| | Donald Gramm, Charles Munch, G. Wallace Woodworth, Harvard Glee Club, Radcliffe Choral Society & Boston Symphony Orchestra | La Damnation de Faust, Op. 24: Certain rat (Chanson de Brander) | |
| | Charles Munch, Donald Gramm, Boston Symphony Orchestra & Tanglewood Festival Chorus | Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich (Live) | |
| | James McCracken, Raymond Gibbs, Donald Gramm, The Metropolitan Opera Orchestra, Leonard Bernstein, The Metropolitan Childrens Chorus & John Mauceri | Carmen, Act I: Chorus of Street-Boys. Avec la garde montante | |
| | Marilyn Horne, Russell Christopher, Tom Krause, Donald Gramm, The Metropolitan Opera Orchestra & Leonard Bernstein | Carmen, Act II: Dialogue. Dis-moi ton nom | |
| | Donald Gramm, Gabriel Bacquier, English Chamber Orchestra & Richard Bonynge | Don Giovanni, K. 527, Act I: Io deggio ad ogni patto | |
| | Igor Stravinsky, Columbia Symphony Orchestra, George Shirley, Irene Jordan & Donald Gramm | Pulcinella (Ballet with Song in One Act, after Pergolesi): XIX. Tempo di minuetto, "Pupillette, fiammette d'amore" | |
| | Clamma Dale, Leonard Bernstein, National Symphony Orchestra, Kennedy Center, Nancy Williams, Rosalind Elias, Neil Rosenshein, Donald Gramm & John Reardon | Songfest (1977) No. 4. "To What You Said ." | |
| | Donald Gramm & Eugene Istomin | War Scenes: No. 1, A Night Battle | |
| | Leonard Bernstein, The Metropolitan Opera Orchestra, Marcia Baldwin, Marilyn Horne, Russell Christopher & Donald Gramm | Carmen, WD 31, Act II: "Mon Dieu, messieurs, il commence à se faire tard" | |
| | Alan Titus, Beverly Sills, Henry Newman, London Symphony Orchestra, Alfredo Kraus, Donald Gramm, Sarah Caldwell & Ambrosian Opera Chorus | Don Pasquale, ATTO TERZO Sesta Scena: Com' è gentil la notte a mezzo (Ernesto/Coro) | |
| | Alan Titus, Beverly Sills, Henry Newman, London Symphony Orchestra, Alfredo Kraus, Donald Gramm, Sarah Caldwell & Ambrosian Opera Chorus | Don Pasquale, ATTO TERZO Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | |
| | Gabriel Bacquier, Donald Gramm, Leonardo Monreale, Marilyn Horne, Dame Joan Sutherland, Pilar Lorengar, Werner Krenn, English Chamber Orchestra & Richard Bonynge | Don Giovanni, K. 527, Act I: Riposate, vezzose ragazze | |
| | Donald Gramm & Ned Rorem | Poems by Robert Herrick, Ben Jonson, John Dryden and Orlando Gibbons: Upon Julia's Clothes | |
| | Glenn Gould, Helen Vanni & Donald Gramm | Sechs Lieder, Op. 3: II. Die Aufgeregten | |
| | Glenn Gould, Helen Vanni & Donald Gramm | Sechs Lieder, Op. 3: I. Wie Georg von Frundsberg von sich selber sang | |
| | London Symphony Orchestra, Sarah Caldwell, Alan Titus & Donald Gramm | Don Pasquale: Bella siccome un angelo (Malatesta/Pasquale) | |
| | Igor Stravinsky, Reri Grist, Donald Gramm & Washington Opera Society Orchestra | The Nightingale, Act II: Song of the Nightingale | |
| | Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra, Kennedy Center & Leonard Bernstein | Songfest: 12. "Israfel" | |
| | Donald Gramm & Eugene Istomin | War Scenes: An Incident | |
| | Donald Gramm & Eugene Istomin | War Scenes: The Real War Will Never Get In The Books | |
| | Donald Gramm & Richard Cumming | The Faucon | |
| | Clamma Dale, Donald Gramm, National Symphony Orchestra, Kennedy Center & Leonard Bernstein | Songfest: 7. "Storyette H.M." | |
| | Donald Gramm & Eugene Istomin | 5 Songs to Poems: No. 1, As Adam, Early in the Morning | |
| | Igor Stravinsky, Columbia Symphony Orchestra & Donald Gramm | Pulcinella (Ballet with Song in One Act, after Pergolesi): IX. Allegro (alla breve), "Con queste paroline" | |
