| | Kurt Moll, Alan Opie, Barbara Bonney, Ann Murray, Anna Tomowa-Sintow, Chorus of the Royal Opera House, Covent Garden, Sir Andrew Davis, Orchestra of the Royal Opera House, Covent Garden, Bonaventura Bottone, Leah Marian Jones, Jennifer Rhys-Davies, John Dobson, Gordon Sandison & Paul Crook | Der Rosenkavalier, Op. 59, TrV 227: Act I: Wollen Euer Gnaden leicht den Jungen Herrn da (Marschallin, Baron, Octavian) | |
| | Alan Opie, Neil Jenkins, Richard Van Allan, Sarah Walker, Corydon Orchestra, Corydon Singers, Matthew Best & Rebecca Evans | Hugh the Drover: Act 1 VII. Show Me a Richer Man in All This Town | |
| | Alan Opie, Opera North Chorus, David Parry, Opera North Orchestra & Paul Wade | Nabucco, Part IV, The Broken Idol: The false, perfidious enemy | |
| | Alan Opie, Corydon Orchestra, Corydon Singers, Sarah Walker, Neil Jenkins, Rebecca Evans, Richard Van Allan & Matthew Best | Hugh the Drover, Act I: Pt. 7. Show Me a Richer Man in All This Town | |
| | Josephine Barstow, Sir Charles Mackerras, Welsh National Opera Orchestra & Alan Opie | Gloriana, Op. 53: 12. Cecil's Song of Government | |
| | London Philharmonic Orchestra, Alan Opie, Laura Polverelli, Alexandra von der Weth & Louis Langrée | Così fan tutte, K. 588, Act 1: "Soave sia il vento" | |
| | Alan Opie, Clive Bayley, Geoffrey Mitchell Choir, David Parry & London Philharmonic Orchestra | Il Trovatore, Act II: All is deserted - My hour of joy approaches - My hour of joy approaches (Il balen del suo sorriso) (Count di Luna, Ferrando, Chorus) | |
| | Alan Opie, Richard Suart, BBC National Chorus of Wales, Rory Macdonald, Sarah Maxted, BBC National Orchestra of Wales, Toby Spence & Rebecca Evans | The Beauty Stone, Act I Scene 2: In the hills beyond Florennes (Isabeau, Saida, Devil, Philip, Nicholas, Chorus) | |
| | Alan Opie, David Parry, Opera North Orchestra & Susan Patterson | Nabucco, Part III, Duet: Oh, have pity on a father in his madness! | |
| | Alan Opie, John Shirley-Quirk, Richard Hickox & Northern Sinfonia | The Bear (An Extravaganza in One Act): There! She's vanished (Smirnov, Luka) | |
| | Alan Opie, Alan Ewing, Richard Hickox, London Symphony Orchestra & Matthew Best | Billy Budd, Op. 50, Act II Scene 2: Poor fellow, who could save him? (Mr Redburn, Mr Flint, Mr Ratcliffe) | |
| | Alan Opie, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright & David Rendall | Mary Stuart, A. 43, In. 52, Act I: But, where is the Earl of Dudley? (Elizabeth, Cecil, Dudley) | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 4: "The bottle is the sun of our lives" | |
| | Alan Opie, David Parry, London Philharmonic Orchestra & Sharon Sweet | Il Trovatore, Part IV Scene 1: See all these bitter tears of mine (Leonora, Count di Luna) | |
| | Adrian Thompson, Alan Opie, Bernadette Greevy, Colman Pearce, RTÉ National Symphony Orchestra, RTÉ Philharmonic Choir & Virginia Kerr | Ultima Rerum: Dies irae | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 4: "Son! At last" | |
| | Alan Opie, Sir Charles Mackerras, English National Opera Orchestra & Rosalind Plowright | Mary Stuart, A. 43, In. 52, Act III Scene 1: Still pensive? Still delaying? (Cecil, Elizabeth) | |
