| | Marcelita Lopez-Kabayáo, Sixten Ehrling & The Manhattan School of Music Symphony Orchestra | Concerto in a, Opus 54: III. Allegro Vivace | |
| | Ingvar Wixell & Sixten Ehrling | Die Zufriedenheit, K. 473 | |
| | Juilliard Orchestra, Emerson String Quartet & Sixten Ehrling | Concerto for String Quartet, Wind Instruments and Percussion | |
| | Nikolai Petrov, Sixten Ehrling & Stockholm Symphonic Wind Orchestra | Concerto for Piano and Wind Instruments: I. Largo - Allegro | |
| | Sixten Ehrling & London Symphony Orchestra | Rites: I. Ritual Dance | |
| | Conny Söderström, Barbro Ericson, Royal Swedish Orchestra & Sixten Ehrling | Arnljot (Excerpts): Gunstigt möte, fränka! [Live] | |
| | Royal Swedish Orchestra, Sven-Erik Jacobsson, Sixten Ehrling, Leon Bjorker, Anna-Greta Soderholm, Set Svanholm, Georg Svedenbrant, Margareta Bergstrom, Arne Ohlson, Royal Opera Chorus, Sigurd Bjorling & Einar Andersson | Tannhauser : Act I: Elisabeth! O Macht des Himmels | |
| | Helena Dose, Sixten Ehrling & Gothenburg Symphony Orchestra | Madama Butterfly, Act II: Un bel di, vedremo | |
| | Kungliga Hovkapellet, Sixten Ehrling & Birgit Nilsson | Tannhaüser, Act II, Scene 1: "Dich, teure Halle, grüss' ich wieder" | |
| | Juilliard Orchestra & Sixten Ehrling | Connotations | |
| | Swedish Radio Symphony Orchestra, Sixten Ehrling, Stig Westerberg, Sixten Eckerberg & James DePreist | Variations symphoniques, FWV. 46 | |
| | Matti Kastu, Franz Kasemann, Kungliga Hovkapellet & Sixten Ehrling | Siegfried, WWV 86C, Act I, Scene 3: Her mit den Stücken, fort mit dem Stümper! | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act I Scene 1: Prelude - Wes Herd dies auch sei (Siegmund) | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act III Scene 3: Leb wohl, du kuhnes, herrliches Kind! (Wotan) | |
| | Gothenburg Symphony Orchestra & Sixten Ehrling | Sinfonia seria, "Symphonic No. 5" | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act II: Scorrendo uniti remota via | |
| | Sixten Ehrling, Stockholm Festival Orchestra & David Oistrakh | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | |
| | Birgit Nilsson, Stockholm Royal Orchestra & Sixten Ehrling | Penelope: Penelope's aria | |
| | Franz Kasemann, Kungliga Hovkapellet & Sixten Ehrling | Siegfried, WWV 86C, Act I, Scene 1: Prelude and Scene 1 | |
| | Kerstin Meyer, Sixten Ehrling & Stockholm Philharmonic Orchestra | Hjärtats sånger, Op. 27: VI. Som en våg | |
| | Sixten Ehrling & Stockholm Philharmonic Orchestra | Symphony No. 3 in D major, Op. 10, "West Coast Pictures": II. Storm | |
| | Aase Nordmo-Loevberg, Bette Wermine-Björling & Sixten Ehrling | Otello: Era più calmo? | |
| | Set Svanholm, Sigurd Björling, Arne Ohlson & Sixten Ehrling | Otello: Questa è una ragna | |
| | Sixten Ehrling & Swedish Radio Symphony Orchestra | Bayaderen-Fest | |
| | Sigurd Björling & Sixten Ehrling | Otello: Credo in un Dio crudel | |
| | Stockholm Radio Orchestra & Sixten Ehrling | Symphony No. 4, Op. 27: III. Tempo moderato | |
| | Stockholm Festival Orchestra, Sixten Ehrling & David Oistrakh | Violin Sonata No.3 in E-Flat Major, Op. 12: II. Adagio con molta espressione | |
| | Malmö Symphony Orchestra & Sixten Ehrling | Symphony No. 4 in E-Flat Major, "Sinfonie naive": IV. Finale | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act III: Chi e mai | |
| | Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert, Arne Hendriksen, Busk Margit Jonsson & Kerstin Meyer | Carmen, Act I: Sag, herr Korpralen … (Micaela, Jose) [Sung in Swedish] | |
