| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 1: No. 9, Finale (Andante) | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 1: No. 2, Valse in A-Flat Major (Tempo di valse) [Corps de Ballet] | |
| | André Previn, London Symphony Orchestra & Vladimir Ashkenazy | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 2: No. 10, Moderato | |
| | Vladimir Ashkenazy, André Previn & London Symphony Orchestra | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | |
| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 2: No. 13, Danses des cygnes - IV. Allegro moderato | |
| | Vladimir Ashkenazy, André Previn & London Symphony Orchestra | Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20: Introduction | |
| | London Symphony Orchestra & André Previn | Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | |
| | André Previn & Orchestra | Overture | |
| | André Previn & Doris Day | My One and Only Love | |
| | Bill Shirley | On the Street Where You Live | |
| | Marni Nixon | Wouldn't It Be Loverly | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 2: No. 14, Moderato | |
| | André Previn | Overture | |
| | Stanley Holloway & Chorus | Get Me to the Church On Time | |
| | Itzhak Perlman, Pittsburgh Symphony Orchestra & André Previn | Zigeunerweisen, Op. 20 | |
| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio | |
| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | |
| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro scherzando | |
| | André Previn | John Nineteen: Forty-One | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 4: No. 27, Danse des petits cygnes (Moderato) | |
| | Doris Day & André Previn | Close Your Eyes | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 1: No. 5, Pas de deux - II. Andante - Allegro | |
| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro | |
| | Maria João Pires, Royal Philharmonic Orchestra & André Previn | Piano Concerto No. 2 in F Minor, Op. 21: 2. Larghetto | |
| | London Symphony Orchestra & André Previn | Romeo and Juliet (1987 Remastered Version): Dance of the Knights | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act II: No. 10, Scene (Moderato) | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 4: No. 29, Andante - Allegro agitato - Alla breve. Moderato e maestoso | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 2: No. 13, Danses des cygnes - I. Tempo di valse | |
| | André Previn & London Symphony Orchestra | Romeo and Juliet: Dance of the Knights | |
| | Itzhak Perlman, Pittsburgh Symphony Orchestra & André Previn | Zigeunerweisen, Op.20 (1990 Remastered Version) | |
| | André Previn, Emanuel Ax & Royal Philharmonic Orchestra | Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro | |
| | André Previn & London Symphony Orchestra | Cinderella, Op. 87, Act 1: No. 19, Cinderella's Departure for the Ball (Allegro espressivo) | |
| | Doris Day & André Previn | Close Your Eyes | |
| | Rex Harrison | I've Grown Accustomed to Her Face | |
| | Stanley Holloway | With a Little Bit of Luck | |
| | Vladimir Ashkenazy, André Previn & London Symphony Orchestra | Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | |
| | London Symphony Orchestra & André Previn | Adagio for Strings, Op. 11 | |
| | London Symphony Orchestra & André Previn | Swan Lake, Op. 20: Scène, Moderato | |
| | André Previn, Kathleen Battle, Frederica von Stade, Orchestra of St. Luke's & The American Boychoir | Hänsel und Gretel: Abendsegen "Evening Prayer" | |
| | Maria João Pires, Royal Philharmonic Orchestra & André Previn | Piano Concerto No. 2 in F Minor, Op. 21: 1. Maestoso | |
| | André Previn & London Symphony Orchestra | Tsar Saltan, Op. 57: Flight of the Bumblebee | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 1: No. 5, Pas de deux - Coda (Allegro molto vivace) | |
| | André Previn & London Symphony Orchestra | Swan Lake, Op. 20, Act 1: No. 4, Pas de trois - I. Intrada (Allegro) | |
| | André Previn & London Symphony Orchestra | Dance of the Little Swans from Swan Lake, Op.20 | |
| | André Previn, Itzhak Perlman & London Symphony Orchestra | Tzigane (Rapsodie de Concert) | |
| | Maria João Pires, Royal Philharmonic Orchestra & André Previn | Piano Concerto No. 2 in F Minor, Op. 21: 3. Allegro Vivace | |
