| | Alessandro De Marchi, Academia Montis Regalis & Magdalena Kožená | Juditha Triumphans, RV 644 - Prima parte: Aria "Veni, me sequere fida" (Juditha) | |
| | Alessandro De Marchi, Academia Montis Regalis & Magdalena Kožená | Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644 - Part 1: Aria "Veni, me sequere fida" (Juditha) | |
| | Magdalena Kožená, Alessandro De Marchi & Academia Montis Regalis | Juditha Triumphans: Juditha Aria "Veni, me sequere fida" | |
| | Berliner Philharmoniker, Chor des Deutschen Staatsoper, Eberhard Friedrich, Magdalena Kožená, Sir Simon Rattle, Vinzenz Weissenburger & Kinderchor der Deutschen Staatsoper Berlin | Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Cigarières, Jeunes gens, Dragons) | |
| | Alessandro De Marchi, Academia Montis Regalis & Magdalena Kožená | Juditha Triumphans, RV 644: Prima Parte: Aria - Quocum Patriae me ducit amore | |
| | Alessandro De Marchi, Academia Montis Regalis & Magdalena Kožená | Juditha Triumphans, RV 644: Prima Parte: Aria - Veni, me sequere fida | |
| | Magdalena Kožená, John Eliot Gardiner, Paul Agnew, Monteverdi Choir, Nicolas Teste, English Baroque Soloists & Nathalie Stutzmann | Ich ruf zu dir, Herr Jesu Christ, BWV 177: Aria: Verleih, dass ich aus Herzensgrund (Soprano) | |
| | Magdalena Kožená, Nicolas Teste, English Baroque Soloists, Nathalie Stutzmann, Monteverdi Choir, John Eliot Gardiner & Paul Agnew | Ich ruf zu dir, Herr Jesu Christ (Chorus) | |
| | Alessandro De Marchi, Academia Montis Regalis & Magdalena Kožená | Juditha Triumphans, RV 644: Prima Parte: Aria - Quanto magis generosa | |
| | Magdalena Kožená, Berliner Philharmoniker & Sir Simon Rattle | Rückert-Lieder (Orchestrated by Max Puttmann): V. Um Mitternacht | |
| | Magdalena Kožená, Paul McCreesh & Gabrieli | St. Matthew Passion, BWV 244: No. 39, Erbarme Dich | |
| | Magdalena Kožená, Musica Florea & Marek Stryncl | St. Matthew Passion, BWV 244 / Pt. Two: No. 39 Aria (Alto): "Erbarme dich" | |
| | Magdalena Kožená, Venice Baroque Orchestra & Andrea Marcon | Rinaldo: "Lascia ch'io pianga" | |
| | Berliner Philharmoniker, Kate Royal, Magdalena Kožená, Rundfunkchor Berlin, Simon Halsey & Sir Simon Rattle | Symphony No. 2 in C Minor "Resurrection": V. Langsam. Misterioso | |
| | Peter Harvey, John Eliot Gardiner, Magdalena Kožená & English Baroque Soloists | Ich geh und suche mit Verlangen, BWV 49: Sinfonia | |
| | Alessandro De Marchi, Academia Montis Regalis & Magdalena Kožená | Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644 - Part 1: Aria "Agitata infido flatu" (Juditha) | |
| | Magdalena Kožená, Anna Prohaska, La Cetra Barockorchester Basel & Andrea Marcon | L'incoronazione di Poppea, SV 308: Pur ti miro | |
| | Magdalena Kožená, Andrea Marcon, La Cetra Barockorchester Basel & Anna Prohaska | Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | |
| | Annick Massis, Marc Minkowski, Les Musiciens du Louvre, Magdalena Kožená, Choeur des Musiciens du Louvre-Grenoble & Sébastian Rouland | Dixit Dominus, HWV 232: 7. De Torrente in Via Bibet | |
| | Magdalena Kožená, Private Musicke & Pierre Pitzl | Si dolce è il tormento | |
| | Private Musicke, Pierre Pitzl & Magdalena Kožená | Torna Il Sereno Zeffiro | |
| | Deborah York, Paul McCreesh, Gabrieli, Julia Gooding, Magdalena Kožená, Susan Bickley, James Gilchrist, Mark Padmore, Peter Harvey & Stephan Loges | St. Matthew Passion, BWV 244 / Pt. Two: No. 63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" | |
| | Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski & Juan-Manuel Quintana | "Tra le fiamme", Cantata HWV 170: Da capo: “Tra le fiamme tu scherzi” | |
| | Magdalena Kožená, Musica Antiqua Köln & Reinhard Goebel | Bekennen will ich seinen Namen, BWV 200: Aria | |
| | Magdalena Kožená & Radoslav Kvapil | Nevydávaj sa ty | |