| | Nils Grevillius, Margareta Hallin, Stig Westerberg, Staatskapelle Berlin, Sixten Ehrling, Stockholm Philharmonic Orchestra, Stockholm Royal Opera Orchestra, Swedish Radio Orchestra, Arthur Rother & Fausto Cleva | Le coq d'or (The Golden Cockerel), Act II: Salut a toi, soleil de flamme | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act III: Lassu in cielo | |
| | Malmö Symphony Orchestra & Sixten Ehrling | Symphony No. 3 in C Major, "Sinfonie singuliere": I. Allegro fuocoso | |
| | Swedish Radio Symphony Orchestra, Sixten Ehrling, Stig Westerberg, Sixten Eckerberg & James DePreist | Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato | |
| | Busk Margit Jonsson, Erik Sundquist, Carl-Axel Hallgren, Anders Naslund, Elisabeth Söderström, Olle Sivall, Kjerstin Dellert, Kerstin Meyer, Sixten Ehrling, Sigurd Bjorling, Stockholm Royal Opera Orchestra, Stockholm Royal Opera Chorus, Gunnar Kallsing & Arne Hendriksen | Carmen, Act II: Rassel, pingel … (Carmen, Mercedes, Frasquita) [Sung in Swedish] | |
| | David Oistrakh, Stockholm Festival Orchestra & Sixten Ehrling | Violin Concerto in D Major, Op. 61: III. Rondo | |
| | Birgit Nilsson, Aase Nordmo-Lovberg, Sigurd Bjorling, Kjerstin Dellert, Anna-Greta Soderholm, Bette Wermine-Björling, Margareta Bergstrom, Set Svanholm, Sven Nilsson, Kerstin Meyer, Elisabeth Söderström, Ingeborg Kjellgren, Margit Sehlmark, Royal Swedish Orchestra & Sixten Ehrling | Die Walküre, WWV 86B, Act I Scene 2: Mud am Herd fand ich den Mann (Sieglinde) | |
| | Set Svanholm & Sixten Ehrling | Otello: Ora e per sempre addio | |
| | Matti Kastu, Kungliga Hovkapellet & Sixten Ehrling | Siegfried, WWV 86C, Act III, Scene 3: Seelige Öde auf wonniger Höh' | |
| | Sixten Ehrling & Royal Stockholm Philharmonic Orchestra | Symphony No. 1 in E minor, Op. 39, IJS 108: II. Andante, ma non troppo lento | |
| | Helena Dose, Swedish Chamber Orchestra & Sixten Ehrling | 5 Gedichte für eine Frauenstimme, "Wesendonck-Lieder": No. 4, Schmerzen (Pain) | |
| | Hugo Hasslo, Margareta Hallin, Nicolai Gedda, Arne Tyrén, Kerstin Meyer, Barbro Ericson, Georg Svedenbrant, Anders Näslund, Olle Sivall, Ingvar Wixell, Ingeborg Kjellgren, Bertil Alstergård, Birgit Nordin, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra & Sixten Ehrling | Rigoletto, Act I: Gia da tre lune | |
| | Kungliga Hovkapellet, Leon Björker, Carl-Axel Hallgren, Conny Söderström, Sture Ingebretzen, Arne Tyrén, Royal Swedish Opera Chorus, Sixten Ehrling & Arne Sunnegårdh | Arnljot, Act 1: Östmund: ”Blot är hållet med bön till de höge,..” | |
| | Eva Prytz, Olle Sivall, Kungliga Hovkapellet & Sixten Ehrling | Arnljot, Act 2: Ubma: ”Du listiga hynda,..” | |
| | Sixten Ehrling, Königliche Hofkapelle, Stockholm & Joel Berglund | Don Carlo: Ella giammai m´amò | |
| | Juilliard Orchestra, Emerson String Quartet & Sixten Ehrling | Concerto for Strine Quartet, Wind Instruments and Percussion | |
| | Sixten Ehrling & Swedish Radio Symphony Orchestra | Symphony No. 4, Op. 27: I. Tempo moderato | |
| | Sixten Ehrling, Stockholm Festival Orchestra & David Oistrakh | Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | |
| | Oslo Philharmonic, Laszlo Varga & Sixten Ehrling | Concerto For Cello & Orchestra: 1st & 2nd Movement | |
| | Sixten Ehrling & Royal Stockholm Philharmonic Orchestra | Symphony No. 7 in C Major, Op. 105, IJS 114: Adagio, Un pochettino meno adagio, Vivacissimo, Adagio, Allegro molto moderato, Vivace, Presto, Adagio | |