| | Boston Baroque, Martin Pearlman & Laura Tucker | Dido and Aeneas, Z. 626, Act III Scene 1: Our Next Motion - Destruction's Our Delight | |
| | Boston Baroque & Martin Pearlman | 12 Concerti grossi After Corelli: No. 12 in D Minor (Variations on "La follia"), H. 143: 12 Concerti grossi After Corelli: No. 12 in D Minor (Variations on "La follia"), H. 143 | |
| | Boston Baroque & Martin Pearlman | Das ist ein Tag | |
| | Martin Pearlman & Boston Baroque | Water Music, Suite No. 3 in G Major, HWV 350: I. Sarabande | |
| | Martin Pearlman & Boston Baroque | Music for the Royal Fireworks, HWV 351: III. La paix | |
| | Martin Pearlman & Boston Baroque | Mass in B Minor, BWV 232: III. Sanctus. Sanctus | |
| | Boston Baroque, Martin Pearlman, Julie Leven, Daniel Stepner & Sarah Freiberg | Concerto grosso in B-Flat Major, Op. 6 No. 7, HWV 325: I. Largo | |
| | Boston Baroque & Martin Pearlman | Symphony No. 102 in B-Flat Major: I. Largo - Vivace | |
| | Martin Pearlman & Boston Baroque | Messiah, HWV 56, Pt. 2: Lift Up Your Heads | |
| | Martin Pearlman & Boston Baroque | Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro - Andante - Allegro | |
| | Boston Baroque, Martin Pearlman, Daniel Stepner, Julie Leven & Karen Kaderavek | Concerto grosso in F Major, Op. 6 No. 2, HWV 320: I. Andante larghetto | |
| | Boston Baroque, Martin Pearlman, Alan Ewing & Kevin Deas | Der Stein der Weisen, Act II: Fühl' meine Macht | |
| | Martin Pearlman & Boston Baroque | Requiem in D Minor, K. 626: II. Kyrie (Completed R. Levin) | |
| | Martin Pearlman & Boston Baroque | Music for the Royal Fireworks, HWV 351: II. Bourrée | |
| | Boston Baroque, Martin Pearlman & Cyndia Sieden | Die mit Thränen säen | |
| | Boston Baroque & Martin Pearlman | Abdelazer, Z. 570: Air | |
| | Boston Baroque & Martin Pearlman | Dido and Aeneas, Z. 626, Act II Scene 1: in Our Deep Vaulted Cell - Echo Dance of the Furies | |
| | Boston Baroque & Martin Pearlman | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. (Allegro) | |
| | Martin Pearlman & Boston Baroque | Messiah, HWV 56 / Pt. 2: "Their Sound Is Gone Out" | |
| | Martin Pearlman, Boston Baroque, Cyndia Sieden, Sharon Baker, John Aler & Kevin Deas | The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre | |
| | Boston Baroque, Martin Pearlman, Jennifer Rivera & Abigail Nims | Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 10. "Donata un giorno" | |
| | Boston Baroque, Martin Pearlman & Victor Ledbetter | Messiah, HWV 56, Pt. 1: Thus Saith the Lord | |
| | Boston Baroque, Martin Pearlman, Daniel Stepner, Julie Leven & Karen Kaderavek | Concerto grosso in G Minor, Op. 6 No. 6, HWV 324: IV. Allegro | |
| | Martin Pearlman, Boston Baroque & Victor Ledbetter | Messiah, HWV 56, Pt. 3: The Trumpet Shall Sound | |
| | Boston Baroque, Martin Pearlman, Sonja DuToit Tengblad, Owen McIntosh, João Fernandes, Sara Heaton, Abigail Nims, Marc Molomot, Daniel Shirley, Christopher Lowrey, Jonas Budris, Daniel Auchincloss, Ulysses Thomas & Leah Wool | Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 7. "Gran Giove" | |
| | Boston Baroque, Martin Pearlman & Amanda Forsythe | Die Schöpfung, Pt. 2: No. 15, Arie "Auf starkem Fittiche schwinget sich" | |
| | Martin Pearlman & Boston Baroque | Water Music, Suite No. 2 in D Major, HWV 349: III. Minuet | |
| | Boston Baroque, Martin Pearlman, Daniel Stepner, Julie Leven & Karen Kaderavek | Concerto grosso in E Minor, Op. 6 No. 3, HWV 321: IV. Polonaise. Andante | |
| | Martin Pearlman, Boston Baroque & Tamara Matthews | Gloria in D Major, RV 589: VI. Domine Deus | |
| | Boston Baroque, Martin Pearlman & Christine Goerke | Iphigénie en Tauride, Wq. 46, Act II: Contemplez ces tristes apprêts | |
| | Martin Pearlman & Boston Baroque | Messiah, HWV 56, Pt. 1: Sinfonia | |
| | Boston Baroque, Martin Pearlman, Rod Gilfry & Vinson Cole | Iphigénie en Tauride, Wq. 46, Act III: Ah! Mon ami | |
| | Boston Baroque & Martin Pearlman | Iphigénie en Tauride, Wq. 46, Act II: Ballet-pantomime | |
| | Boston Baroque, Martin Pearlman & Christopher Krueger | Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau | |
| | Boston Baroque, Martin Pearlman & Kevin Deas | Die Schöpfung, Pt. 2: No. 22, Recitativ "Und Gott schuf den Menshen" | |
| | Boston Baroque, Martin Pearlman & Christopher Krueger | Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise - Double | |
| | Boston Baroque & Martin Pearlman | Die Schöpfung, Pt. 1: Prelude. "Die Vorstellung des Chaos" | |
| | Michael Maniaci, Boston Baroque & Martin Pearlman | Exsultate, Jubilate, K. 165: IV. Allegro. Alleluja | |
| | Martin Pearlman & Boston Baroque | Messiah, HWV 56, Pt. 2: Hallelujah | |
| | Boston Baroque, Martin Pearlman, Daniel Stepner & Christopher Krueger | Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | |
| | Kevin Deas, Deanne Meek, Martin Pearlman & Boston Baroque | The Beneficent Dervish, Act I: Duet. Liebes Weib | |
| | Boston Baroque & Martin Pearlman | Suite No. 3 in D Major, BWV 1068: II. Air | |
| | Martin Pearlman, Boston Baroque & Unknown Artist | Vespers of 1610, SV 206: XIIIh. Esurientes implevit bonis | |
| | Boston Baroque, Martin Pearlman, Daniel Stepner, Julie Leven & Karen Kaderavek | Concerto grosso in D Major, Op. 6 No. 5, HWV 323: II. Allegro | |
| | Boston Baroque, Martin Pearlman & Christopher Krueger | Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I & II | |
| | Martin Pearlman, Boston Baroque, Ruth Ziesak, Nancy Maultsby, Richard Croft & David Arnold | Requiem in D Minor, K. 626: IVa. Offertory. Domine Jesu (Completed R. Levin) | |
| | Boston Baroque, Martin Pearlman & Christine Goerke | Iphigénie en Tauride, Wq. 46, Act II: Ô malheureuse Iphigénie! - Honorez avec moi | |
| | Christina Day Martinson, Martin Pearlman & Boston Baroque | Passacaglia in G Minor for Solo Violin | |
| | Boston Baroque, Martin Pearlman, Nancy Maultsby & Susannah Waters | Dido and Aeneas, Z. 626, Act I: Grief Increases by Concealing - When Monarchs Unite | |
| | Boston Baroque & Martin Pearlman | Ach Schönster unter allen - Arr. C. Gregor: Ach Schönster unter allen (Arr. C. Gregor) | |