| | Alan Opie, Thomas Guthrie, Richard Hickox, Elena Ionova, Spoleto Festival Orchestra, Vadim Zaplechny & Justin Lavender | War and Peace, Op. 91, Scene 7: Picture the scene, Countess (Métivier, Hélène, Abbé, Pierre, Anatoly, Denisov) | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 3: "Come in, come in" | |
| | Alan Opie, David Parry, Opera North Orchestra & Susan Patterson | Nabucco, Part III, Duet: Woman. . . Who are you? | |
| | Renée Fleming, Alan Opie, The Metropolitan Opera & James Conlon | Peter Grimes, Op. 33, Act III: Embroidery in childhood | |
| | Alan Opie, David Parry, Philharmonia Orchestra & Elizabeth Futral | Lucia of Lammermoor, Part II. Act I Scene 2: Your refusal will destroy me (Enrico, Lucia) | |
| | José Van Dam, Sir Georg Solti, Chicago Symphony Orchestra & Alan Opie | Die Meistersinger von Nürnberg: Sie da, Herr Schreiber: auch am Morgen | |
| | Alan Opie, Richard Hickox, Anne Collins, Pamela Helen Stephen, Sally Burgess, City of London Sinfonia, Susan Bullock & Rebecca Evans | Albert Herring, Op. 39, Act III: Fools! (Lady Billows, Nancy, Vicar, Miss Wordsworth, Florence, Mum, Mayor, Superintendent) | |
| | Alan Opie, Richard Hickox, London Symphony Orchestra, Philip Langridge & Matthew Best | Billy Budd, Op. 50, Act I Scene 2: Ay, at Spithead… (Vere, Mr Redburn, Mr Flint) | |
| | Geoffrey Mitchell Choir, Alun Francis, London Mozart Players, Alan Opie, Joy Roberts & Maurice Arthur | Christopher Columbus, Act 1: "What have I done?" (Columbus, Police Chief, Beatriz, Chorus) | |
| | Alan Opie, Gabriele Bellini & English National Opera Orchestra | Il barbiere di Siviglia, Act I: La la la lera, la la la la. Here at your service to do or die am I! (Largo al factotum) (Figaro) | |
| | Alan Opie, Sir Charles Mackerras & Welsh National Opera Orchestra | Gloriana, Op. 53: 44. Cecil's Report | |
| | Dominic Gill, Sir Charles Mackerras, Welsh National Opera Orchestra, Josephine Barstow, Philip Langridge & Alan Opie | Gloriana, Op. 53, Act I Scene 2: 13. Recitative & Essex's Entry | |
| | New York Philharmonic, Alan Gilbert, Alan Opie, Melissa Parks, Keith Jameson, Joshua Bloom, Wilbur Pauley, Isabel Bayrakdarian, Marie Lenormand & Kelley O'Connor | Prihody Lisky Bystrousky (The Cunning Little Vixen), Act III, Scene 3: The Young Vixen | |
| | Alan Opie, Emma Matthews, Australian Opera & Ballet Orchestra & Giovanni Reggioli | Rigoletto, Act 2: Compiuto pur quanto | |
| | Alan Opie, Roderick Williams, Matthew Best, Richard Hickox, Ameral Gunson, City of London Sinfonia, Philip Langridge & John Graham Hall | Peter Grimes, Op. 33, Act I Scene 1: Hi! Give us a hand (Peter, Balstrode, Boles, Ned, Auntie, Hobson) | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 1: "But this is just fantasy!" | |
| | Alan Opie, John Rawnsley, Mark Richardson, Sir Mark Elder, English National Opera Orchestra & Terry Jenkins | Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo) | |
| | Alun Francis, London Mozart Players, Alan Opie, Anne Dawson & Lissa Gray | Christopher Columbus, Act 2: "Last night was one of those nights you remember" (Isabella, Police Chief, Fleurette) | |
