| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Academy of Ancient Music, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: I. Gloria in excelsis Deo | |
| | Alastair Ross, Deborah Norman, The Choir of King's College, Cambridge, Sir Stephen Cleobury, Academy of Ancient Music, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: II. Et in terra pax hominibus | |
| | Michael Chance, John Eliot Gardiner & English Baroque Soloists | St. Matthew Passion, BWV 244: No. 39, Aria (Alto): "Erbarme Dich" | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Academy of Ancient Music, Helen Gough, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | |
| | Alastair Ross, Sir Stephen Cleobury, Academy of Ancient Music, Deborah Norman, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: VI. Domine Deus | |
| | The King's Consort, Robert King, Gillian Fisher & Michael Chance | Stabat mater: I. Duet: Stabat mater dolorosa | |
| | Alastair Ross, Sir Stephen Cleobury, Deborah Norman, Michael Chance, Academy of Ancient Music & Sarah Fox | Gloria in D Major, RV 589: X. Qui sedes ad dexteram Patris | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Michael Chance, Academy of Ancient Music & Sarah Fox | Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | |
| | Alastair Ross, Deborah Norman, The Choir of King's College, Cambridge, Sir Stephen Cleobury, Academy of Ancient Music, Helen Gough, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: IV. Gratias agimus tibi & V. Propter magnam gloriam | |
| | Alastair Ross, Sir Stephen Cleobury, Academy of Ancient Music, Deborah Norman, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: III. Laudamus te | |
| | Michael Chance, James Bowman, Choir of New College Oxford, The King's Consort & Robert King | Come Ye Sons of Art, Away, Z. 323: III. Sound the Trumpet, 'Til Around | |
| | Michael Chance, Choir of New College Oxford, The King's Consort & Robert King | Come Ye Sons of Art, Away, Z. 323: II. Come Ye Sons of Art, Away | |
| | Ilse Eerens, Markus Schäfer, David Wilson-Johnson, Orchestra of the 18th Century, Cappella Amsterdam, Frans Brüggen & Michael Chance | Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Sanfte soll mein Todeskummer (Tenor) | |
| | Michael Chance, Trevor Pinnock & The English Concert | Nisi Dominus (Psalm 126), RV 608: IV. Cum Dederit (Andante) | |
| | Joseph Cornwell, Suzie LeBlanc, Michael Chance, The Parley of Instruments, Peter Holman & Jozic Koc | The Glorious Day Is Come: X. This That Blest King and God-Like Prophet Knew | |
| | Alastair Ross, Deborah Norman, The Choir of King's College, Cambridge, Sir Stephen Cleobury, Jonathan Lemalu, Academy of Ancient Music, Helen Gough, Sarah Fox & Michael Chance | Magnificat in G Minor, RV 610: IX. Gloria | |
| | The Choir of King's College, Cambridge, Alastair Ross, Deborah Norman, Sir Stephen Cleobury, Peter Lissauer, Jonathan Lemalu, Academy of Ancient Music, Helen Gough, Sarah Fox, Michael Chance & Benjamin Bayl | Dixit Dominus in D Major, RV 594: I. Dixit Dominus | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Academy of Ancient Music, Helen Gough, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: XII. Cum Sancto Spiritu | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Academy of Ancient Music, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: XI. Quoniam tu solus Sanctus | |
| | Alastair Ross, Deborah Norman, The Choir of King's College, Cambridge, Sir Stephen Cleobury, Academy of Ancient Music, Helen Gough, Sarah Fox & Michael Chance | Gloria in D Major, RV 589: IX. Qui tollis peccata mundi | |
| | Balthasar-Neumann-Ensemble, Thomas Hengelbrock, Maya Boog & Michael Chance | Psalm 51 "Tilge, Höchster, meine Sünden, BWV 1083: Versus 1, Tilge, Höchster, meine Sünden | |
| | Michael Chance, Richard Boothby, Maggie Cole & Nigel North | One Charming Night | |
| | Jurgen Budday, Michael Chance, Maulbronn Chamber Choir & Monastery Baroque Orchestra | Samson, HWV 57, Act I: Return, O God of hosts | |
| | Michael Chance, Orchestra of the 18th Century & Frans Brüggen | St John Passion, BWV 245: Part II: Aria: Es ist vollbracht (Alto) | |
| | Jan Kobow, Monteverdi Choir, English Baroque Soloists, Dietrich Henschel, Brigitte Geller, John Eliot Gardiner & Michael Chance | Herz und Mund und Tat und Leben, BWV 147: Chorale: Wohl mir, dass ich Jesum habe | |
| | English Baroque Soloists, Michael Chance, Dietrich Henschel, Monteverdi Choir, Brigitte Geller, Jan Kobow & John Eliot Gardiner | Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | |
| | Michael Chance, Brigitte Geller, Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Dietrich Henschel & Jan Kobow | Wachet! betet! betet! wachet!, BWV 70: (Chorus) | |
| | Tafelmusik, Michael Chance, Frieder Bernius & Kammerchor Stuttgart | Orfeo ed Euridice, Wq. 30: Act III, Scene 1: "Che farò senza Euridice?" (Orfeo) | |
| | The King's Consort, Robert King, Michael Chance & James Bowman | O dive custos Auriacae domus, "An Elegy upon the Death of Queen Mary", Z. 514 | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Jonathan Lemalu, Academy of Ancient Music, Helen Gough, Sarah Fox & Michael Chance | Magnificat in G Minor, RV 610: III. Et misericordia | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Peter Lissauer, Jonathan Lemalu, Academy of Ancient Music, Helen Gough, Sarah Fox, Michael Chance & Benjamin Bayl | Dixit Dominus in D Major, RV 594: X. Sicut erat in principio | |
| | Alastair Ross, The Choir of King's College, Cambridge, Deborah Norman, Sir Stephen Cleobury, Peter Lissauer, Jonathan Lemalu, Academy of Ancient Music, Helen Gough, Sarah Fox, Michael Chance & Benjamin Bayl | Dixit Dominus in D Major, RV 594: IX. Gloria Patri | |
| | Alastair Ross, Jonathan Lemalu, Sir Stephen Cleobury, Deborah Norman, Peter Lissauer, The Choir of King's College, Cambridge, Academy of Ancient Music, James Gilchrist, Helen Gough, Sarah Fox, Michael Chance & Benjamin Bayl | Dixit Dominus in D Major, RV 594: VI. Dominus a dextris tuis | |
| | Sir Stephen Cleobury, Alastair Ross, Deborah Norman, Michael Chance, Peter Lissauer, Jonathan Lemalu, Academy of Ancient Music, The Choir of King's College, Cambridge, Helen Gough, Sarah Fox & Benjamin Bayl | Dixit Dominus in D Major, RV 594: IV. Tecum principium | |
| | Sir Stephen Cleobury, Alastair Ross, Peter Lissauer, Academy of Ancient Music, Jonathan Lemalu, The Choir of King's College, Cambridge, Deborah Norman, Helen Gough, Sarah Fox, Michael Chance & Benjamin Bayl | Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae | |
| | Michael Chance, Richard Boothby, Maggie Cole & Nigel North | Since from My Dear Astrea's Sight | |
| | Michael Chance, Richard Boothby, Maggie Cole & Nigel North | Music for a While | |
| | The King's Consort, Robert King, Gillian Fisher & Michael Chance | Stabat mater: IX. Duet: Sancta mater, istud agas | |
| | Frieder Bernius, Kammerchor Stuttgart, Tafelmusik, Christoph Prégardien, Gordon Jones, Michael Chance & Nancy Argenta | Missa Dei Filii, ZWV 20: Gloria in exclesis Deo (Coro, Soprano, Alto, Tenore, Basso) | |
| | Frans Brüggen, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Orchestra of the 18th Century & Cappella Amsterdam | Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Saget, saget mit geschwinde (Soprano, Alto) | |
| | Frans Brüggen, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Orchestra of the 18th Century & Cappella Amsterdam | Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) | |
| | Nancy Argenta, Michael Chance, Laurie Reviol, Julian Podger, Hanoverian Court Orchestra, Maulbronn Chamber Choir, Jurgen Budday & Steffen Balbach | Solomon, HWV 67, Act I, Scene 2: Recitative: Thou Fair Inhabitant of Nile - Duet: Welcome As the Dawn of Day (Solomon, Queen) | |
| | Brigitte Geller, Monteverdi Choir, John Eliot Gardiner, Jan Kobow, Michael Chance, Dietrich Henschel & English Baroque Soloists | Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude | |
| | John Eliot Gardiner, Brigitte Geller, Michael Chance, Dietrich Henschel, Jan Kobow, Monteverdi Choir & English Baroque Soloists | Herz und Mund und Tat und Leben, BWV 147: Chorus: Herz und Mund und Tat und Leben | |
| | English Baroque Soloists, John Eliot Gardiner, Michael Chance, Nancy Argenta & George Frideric Handel | Tamerlano : Act 3 "Vivo In Te, Mio Caro Bene!" [Asteria, Andronico] | |
| | Currende Vocal Ensemble, David Cordier, Harry van der Kamp, Johanna Koslowsky, John Elwes, Lieven Deroo, Michael Chance, Myra Kroese, Nico van der Meel, Wilfried Jochens, Stephen Stubbs & Tragicomedia | La morte d'Orfeo, Op. 2, Act V Scene 1: Ombre Grate D'Averno, Grate Al Paro De' Vaghi Lampi D'oro (Orfeo, Caronte) | |
| | Helmut Müller-Brühl, Cologne Chamber Orchestra, Michael Chance & Jörg Waschinski | Salve Regina | |
| | Philippe Herreweghe, Michael Chance & Collegium Vocale Gent | Weihnachtsoratorium, BWV 248, Kantate 3: Aria. Alto - Schließe, mein Herze, dies selige Wunder | |
| | Philippe Herreweghe, Michael Chance & Collegium Vocale Gent | Weihnachtsoratorium, BWV 248, Kantate 1: Bereite dich, Zion, mit zärtlichen Trieben (Alto) | |
| | Michael Chance, John Eliot Gardiner & English Baroque Soloists | Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei | |
