| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Four Songs for High Voice and Orchestra, Op. 27: IV. Morgen (Und Morgen Wird Die Sonne Wieder Scheinen) | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Four Songs for High Voice and Orchestra, Op. 36: I. Das Rosenband Lied | |
| | Ria Bollen, Regina Marheineke, Kari Lövaas, Heiner Hopfner, Münchener Vokalsolisten, Münchener Kammerorchester & Hans Ludwig Hirsch | La Contesa delle Stagioni: II. Festeggi, brilli e goda | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: Move him into the sun - Pie Jesu Domine | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | Regina Marheineke, Ria Bollen, Kari Lövaas, Heiner Hopfner, Münchener Kammerorchester & Hans Ludwig Hirsch | La Contesa delle Stagioni: III. Ei vuol che le stagion - Sotto rozze e fiere spoglie | |
| | Kari Lövaas, Hilke Helling, Richard Greager, Gerhard Faulstich, Christian Schlicke, Spandauer Kantorei Berlin, Bach Collegium Berlin & Martin Behrmann | Mass No. 5 in A-Flat Major, D. 678: II. Gloria | |
| | Berliner Symphoniker, Eduardo Marturet & Kari Lövaas | Four Songs, Op. 27: IV. Morgen (Und Morgen wird die Sonne wieder scheinen) | |
| | Kari Lövaas, Hilke Helling, Richard Greager, Gerhard Faulstich, シュパンダウ・カントライ, Berlin Bach Collegium & Martin Behrmann | Mass No. 5 in A Flat Major, D. 678: I. Kyrie | |
| | Helen Donath, Antal Doráti, Orchestre de Chambre de Lausanne, Kari Lövaas, Claes-Håkon Ahnsjö, Domenico Trimarchi & Anthony Rolfe Johnson | La vera costanza: "Vanne, sciocco balordo; intendo" | |
| | Kari Lövaas, Hilke Helling, Richard Greager, Gerhard Faulstich, Christian Schlicke, Spandauer Kantorei Berlin, Bach Collegium Berlin & Martin Behrmann | Mass No. 5 in A-Flat Major, D. 678: I. Kyrie | |
| | Helen Donath, Antal Doráti, Orchestre de Chambre de Lausanne, Kari Lövaas & Anthony Rolfe Johnson | La vera costanza: "Masino, deh, senti" | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | 6 Songs, Op. 25: II. En Svane (A Swan) | |
| | Kari Lövaas, Ria Bollen, Münchener Kammerorchester & Hans Ludwig Hirsch | La Contesa delle Stagioni: IV. Non t'avanzar cotanto - Alle brine del tuo crine | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | Philharmonia Hungarica, Willy Mattes, Adolf Dallapozza, Gisela Litz, Grit van Jüten, Theo Lingen, Ferry Gruber, Kari Lövaas, Brigitte Lindner, Chor der Kölner Oper & Anneliese Rothenberger | Orpheus in der Unterwelt, Act II: Um einst Alkmenen zu betören (Cupido - Diana - Venus - Pluto - Chor) | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | 12 Melodies, Op. 33: II. Våren (Spring) | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Songs, Op. 38: II. On a Balcony By the Sea | |
| | Kari Lövaas, Berliner Symphoniker & Eduardo Marturet | Four Songs, Op. 27: IV. Morgen (Und Morgen wird die Sonne wieder scheinen) | |
| | Jan-Hendrick Rootering, Krisztina Laki, Wolfgang Sawallisch, Karl Helm, Cheryl Studer, John Alexander, Chor des Bayerischen Rundfunks, June Anderson, Symphonieorchester des Bayerischen Rundfunks, Norbert Orth, Roland Hermann & Kari Lövaas | Die Feen, WWV 32, Act II: Finale II | |
| | Kari Lövaas, Hilke Helling, Richard Greager, Gerhard Faulstich, シュパンダウ・カントライ, Berlin Bach Collegium & Martin Behrmann | Mass No. 5 in A Flat Major, D. 678: VI. Agnus Dei | |