| | Alan Opie, Bonaventura Bottone, New London Children's Choir, Karl Morgan Daymond, Neil Jenkins, Richard Van Allan, Corydon Orchestra, Corydon Singers, Matthew Best & Rebecca Evans | Hugh the Drover: Act 1 XXIV. Oh, the Devil and Bonyparty | |
| | Alan Opie, Roderick Williams, London Symphony Chorus, Richard Hickox, Stephen Westrop, Anne Collins, City of London Sinfonia & Philip Langridge | Peter Grimes, Op. 33, Act I Scene 2: For peace sake (Balstrode, Peter, Tutti Soloists, Chorus) | |
| | Alan Opie, Peter Rose, Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra & Stephen Chaundy | Lucia of Lammermoor, Part I Scene 3: Your suspicions are confirmed now (Normanno, Enrico, Raimondo, Chorus) | |
| | Alan Opie, Stephen Richardson, Richard Hickox, Sally Burgess, City of London Sinfonia, Robert Tear, Rebecca Evans & Susan Bullock | Albert Herring, Op. 39, Act I Scene 1: Virtue, says Holy Writ (Vicar, Superintendent, Mayor, Miss Wordsworth, Florence, Lady Billows) | |
| | Alan Opie, Paul Hodges, Peter Rose, David Parry, Philharmonia Orchestra, Peter Wedd & Helen Williams | Ernani, Act III: Charlemagne inspire me (O sommo Carlo) (Carlo, Silva, Chorus) | |
| | Kurt Moll, Alan Opie, Barbara Bonney, Ann Murray, Anna Tomowa-Sintow, Chorus of the Royal Opera House, Covent Garden, Sir Andrew Davis, Orchestra of the Royal Opera House, Covent Garden, Bonaventura Bottone, Leah Marian Jones, Jennifer Rhys-Davies, John Dobson, Gordon Sandison & Paul Crook | Der Rosenkavalier, Op. 59, TrV 227: Act I: Di rigori armato il seno (Singer) | |
| | Alan Opie, David Parry, London Philharmonic Orchestra, Rosa Mannion & Peter Bronder | Pagliacci, Act II Scene 2: She's waiting. She is a goddess! (Taddeo, Columbina, Harlequin) | |
| | Kurt Moll, Alan Opie, Barbara Bonney, Ann Murray, Anna Tomowa-Sintow, Chorus of the Royal Opera House, Covent Garden, Sir Andrew Davis, Orchestra of the Royal Opera House, Covent Garden, Bonaventura Bottone, Leah Marian Jones, Jennifer Rhys-Davies, John Dobson, Gordon Sandison & Paul Crook | Der Rosenkavalier, Op. 59, TrV 227: Act II: Wird kommen uber Nacht (Baron, Octavian, Marianne, Faninal) | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 3: "Here I am, a nun" | |
| | Adrian Thompson, Alan Opie, Bernadette Greevy, Colman Pearce, RTÉ National Symphony Orchestra, RTÉ Philharmonic Choir & Virginia Kerr | Ultima Rerum: In paradisum | |
| | René Pape, Sir Georg Solti, Chicago Symphony Chorus, José Van Dam, Chicago Symphony Orchestra, Alan Opie & Albert Dohmen | Die Meistersinger von Nürnberg: O Sachs, mein Freund | |
| | José Van Dam, Sir Georg Solti, Chicago Symphony Chorus, Alan Opie, Chicago Symphony Orchestra, Ben Heppner & René Pape | Die Meistersinger von Nürnberg: Doch wird's wohl jetzt mir kund | |
| | Alan Opie, David Parry, English National Opera Orchestra & Peter Wedd | Ernani, Part III: You're sure they'll meet here? (Carlo, Riccardo) | |
| | Alan Opie, Clive Bayley, Geoffrey Mitchell Choir, David Parry, Anne Mason & London Philharmonic Orchestra | Il Trovatore, Part III Scene 1: She's in my rival's arms! (Count di Luna, Ferrando, Azucena, Guards) | |
| | Alan Opie, Peter Rose, David Parry, Philharmonia Orchestra & Stephen Chaundy | Lucia of Lammermoor, Part I Scene 2: You seem unhappy (Normanno, Enrico, Raimondo) | |
