| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | |
| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | |
| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato | |
| | The New Symphony Orchestra Of London & Sir Adrian Boult | The Hebrides Overture (Fingal's Cave) / Die Hebriden Ouvertüre (Fingalshöhle) / Ouverture Les Hébrides (La Grotte de Fingal) | |
| | Sir Adrian Boult & The New Symphony Orchestra Of London | Night On the Bare Mountain | |
| | Jascha Heifetz, Sir Malcolm Sargent & The New Symphony Orchestra Of London | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | |
| | Jascha Heifetz, Sir Malcolm Sargent & The New Symphony Orchestra Of London | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | |
| | Jascha Heifetz, Sir Malcolm Sargent & The New Symphony Orchestra Of London | Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel: Allegro moderato | |
| | Alexander Gibson & The New Symphony Orchestra Of London | The Moldau | |
| | The New Symphony Orchestra Of London & Sir Adrian Boult | Moussorgsky : Une nuit sur le mont Chauve, poème symphonique | |
| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | II. Adagio from Violin Concerto No. 1 In G Minor, Op. 26 | |
| | Alexander Gibson & The New Symphony Orchestra Of London | Capriccio Italien | |
| | Alexander Gibson & The New Symphony Orchestra Of London | Andante Cantabile from Quartet in D, Op. 11 | |
| | Sir Malcolm Sargent, Jascha Heifetz & The New Symphony Orchestra Of London | Violin Concerto No. 4, K.218, in D: Rondeau: Andante grazioso; Allegro ma non troppo | |
| | Sir Malcolm Sargent, Jascha Heifetz & The New Symphony Orchestra Of London | Violin Concerto No. 4, K.218, in D: Andante cantabile | |
| | Sir Malcolm Sargent, Jascha Heifetz & The New Symphony Orchestra Of London | Violin Concerto No. 4, K.218, in D: Allegro | |
| | Sir Adrian Boult & The New Symphony Orchestra Of London | Hebrides Overture in B Minor, Op. 26 "Fingal's Cave" | |
| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | Scottish Fantasy, Op. 46: III. Adagio - Andante sostenuto | |
| | Anneliese Rothenberger, Charles Gerhardt & The New Symphony Orchestra Of London | Mein Herr Marquis, aus "Die Fledermaus" | |
| | Stanford Robinson & The New Symphony Orchestra Of London | In a Persian Market | |
| | Jascha Heifetz, Erick Friedman, Sir Malcolm Sargent & The New Symphony Orchestra Of London | Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | |
| | Sir Adrian Boult & The New Symphony Orchestra Of London | Dance of the Sugar Plum Fairy | |
| | Alexander Gibson & The New Symphony Orchestra Of London | Moto Perpetuo, Op. 11 | |
| | The New Symphony Orchestra Of London & Eric Robinson | Cowkeeper's Tune and Peasant Dance / Kuhreigen und Bauerntanz / Ranz des vaches et danse paysanne | |
| | The New Symphony Orchestra Of London & Alexander Gibson | Wagner : La chevauchée des Walkyries | |
| | The New Symphony Orchestra Of London, Leopold Stokowski & The Norman Luboff Choir | Cantata No. 208: Sheep May Safely Graze | |
| | Sir Adrian Boult & The New Symphony Orchestra Of London | A Night On Bald Mountain (Featured In "Fantasia") | |
| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | |
| | Verschillende artiesten, The New Symphony Orchestra Of London & Sir Adrian Boult | Night On the Bare Mountain | |
| | The New Symphony Orchestra Of London | Unter Donner Und Blitz, Op. 324 | |
| | Benjamin Britten & The New Symphony Orchestra Of London | Winter Words, Op. 52: VIII. Before Life and After | |
| | Mary Sansom, Yvonne Newman, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London & Isidore Godfrey | Patience, Act 1: But Who Is This, Whose God-like Grace. | |
| | The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey, Donald Adams, Peter Pratt & Kenneth Sandford | The Mikado: Act II. - "See how the fates their gifts allot" | |
| | The New Symphony Orchestra Of London & Raymond Agoult | Pique Dame: Overture | |
| | Jascha Heifetz, Osian Ellis, Sir Malcolm Sargent & The New Symphony Orchestra Of London | Scottish Fantasy, Op. 46/Finale; Allegro Guerriero | |
| | Mario del Monaco, The New Symphony Orchestra Of London & Alberto Erede | L'Africaine: Mi batte il cor - O Paradiso (Aria) | |
| | The New Symphony Orchestra Of London & Sir Adrian Boult | Saltarello Presto | |
| | Rene Leibowit & The New Symphony Orchestra Of London | Rondo | |
| | The New Symphony Orchestra Of London & Anthony Collins | Shepherd's Hey | |
| | Arthur Rubinstein, Stanisław Skrowaczewski & The New Symphony Orchestra Of London | Piano Concerto No. 1 in E Minor, Op. 11: Allegro maestoso | |
| | The New Symphony Orchestra Of London, Stanisław Skrowaczewski & Arthur Rubinstein | Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | |
| | Jascha Heifetz, The New Symphony Orchestra Of London & Sir Malcolm Sargent | Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | |
| | Jascha Heifetz, The New Symphony Orchestra Of London, Sir Malcolm Sargent & Osian Ellis | Scottish Fantasy, Op. 46: III. Adagio - Andante sostenuto | |
| | The New Symphony Orchestra Of London & Robert Irving | The Lady and the Fool (arr. C. Mackerras): VI. Finale | |
| | The New Symphony Orchestra Of London & Sir Adrian Boult | Liszt : Les préludes, poème symphonique | |
| | Jean Hindmarsh, Thomas Round, Peter Pratt, The New Symphony Orchestra Of London & Isidore Godfrey | 24. Here's A How-De-Do! | |
| | Mary Sansom, Pauline Wales, Jennifer Toye, Gillian Knight, Yvonne Newman, Thomas Round, Alan Styler, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London & Isidore Godfrey | Iolanthe or the Peer and the Peri: XV. When Darkly Looms the Day | |
| | André Navarra, The New Symphony Orchestra Of London & Rudolf Schwarz | Concerto in B Minor for Cello and Orchestra, Op. 104: III. Finale: Allegro moderato – Andante – Allegro vivo | |
| | Jean Hindmarsh, The New Symphony Orchestra Of London & Isidore Godfrey | 22. The Sun Whose Rays Are All Ablaze | |
| | Mario del Monaco, Alberto Erede & The New Symphony Orchestra Of London | Carmen : Carmen, Act II: Flower Song: La fleur que tu mavais jetee | |
