| | Eugen Jochum, Symphonieorchester des Bayerischen Rundfunks, Edith Mathis, Marga Schiml, Chor des Bayerischen Rundfunks, Wieslaw Ochman, Karl Ridderbusch & Elmar Schloter | Mass No. 1 in D Minor, WAB 26: VI. Agnus Dei | |
| | Wieslaw Ochman, Jerzy Ostapiuk, Andrzej Hiolski, Marek Wojciechowski, Wielki Theatre Orchestra & Robert Satanowski | Halka, Act II: Finale. Duette - Finale | |
| | Dame Gwyneth Jones, Karl Böhm, Philharmonisches Staatsorchester Hamburg, Wieslaw Ochman & Dietrich Fischer-Dieskau | Salome, Op. 54, TrV 215: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | |
| | Edith Mathis, Eugen Jochum, Symphonieorchester des Bayerischen Rundfunks, Marga Schiml, Chor des Bayerischen Rundfunks, Wieslaw Ochman, Karl Ridderbusch & Elmar Schloter | Mass No. 1 in D Minor, WAB 26: III. Credo | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | In dulci jubilo, BWV 729 | |
| | Siegfried Vogel, Wieslaw Ochman, Peter Schreier, Edith Mathis, Hermann Winkler, Julia Varady, Staatskapelle Dresden & Karl Böhm | Idomeneo, re di Creta, K. 366: "Idomeneo cessi eser re" - "O ciel pietoso!" | |
| | Sir Charles Mackerras, Wieslaw Ochman, Wiener Philharmoniker, Elisabeth Söderström & Eva Randová | Jenufa: Tot'zrovna Jde! | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Auf meinen lieben Gott, BWV 744: Auf meinem lieben Gott, BWV 744 | |
| | Henryk Grychnik, Andrzej Hiolski, Anna Malewicz Madej, Wieslaw Ochman, Barbara Zagorzanka, Leonard Andrzej Mroz, Cracow Philharmonic Boys Chorus, Polish State Philharmonic Chorus (Katowice), Karol Stryja & Polish State Philharmonic Orchestra (Katowice) | Krol Roger (King Roger), Op. 46: Act III - The Ruins of a Greek Theatre - Introduction: Wokol martwota glazow (Only Dead Stone Around) | |
| | Dame Gwyneth Jones, Karl Böhm, Philharmonisches Staatsorchester Hamburg, Wieslaw Ochman, Willy Hartmann, Dietrich Fischer-Dieskau, Carl Schultz & Kurt Moll | Salome, Op. 54, TrV 215: "Siehe, der Herr ist gekommen" | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Jenůfa, JW I/4, Act II, Scene 1 | |
| | Sir Charles Mackerras, Peter Dvorský, Wiener Philharmoniker, Elisabeth Söderström, Eva Randová & Wieslaw Ochman | Jenufa: Tetko Koselnicko | |
| | Arleen Auger, Wieslaw Ochman, Chor der Deutschen Oper Berlin, Walter Hagen-Groll, Instrumental Ensemble & Eugen Jochum | Catulli Carmina: Actus I: Odi et amo | |
| | Wiener Philharmoniker, Sir Charles Mackerras, Eva Randová, Elisabeth Söderström & Wieslaw Ochman | Jenufa: Odesli | |
| | Joanna Borowska, Wieslaw Ochman, Prager Kammerchor, Czech Philharmonic & Gerd Albrecht | Armida, Op. 115, B. 206, Act III: Jen níž, jen níž se skloň až k srdci mému (Live) | |
| | Wieslaw Ochman, Staatskapelle Dresden & Karl Böhm | Idomeneo, re di Creta, K. 366: "Popoli, a voi l'ultima legge" | |
| | Emil Tchakarov, Sofia Festival Orchestra, Svetoslav Obretenov Bulgarian National Chorus, Gouslarche Boys' Choir, Wieslaw Ochman, Angel Petkov, Mincho Popov & Peter Petrov | Pique Dame: Act II - After the Show Wait for me in the Hall | |
| | Dame Gwyneth Jones, Karl Böhm, Philharmonisches Staatsorchester Hamburg, Wieslaw Ochman & Dietrich Fischer-Dieskau | Salome, Op. 54, TrV 215: "Wer ist dies Weib, das mich ansieht?" | |
| | Teresa Stratas, Harald Juhnke, Wieslaw Ochman, Symphonie-Orchester Graunke & Willy Mattes | Der Zarewitsch, Operetta in 3 Acts, Act 2: Hab nur dich allein | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Chorale Preludes: Ein feste Burg ist unser Gott, BWV 720 | |
| | Henryk Grychnik, Andrzej Hiolski, Anna Malewicz Madej, Wieslaw Ochman, Barbara Zagorzanka, Leonard Andrzej Mroz, Cracow Philharmonic Boys Chorus, Polish State Philharmonic Chorus (Katowice), Karol Stryja & Polish State Philharmonic Orchestra (Katowice) | Krol Roger (King Roger), Op. 46: Act II: O przychodze sam (See, I Have Come to You) | |
| | Henryk Grychnik, Andrzej Hiolski, Anna Malewicz Madej, Wieslaw Ochman, Barbara Zagorzanka, Leonard Andrzej Mroz, Cracow Philharmonic Boys Chorus, Polish State Philharmonic Chorus (Katowice), Karol Stryja & Polish State Philharmonic Orchestra (Katowice) | Krol Roger (King Roger), Op. 46: Act I: Twoj Bog! (Your God!) | |
| | Emil Tchakarov, Sofia Festival Orchestra, Penka Dilova, Wieslaw Ochman, Ivan Konsulov, Yuri Mazurok & Stefka Evstatieva | Pique Dame: Act I - I am Afraid! | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Ach, was ist doch unser Leben, BWV 743: Ach was ist doch unser Leben, BWV 743 | |
