| | Antigone Sgourda, Daniel Barenboim, English Chamber Orchestra, Heather Harper & Luigi Alva | Don Giovanni, K. 527 (1991 Remastered Version), Act I, Scena terza: Non ti fidar (Don Giovanni/Don Ottavio/Donna Anna/Donna Elvira) | |
| | Heather Harper, London Symphony Orchestra & Richard Hickox | Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): 4. Im Abendrot (Eichendorff) | |
| | RAI Symphony Orchestra & Sir Colin Davis | Idomeneo Re Di Creta: Godiam la Pace - Chorus, Electra, Idamante, Arbace, Ilia | |
| | Hans Sotin, New Philharmonia Chorus, Carlo Maria Giulini, Dame Janet Baker, London Philharmonic Orchestra, Heather Harper & Robert Tear | Missa solemnis, Op. 123: Kyrie | |
| | Heather Harper, Grace Hoffman, James King, Karl Ridderbusch, Donald McIntyre, Bayreuth Festival Chorus, Bayreuther Festspielorchester & Rudolf Kempe | Lohengrin, WWV 75, Act I: Durch Gottes Sieg ist jetzt dein Leben mein (Live) | |
| | Heather Harper, Donald McIntyre, Thomas Tipton, Bayreuth Festival Chorus, Bayreuther Festspielorchester & Rudolf Kempe | Lohengrin, WWV 75, Act I: Wer hier im Gotteskampfe zu streiten kam (Live) | |
| | Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Sängerknaben, Wiener Staatsopernchor, Chicago Symphony Orchestra & Sir Georg Solti | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | |
| | Stuart Chamber Orchestra, John Bath, Heather Harper & Joan Clarke | Dido and Æneas, Z. 626, Act II, Scene 1: Duet. "But Ere We This Perform" (First Witch, Second Witch) | |
| | Sir Adrian Boult, Heather Harper, Ian Wallace, Dietrich Fischer-Dieskau, Richard Lewis, The Ambrosian Singers, London Philharmonic Orchestra & London Philharmonic Choir | Doktor Faust, Prologue II: Willst Du mir dienen? (Faust) | |
| | Pierre Boulez & Heather Harper | 6 Lieder nach Gedichten von Georg Trakl, Op. 14: IV. Abendland III | |
| | Heather Harper, Helen Watts, London Symphony Chorus, London Symphony Orchestra & Sir Georg Solti | Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos | |
| | Heather Harper, The Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks & Robert Tear | The Creation H XXI:2 (1988 Remastered Version), Part III: Sing the Lord (chorus with trio) | |
| | Sir Neville Marriner, Royal Northern Sinfonia & Heather Harper | Les illuminations, Op. 18: No. 9, Départ | |
| | George Baker, Heather Harper, John Cameron, Elsie Morison, Glyndebourne Chorus, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Hold, monsters! (Edith, Samuel, Girls, Major-General Stanley, Pirates) (1987 Remastered Version) (Edith, Samuel, Girls, Major-General Stanley, Pirates; 1987 Remastered Version) | |
| | Charles Rosen & Heather Harper | Fünf Lieder aus "Der Siebente Ring", Op. 3: V. Kahl reckt der Baum | |
| | Sir Philip Ledger, Academy of St Martin in the Fields, The Choir of King's College, Cambridge, Heather Harper, Helen Watts, James Bowman & Robert Tear | The Choice of Hercules (2002 Remastered Version): Yet can I hear that dulcet lay | |
| | Sir Malcolm Sargent, Glyndebourne Festival Chorus, Pro Arte Orchestra, George Baker, Ian Wallace, Alexander Young, Owen Brannigan, John Cameron, Monica Sinclair, Marjorie Thomas, April Cantelo, Heather Harper & Elsie Morison | Iolanthe, or The Peer and the Peri: Act II, If you go in you're sure to win | |
| | Benjamin Luxon, Sylvia Fisher, Heather Harper, John Shirley-Quirk, English Chamber Orchestra & Benjamin Britten | Owen Wingrave, Op. 85, Act II: "And with his friend young Lechmere played" | |
| | George Baker, James Milligan, Glyndebourne Chorus, John Cameron, Elsie Morison, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Oh, better far to live and die (Pirate King, Pirates) | |
| | Bernard Haitink, London Philharmonic Orchestra & Heather Harper | Our Hunting Fathers, Op. 8: III. Messalina | |
| | Heather Harper, Sir Colin Davis & BBC Symphony Orchestra | The Seasons, H. 21, No. 3: "Oh how pleasing to the senses" | |
| | Dietrich Fischer-Dieskau, The Ambrosian Singers, London Philharmonic Choir, Sir Adrian Boult, London Philharmonic Orchestra, Richard Lewis, Ian Wallace & Heather Harper | Doktor Faust, Final Scene: Die Antrittsrede Euerer Magnifizenz (A Student) | |
| | George Baker, Elsie Morison, Alexander Young, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, April Cantelo, Heather Harper, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: None shall part us from each other (Phyllis, Strephon) | |
| | George Baker, Elsie Morison, John Cameron, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act II: Stay, Frederic, stay! (Mabel, Frederic) | |
| | George Baker, Alexander Young, Pro Arte Orchestra, Sir Malcolm Sargent, John Cameron, April Cantelo, Heather Harper, Elsie Morison, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis) | |
| | Bryden Thomson, Ulster Orchestra & Heather Harper | Ode to a Nightingale: VI. Darkling I listen | |