| | Deborah York, Paul McCreesh, Gabrieli, Julia Gooding, Magdalena Kožená, Susan Bickley, Mark Padmore, James Gilchrist, Peter Harvey & Stephan Loges | St. Matthew Passion, BWV 244 / Pt. Two: No. 67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" | |
| | Magdalena Kožená, Venice Baroque Orchestra & Andrea Marcon | Orlando furioso, RV 728, Act 1: Tu sei degl' occhi miei | |
| | Deborah York, Paul McCreesh, Gabrieli, Julia Gooding, Magdalena Kožená, Susan Bickley, James Gilchrist, Mark Padmore, Peter Harvey & Stephan Loges | St. Matthew Passion, BWV 244 / Pt. One: No. 4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester" | |
| | Sir Simon Rattle, Magdalena Kožená & Czech Philharmonic | 5 Mélodies populaires grecques: No. 5, Tout gai! | |
| | Magdalena Kožená & Radoslav Kvapil | Svic, mila, maš komu | |
| | Deborah York, Paul McCreesh, Gabrieli, Julia Gooding, Magdalena Kožená, Susan Bickley, Mark Padmore, James Gilchrist, Peter Harvey & Stephan Loges | St. Matthew Passion, BWV 244 / Pt. Two: No. 68 Chorus I/II: "Wir setzen uns mit Tränen nieder" | |
| | Sir Simon Rattle, Magdalena Kožená & Czech Philharmonic | Songs, Op. 2: No. 2, Ó byl to krásný zlatý sen (Orch. by Jiří Gemrot) | |
| | Raoul Steffani, Gerold Huber & Magdalena Kožená | Liebesfrühling, Op. 37 (Rückert) (1841): So wahr die Sonne scheinet | |
| | Magdalena Kožená, John Eliot Gardiner & English Baroque Soloists | Mein Herze schwimmt im Blut Cantata, BWV 199: Recitativo: Auf diese Schmerzens Reu | |
| | Christian Gerhaher, Magdalena Kožená, London Symphony Orchestra & Sir Simon Rattle | Pelléas et Mélisande, L. 88 Acte 4: Scène 4, Une fontaine dans le parc. "C'est le dernier soir" | |
| | Monteverdi Choir, Paul Agnew, Magdalena Kožená, Nicolas Teste, John Eliot Gardiner, English Baroque Soloists & Nathalie Stutzmann | Gott ist mein Konig, BWV 71: Fuga: Dein Alter sei wie deine Jugend (Soprano, Alto, Tenor, Bass) | |
| | Magdalena Kožená, PKF - Prague Philharmonia & Michel Swierczewski | L'Olimpiade, Act II: Che non mi disse | |
| | Magdalena Kožená, Musica Antiqua Köln & Reinhard Goebel | Vergnügte Ruh, beliebte Seelenlust, BWV 170: Recitativo. Wer sollte sich demnach wohl hier | |
| | Magdalena Kožená, Capella Regia Musicalis & Robert Hugo | Jak Mile Rozkosne | |
| | Marc Minkowski, Anna Bonitatibus, Magdalena Kožená & Les Musiciens du Louvre | Alcina, HWV 34, Act I: Ah! Infidele | |
| | Robert Hugo, Capella Regia Musicalis & Magdalena Kožená | Rozmily Slavicku | |
| | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski & Jean-Christophe Keck | Cléopatre: J'ai versé le poison | |
| | Private Musicke, Pierre Pitzl & Magdalena Kožená | Cruda Amarilli | |
| | Annick Massis, Marc Minkowski, Les Musiciens du Louvre, Magdalena Kožená & Russell Smythe | Te Deum for Soloists, Chorus and Orchestra, H 146: Fiat Misericordia Tua, Domine, Super Nos (Soprano I, Bass) | |
| | Magdalena Kožená, Musica Antiqua Köln & Reinhard Goebel | Ach, dass ich Wassers g'nug hätte | |
| | Magdalena Kožená, Robert Hugo & Capella Regia Musicalis | Česká mše vánoční: 5. Offertorium - V pokoře poklekněme... | |
| | Deborah York, Paul McCreesh, Gabrieli, Julia Gooding, Magdalena Kožená, Susan Bickley, Mark Padmore, James Gilchrist, Stephan Loges & Peter Harvey | St. Matthew Passion, BWV 244: No. 3, Choral: "Herzliebster Jesu, Was Hast Du Verbrochen" | |
| | Magdalena Kožená, English Baroque Soloists & John Eliot Gardiner | "Mein Herze schwimmt im Blut" Cantata, BWV 199: 2. Stumme Seufzer, stille Klagen | |
| | Magdalena Kožená & Graham Johnson | Moravian Folk Poetry in Songs, JW 5/2: 38. Loucení | |
| | Berliner Philharmoniker, Kostas Smoriginas, Magdalena Kožená & Sir Simon Rattle | Carmen, Act 4: "Si tu m'aimes, Carmen" (Escamillo, Carmen) | |