| | Karl Böhm, Wiener Philharmoniker, Dame Margaret Price, Christa Ludwig, Wiener Staatsopernchor, Wieslaw Ochman & Martti Talvela | Mass in D, Op. 123 "Missa Solemnis": Agnus Dei | |
| | Gundula Janowitz, Frederica von Stade, Wieslaw Ochman, Kurt Moll, Rudolf Scholz, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor & Norbert Balatsch | Missa solemnis in C Minor, K. 139 "Waisenhausmesse": V. Agnus Dei: a. Agnus Dei, qui tollis peccata mundi | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Concerto in E-Flat Major, BWV 597 (Arr. Of concerto by an unknown composer) | |
| | Ursula Boese, Karl Böhm, Philharmonisches Staatsorchester Hamburg, Wieslaw Ochman, Dietrich Fischer-Dieskau, Franz Grundheber, Carl Schultz & Kurt Moll | Salome, Op. 54, TrV 215: "Nach mir wird Einer kommen" | |
| | Edith Mathis, Rafael Kubelik, Symphonieorchester des Bayerischen Rundfunks, Anna Reynolds, Chor des Bayerischen Rundfunks, Wieslaw Ochman, John Shirley-Quirk, Elmar Schloter & Josef Schmidhuber | 1. Quartetto e Coro "Stabat Mater Dolorosa" | |
| | Emil Tchakarov, Sofia Festival Orchestra, Wieslaw Ochman & Stefka Evstatieva | Pique Dame: Act II - Don't be Afraid!... | |
| | Renata Dobosz, Wieslaw Ochman & Roman Perucki | Ave Maria | |
| | Wieslaw Ochman, Urszula Dudziak & Wladyslaw Kowalski | Już Nie Ma Tamtych Par | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Jenůfa, JW I/4, Act II, Scene 8 | |
| | Wieslaw Ochman, Staatskapelle Dresden & Karl Böhm | Idomeneo, re di Creta, K. 366: "Eccoti in me, barbaro Nume!" | |
| | Emil Tchakarov, Sofia Festival Orchestra, Svetoslav Obretenov Bulgarian National Chorus, Penka Dilova, Wieslaw Ochman, Stefka Evstatieva & Rumyana Bareva | Pique Dame: Act II - Everything is Just as she Told Me | |
| | Henryk Grychnik, Andrzej Hiolski, Anna Malewicz Madej, Wieslaw Ochman, Barbara Zagorzanka, Leonard Andrzej Mroz, Cracow Philharmonic Boys Chorus, Polish State Philharmonic Chorus (Katowice), Karol Stryja & Polish State Philharmonic Orchestra (Katowice) | Krol Roger (King Roger), Op. 46: Act III: Rogerze! Rogerze! (Roger! Roger!) | |
| | Eugen Jochum, Symphonieorchester des Bayerischen Rundfunks, Edith Mathis, Marga Schiml, Chor des Bayerischen Rundfunks, Wieslaw Ochman, Karl Ridderbusch & Elmar Schloter | Mass No. 1 in D Minor, WAB 26: II. Gloria | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Jenůfa, JW I/4, Act II, Scene 2 | |
| | Wieslaw Ochman, Ewa Podleś, Bozena Harasimowicz Hass, Izabela Klosinska, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord & Gustaw Holoubek | Symphony No. 7, "7 Gates of Jerusalem": III. De profundis | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Chorale Preludes: Gelobet seist du, Jesu Christ, BWV 722 | |
| | Warsaw Philharmonic Choir, Wieslaw Ochman, Antoni Wit & Warsaw Philharmonic Orchestra | Harnasie, Op. 55: Tableau 2: Taniec Goralski (The Tatra Highlanders' Dance) | |
| | Wieslaw Ochman, Ewa Podleś, Bozena Harasimowicz Hass, Izabela Klosinska, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord & Gustaw Holoubek | Symphony No. 7, "7 Gates of Jerusalem": VI. Facta es super me manus Domini | |
| | Wieslaw Ochman, Ewa Podleś, Bozena Harasimowicz Hass, Izabela Klosinska, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord & Gustaw Holoubek | Symphony No. 7, "7 Gates of Jerusalem": II. Si oblitus fuero tui, Jerusalem | |
| | Wiener Philharmoniker, Sir Charles Mackerras, Wieslaw Ochman, Elisabeth Söderström & Eva Randová | Jenufa: Odesli | |
| | Renata Dobosz, Wieslaw Ochman & Roman Perucki | Ave Maria | |
| | Wieslaw Ochman, Staatskapelle Dresden & Karl Böhm | Idomeneo, re di Creta, K. 366: "Eccoci salvi alfin" | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Nun freut euch, lieben Christen g'mein, BWV 755 | |
| | Wieslaw Ochman, Claudio Abbado, Wiener Philharmoniker & Rudolf Scholz | Missa (solemnis) in C Minor, K. 139, "Waisenhausmesse": Et in Spiritum Sanctum | |
| | Gabriela Benackova, Leonie Rysanek, Wieslaw Ochman, Peter Kazaras, Barbara Schramm, Kenneth Shaw, Katherine Johnson, Ariel Rubstein, Maro Partamian, Frank Barr, Nikki Li Hartliep, Kathryn Cowdrick, New York Opera Orchestra & Eve Queler | Jenůfa, JW I/4: Applause | |
| | Renata Dobosz, Wieslaw Ochman & Roman Perucki | Panis angelicus | |