| | James McCracken, Donald Gramm, The Metropolitan Opera Orchestra & Leonard Bernstein | Carmen, Act I: Dialogue. Dites-moi, brigadier | |
| | London Symphony Orchestra, Sarah Caldwell, Alan Titus, Alfredo Kraus, Ambrosian Opera Chorus, Beverly Sills & Donald Gramm | Don Pasquale, Act I: Quel guardo...So anch'io la virtù magica | |
| | Ned Rorem & Donald Gramm | Six Songs: Look Down, Fair Moon | |
| | Donald Gramm & Richard Cumming | Blue Mountain Ballads: No. 2, Lonesome Man | |
| | Donald Gramm & Richard Cumming | Blue Mountain Ballads: Sugar in the Cane | |
| | Glenn Gould & Donald Gramm | Sechs Lieder, Op. 3: I. Wie Georg von Frundsberg von sich selber sang | |
| | Marilyn Horne, Donald Gramm, English Chamber Orchestra & Richard Bonynge | Don Giovanni, K. 527, Act II: Restati qua, restati qua! | |
| | Glenn Gould & Donald Gramm | Zwei Gesänge, Op. 1: II. Abschied | |
| | London Symphony Orchestra, Sarah Caldwell, Donald Gramm & Alan Titus | Don Pasquale, Act I: Son nov'ore (Pasquale/Malatesta) | |
| | Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra, Kennedy Center & Leonard Bernstein | Songfest: 8. "If You Can't Eat You Got To" | |
| | Vladimir Golschmann, Juilliard String Quartet, Anita Darian, Charles Bressler, Elizabeth Benson-Guy & Donald Gramm | "So You Want to Write a Fugue?" for Four Voices and String Quartet | |
| | London Symphony Orchestra, Sarah Caldwell, Beverly Sills, Donald Gramm, Alan Titus, Alfredo Kraus, Henry Newman & Ambrosian Opera Chorus | Don Pasquale (Highlights): Tornami a dir che m'ami | |
| | Donald Gramm & Eugene Istomin | Five Songs to Poems of Walt Whitman: As Adam, Early in the Morning | |
| | Gabor Carelli, Thomas Schippers, The Metropolitan Opera Orchestra, Rod MacWherter, Robert Schmorr, Charles Anthony, James Morris, Benno Kusche, Robert Goodloe, Russell Christopher, Donald Gramm, Ezio Flagello, Louis Sgarro & Theo Adam | Die Meistersinger von Nürnberg: Wohl, Meister, zur Tagesordnung kehrt | |
| | Sarah Caldwell, Alan Titus, Beverly Sills, Donald Gramm & London Symphony Orchestra | Don Pasquale, Act II: Via, da brava ... Reggo appena (Malatesta, Norina, Pasquale) | |
| | Donald Gramm & Ned Rorem | Poems by Robert Herrick, Ben Jonson, John Dryden and Orlando Gibbons: To the Willow Tree | |
| | Donald Gramm, Charles Munch, G. Wallace Woodworth, Harvard Glee Club, Radcliffe Choral Society & Boston Symphony Orchestra | La Damnation de Faust, Op. 24: Oh! qui'il fait bon | |
| | Donald Gramm & Richard Cumming | Jazz-Boys | |
| | Donald Hassard & Donald Gramm | Thomas Logge | |
| | Glenn Gould, Helen Vanni & Donald Gramm | Sechs Lieder, Op. 3: III. Warnung | |
| | Donald Gramm, Ezio Flagello, Benno Kusche, James King, Gabor Carelli, Robert Schmorr, Louis Sgarro, Russell Christopher, Robert Goodloe, James Morris, The Metropolitan Opera Orchestra, Charles Anthony, Thomas Schippers & Rod MacWherter | Die Meistersinger von Nürnberg: Seid ihr nun fertig? | |
| | The Metropolitan Opera Orchestra, Jan Behr, Franco Corelli, Rosalind Elias & Donald Gramm | Werther, Act I: "Rêve! Extase! Bonheur! / Charlotte! Charlotte! Albert Est De Retour!" (Werther, Charlotte, Le Bailli) | |
| | Donald Gramm, Pilar Lorengar, Leonardo Monreale, Marilyn Horne, Werner Krenn, English Chamber Orchestra & Richard Bonynge | Don Giovanni, K. 527, Act II: Ah! pietà, signori miei! | |
| | Marilyn Horne, Leonard Bernstein, The Metropolitan Opera Orchestra, Russell Christopher, Tom Krause & Donald Gramm | Carmen, WD 31, Act II: "Dis-moi ton nom" | |
| | Donald Gramm & Richard Cumming | General William Booth Enters Into Heaven | |
| | Glenn Gould & Donald Gramm | Zwei Gesänge, Op. 1: I. Dank | |
