ro 65 : IV. Til menniskiones förlossning | |
| | Susanne Ryden, Peter Mattei, Jan Stromberg, Stockholm Chamber Orchestra, Mark Tatlow, Anna Eklund-Tarantino, Lars Arvidson, Johan Christensson, Stephen Smith, Hillevi Martinpelto & Stockholm Chamber Choir | Proserpin, VB 19, Scene 7: Recitative: Tacka blommor, faltets heder - Scene 8: Duet with Chorus: O Himmel! mig forsvara! (Proserpine, Pluto, Gods of the Underworld) - Scene 8: Recitative: Hvad grymma klagorop (a Nymph) | |
| | London Baroque, Susanne Ryden & Charles Medlam | Rinaldo: Lascia ch'io pianga | |
| | Harmonices Mundi, Claudio Astronio, Gemma Bertagnolli & Susanne Ryden | Toccata | |
| | Stockholm Chamber Orchestra, Anna Eklund-Tarantino, Lars Arvidson, Mark Tatlow, Stephen Smith, Johan Christensson, Jan Stromberg, Hillevi Martinpelto, Peter Mattei, Susanne Ryden & Stockholm Chamber Choir | Proserpin, VB 19, Scene 17: Recitative: Gan!… mig er dyrkan ej behagar (Ceres) | |
| | Die Freitagsakademie & Susanne Ryden | Mi palpita il cor, HWV 132a: 3. Aria | |
| | Claudio Astronio, Massimiliano Mauthe von Degerfeld, Gemma Bertagnolli, Harmonices Mundi String Ensemble, Susanne Ryden & Bozen Baroque Orchestra | Laudate pueri Dominum, RV 602: Laudate pueri | |
| | Eva Nassen, Anne Pajunen, Tore Sunesson, Peter Soderberg, Hans Davidsson, Corona Artis Ensemble, Susanne Ryden, Mats Persson, Fredrik Albertsson, Kjell Henriksson, Jerry Mazo & Convivium Musicum Gothenburgense | Vincenzo Albrici fader var: Fader War | |
| | Susanne Ryden, Constanze Backes, Marnix de Cat, Hans-Jörg Mammel, Harry van der Kamp, Weser-Renaissance & Manfred Cordes | Israelsbrünnlein: No. 1, O Herr, ich bin dein Knecht | |
| | Dominique Labelle, Susanne Ryden, Philharmonia Baroque Orchestra & Nicholas McGegan | Atalanta, HWV 35, Act III: Caro! Cara! (Live) | |
| | Anna Nyhlin, Stockholm Baroque Ensemble, Susanne Ryden & Mark Tatlow | La Forza delle Stelle: Damone's Aria | |
| | Susanne Ryden, Harmonices Mundi, Claudio Astronio & Sergio Foresti | Duet. Trionfate, invitti colli | |
| | Susanne Ryden, William Dongois & Peter Croton | Madonna Per Voi Ardo | |