| | Kari Lövaas, Richard Greager, Karl-Ernst Merker, シュパンダウ・カントライ, Berlin Bach Collegium, Cappella Vocale Hamburg & Martin Behrmann | Mass No. 6 in E Flat Major, D. 950: III. Credo | |
| | Kari Lövaas, Herbert Blomstedt, NDR Elbphilharmonie Orchestra & Radio-Philharmonie Hannover | Sieben frühe Lieder (Orchestral Version): No. 1. Nacht | |
| | Symphonieorchester des Bayerischen Rundfunks, Wolfgang Sawallisch, Kari Lövaas & Krisztina Laki | Die Feen, WWV 32, Act III: Scene | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: Dies irae, dies illa | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Songs, Op. 37: IV. Was It a Dream? | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: Libera me | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Six Poems By Henrik Ibsen, Op. 25: II. en Svane (A Swan) | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Songs, Op. 37: IV. Was It a Dream? | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Peer Gynt, Op. 23, Act III: No. 13, Solveigs Sang | |
| | Kari Lövaas, Hilke Helling, Richard Greager, Gerhard Faulstich, Christian Schlicke, Spandauer Kantorei Berlin, Bach Collegium Berlin & Martin Behrmann | Mass No. 5 in A-Flat Major, D. 678: III. Credo | |
| | Berliner Symphoniker, Kari Lövaas & Eduardo Marturet | Eight Poems for High Voice and Orchestra, Op. 10: VIII. Allerseelen | |
| | Jessye Norman, Antal Doráti, Orchestre de Chambre de Lausanne, Kari Lövaas, Helen Donath, Claes-Håkon Ahnsjö, Wladimiro Ganzarolli, Domenico Trimarchi & Anthony Rolfe Johnson | La vera costanza: "Che miro, Rosina?" | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: Out there | |
| | Kari Lövaas, Berliner Symphoniker & Eduardo Marturet | Romancer og Sange (Nine Songs), Op. 18: IV. Efteraarsstormen (Autumn Storms) | |
| | Martin Behrmann, Kari Lövaas, Gerhard Faulstich, Hilke Helling, Berlin Bach Collegium, Richard Greager & Spandau Kantorei | Mass No. 5 in A-Flat Major, D. 678: I. Kyrie | |
| | Berliner Symphoniker, Eduardo Marturet & Kari Lövaas | Songs, Op. 27, No. 4: Morning Song | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: One ever hangs | |
| | Eduardo Marturet, Kari Lövaas & Berliner Symphoniker | Four Songs, Op. 27: IV. Morgen | |
| | Jessye Norman, Antal Doráti, Orchestre de Chambre de Lausanne, Kari Lövaas, Helen Donath, Claes-Håkon Ahnsjö & Wladimiro Ganzarolli | La vera costanza: "Va pettegola insolente" - "Ma che ingiustizia è que- sta!" | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: What passing-bells | |
| | Krisztina Laki, Wolfgang Sawallisch, Symphonieorchester des Bayerischen Rundfunks & Kari Lövaas | Die Feen, WWV 32, Act I: Recitative (1) | |
| | Dietrich Fischer-Dieskau, Barbara Daniels, Düsseldorfer Symphoniker, Kari Lövaas, Norma Sharp, Ilse Gramatzki, Nicolai Gedda, Walter Berry, Harald Stamm, Chor des Städt. Musikvereins zu Düsseldorf, Hartmut Schmidt, Tölzer Knabenchor & Gerhard Schmidt-Gaden | Szenen aus Goethes Faust, WoO 3, Pt. 2: No. 6, Fausts Tod (Herbei! Herbei! Herein! Herein! Ihr schlotternden Lemuren) | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Kari Lövaas, Theo Adam & Anthony Roden | War Requiem, Op. 66: Sanctus | |
| | Edith Mathis, Kari Lövaas, Tatiana Troyanos, Siegfried Rudolf Frese, Wiener Philharmoniker & Karl Böhm | Der Rosenkavalier, Op. 59, Act II: Wird Sie das Mannsbild da heiraten | |