| | Dame Janet Baker, Hans Sotin, Heather Harper, London Philharmonic Orchestra, New Philharmonia Chorus & Robert Tear | Missa Solemnis In D Major, Op. 123: Gloria In Excelcis | |
| | Heather Harper, Pierre Boulez & Ensemble | 6 Lieder nach Gedichten von Georg Trakl, Op. 14: III. Abendland II | |
| | George Baker, Elsie Morison, Alexander Young, Ian Wallace, John Cameron, Glyndebourne Chorus, April Cantelo, Pro Arte Orchestra, Heather Harper, Sir Malcolm Sargent, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: To you I give my heart (Phyllis, Tolloller, Mountararat, Peers, Strephon) | |
| | John Shaw, Alexander Young, George Baker, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Elsie Morison, Glyndebourne Festival Chorus, Peter Gellhorn & Heather Harper | Patience (or, Bunthorne's Bride) (1987 Remastered Version), Act II: It's clear that medieval art alone retains its zest (Duke, Major, Colonel) | |
| | Heather Harper & Paul Hamburger | A Song for the Lord Mayor's Table: IV. Holy Thursday (Cycle Devised By C. Hassall. Text By William Blake) | |
| | George Baker, Elsie Morison, John Cameron, Heather Harper, James Milligan, Glyndebourne Festival Chorus, Peter Gellhorn, Glyndebourne Chorus, Pro Arte Orchestra, Richard Lewis & Sir Malcolm Sargent | The Pirates of Penzance (or, The Slave of Duty), Act II: Frederic here! Oh joy! (Major-General, Mabel, Frederic, Pirates, Pirate King, Girls, Policemen, Sergeant, Ruth) | |
| | George Baker, Glyndebourne Chorus, John Cameron, Elsie Morison, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: I am the very model of a modern Major-General (Major-General, Girls, Pirates) | |
| | Ileana Cotrubas, Marianne Dieleman, Heather Harper, Birgit Finnilä, Collegium Musicum Amstelodamense, Het Koninklijk Concertgebouworkest & Bernard Haitink | Symphony No. 8 in E-Flat Major - "Symphony of a Thousand", Pt. 2: "Bei der Liebe, die den Fussen" | |
| | Pierre Boulez, Heather Harper & BBC Symphony Orchestra | 7 frühe Lieder: Liebesode | |
| | Antigone Sgourda, Daniel Barenboim, English Chamber Orchestra, Heather Harper, Helen Donath & Luigi Alva | Don Giovanni, K. 527 (1991 Remastered Version), Act II, Scena quinta: Ah, dovè il perfido? (Donna Elvira/Donna Anna/Zerlina/Don Ottavio/Masetto/Leporello) | |
| | Norman Lumsden, Benjamin Britten, London Symphony Orchestra, Heather Harper & Thomas Hemsley | A Midsummer Night's Dream, Op. 64: "Gentles, Perchange You Wonder At This Show" | |
| | Heather Harper, Pierre Boulez & Ensemble | 2 Lieder after Poems by Rainer Maria Rilke, Op. 8: II. Du machst mich allein | |
| | Stuart Chamber Orchestra, John Bath, Evelyn Cuthill, Heather Harper & Joan Clarke | Dido and Aeneas, Z. 626, Act III, Scene 1: Recitative and Duet. "See the Flags and Streamers Curling" (Sorceress, First Witch, Second Witch) | |
| | Heather Harper, Pierre Boulez & BBC Symphony Orchestra | 5 Orchesterlieder, Op. 4: V. Hier ist Friede. Hier weine ich mich aus über alles! | |
| | Heather Harper, The Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks & Robert Tear | The Creation H XXI:2 (1988 Remastered Version), Part II: And the angels (bass recit.) | |
| | Heather Harper, Pierre Boulez & BBC Symphony Orchestra | 5 Orchesterlieder, Op. 4: II. Sahst du nach dem Gewitterregen den Wald? | |
| | Royal Philharmonic Orchestra, London Philarmonic Choir, Carlos Païta, Heather Harper, Josephine Veasey, Carlo Bini & Hans Sotin | Requiem: VI. Lux Aeterna | |
| | Benjamin Britten, Heather Harper, English Chamber Orchestra, Nigel Douglas, John Shirley-Quirk & Benjamin Luxon | Owen Wingrave, an Opera In 2 Acts, Op. 85: Your Sherry, Mrs. Coyle | |
| | Carlo Maria Giulini, Edda Vincenzi, Fernando Corena, Giorgio Tadeo, Heather Harper & Hugues Cuénod | Le nozze di Figaro, K. 492, Act IV: Recitativo. Barbarina, cos' hai? | |
| | Josephine Veasey, Heather Harper, Sir Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra & Benjamin Britten | A Midsummer Night's Dream, Act 2: "Puppet? Why So?" | |
| | Heather Harper, The Choir of King's College, Cambridge, Academy of St Martin in the Fields, James Lancelot, Sir David Willcocks & Robert Tear | The Creation H XXI:2 (1988 Remastered Version), Part I: Now vanish before the holy beams (tenor with chorus) | |
| | George Baker, Elsie Morison, John Cameron, Glyndebourne Chorus, Heather Harper, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act I: Oh, is there not one maiden breast? (Frederic, Girls, Mabel) | |
| | The Choir of King's College, Cambridge, The Bach Choir, Sir David Willcocks, Philharmonia Orchestra & Heather Harper | Hymnus Paradisi: II. Requiem aeternam | |
| | George Baker, Glyndebourne Chorus, John Cameron, Elsie Morison, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis | The Pirates of Penzance (or, The Slave of Duty), Act II: When a felon's not engaged in his employment (Sergeant, Policemen) | |
