| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: II. Coro: Himmelskonig, Sei Willkomen | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: I. Sonata | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: VII. Choral: Jesu, Deine Passion | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: V. Aria: Leget Euch Dem Heiland Unter | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in G Minor, BWV 1056: II. Largo | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata 207a, "Auf schmetternde Tüne", BWV 207a: No. 9, Chorus: August Lebe, Lebe Konig | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: VI. Aria: Jesus, Lass Durch Wohl Und Weh | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: IV. Aria: Starkes Lieben | |
| | Bach-Collegium Stuttgart, Christoph Poppen, Helmuth Rilling, Isabelle Faust & Muriel Cantoreggi | Concerto for Three Violins in D Major, BWV 1064: III. Allegro | |
| | Bach-Collegium Stuttgart, Christoph Poppen, Helmuth Rilling, Isabelle Faust & Muriel Cantoreggi | Concerto for Three Violins in D Major, BWV 1064: II. Adagio | |
| | Bach-Collegium Stuttgart, Christoph Poppen, Helmuth Rilling, Isabelle Faust & Muriel Cantoreggi | Concerto for Three Violins in D Major, BWV 1064: I. Allegro | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto Movement in D Major, BWV 1045: Sinfonia | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: VIII. Coro: So Lasset Uns Gehen In Salem Der Freuden | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: III. Recitativo: Siehe, Ich Komme | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in G Minor, BWV 1056: I. Allegro | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 117, "Sei Lob und Ehr dem höchsten Gut," BWV 117: VII. Versus 7: Ich Will Dich All Mein Leben Lang | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in D Minor, BWV 1052: III. Allegro | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in D Minor, BWV 1052: II. Adagio | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in D Minor, BWV 1052: I. Allegro | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Von Gott will ich nicht lassen BWV 419/Von Gott will ich nicht lassen BWV 417 | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata 207a, "Auf schmetternde Tüne", BWV 207a: No. 1, Chorus: Auf, Schmetternde Tone Der Muntern Trompeten | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata 206, "Schleicht, spielende Wellen", BWV 206: No. 11, Chorus: Die Himmlische Vorsicht Der Ewigen Gute | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata 206, "Schleicht, spielende Wellen", BWV 206: No. 9, Aria: Hort Doch! Der Sanften Floten Chor | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata 206, "Schleicht, spielende Wellen", BWV 206: No. 1, Chorus: Schleicht, Spielende Wellen, Und Murmelt Gelinde! | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 196, "Der Herr denket an uns," BWV 196: 5 Coro: Ihr Seid Die Gesegneten Des Herrn | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 196, "Der Herr denket an uns," BWV 196: 2 Coro: Der Herr Denket An Uns | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 177, "Ich ruf zu dir, Herr Jesu Christ," BWV 177: IV. Versus 4: Lass Mich Kein Lust Noch Furcht Von Dir | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart, Helmuth Rilling & Wurttembergisches Kammerorchester Heilbronn | Cantata No. 172, "Erschallet, ihr Lieder," BWV 172: IV. Aria: O Seelenparadies | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 116, "Du Freidefürst, Herr Jesu Christ," BWV 116: I. Coro: Du Friedefurst, Herr Jesu Christ | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 115, "Mache dich, mein Geist, bereit," BWV 115: II. Aria: Ach Schlafrige Seele | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 114, "Ach, lieben Christen, seid getrost," BWV 114: III. Recitativo: O Sunder, Trage Mit Geduld | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 112, "Der Herr ist mein getreuer Hirt," BWV 112: II. Aria: Zum Reinen Wasser Er Mich Weist | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Christ on the Mount of Olives (Christus Am Ölberge), Op. 85: XVIII. "Preiset Ihn, Ihr Engelchore" | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in G Minor, BWV 1056: III. Presto | |
| | Helmuth Rilling, Bach-Collegium Stuttgart & Gächinger Kantorei Stuttgart | Christmas Oratorio, BWV 248: Ehre sei Gott in der Höhe | |
| | Gächinger Kantorei, Bach-Collegium Stuttgart & Helmuth Rilling | Psalm 42, Op. 42: I. "Wie der Hirsch schreit" | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Sinfonia in G Major, BWV 248/2 | |
| | Gächinger Kantorei, Bach-Collegium Stuttgart & Helmuth Rilling | Es wird schier der letzte Tag herkommen, BWV 310 | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Alastair Miles | Der Messias, K. 572: No. 4b, Arie. Doch wer mag ertragen den Tag seiner Ankunft | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Oster-Oratorium, BWV 249: No. 6, Hier ist die Gruft | |
| | Helmuth Rilling, Robert D. Levin & Bach-Collegium Stuttgart | Harpsichord Concerto No. 3 in D Major, BWV 1054: III. Allegro | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Cornelia Kallisch | Der Messias, K. 572: No. 23b, Arie. Schau hin und sieh! | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Oster-Oratorium, BWV 249: No. 10, Wir sind erfreut | |
| | Norman Shankle, Bach-Collegium Stuttgart & Helmuth Rilling | Saul, HWV 53, Act III, Scene 5 (Excerpts): No. 85, Ye Men of Judah, Weep No. More! | |
| | Gächinger Kantorei, Bach-Collegium Stuttgart & Helmuth Rilling | Matthäus-Passion, BWV 244, Pt. 1: No. 23, Gerne will ich mich bequemen | |
| | Helmuth Rilling, Bach-Collegium Stuttgart & Gächinger Kantorei Stuttgart | Christmas Oratorio, BWV 248: Zwar ist solche Herzensstube | |
| | Gächinger Kantorei, Bach-Collegium Stuttgart & Helmuth Rilling | St. John Passion, BWV 245: No. 37, O hilf, Christe, Gottes Sohn | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 117, "Sei Lob und Ehr dem höchsten Gut," BWV 117: VI. Versus 6: Wenn Trost Und Hulf Ermangeln Muss | |
| | Bach-Collegium Stuttgart & Helmuth Rilling | Cantata No. 153, "Schau, lieber Gott, wie meine Feind," BWV 153: VI. Aria: Sturmt Nur, Sturmt, Ihr Trubsalswetter | |
| | Pamela Coburn, Ingeborg Danz, Christian Elsner, Franz-Josef Selig, Helmuth Rilling & Bach-Collegium Stuttgart | Te Deum, WAB 45 (Final 1884 Version): Te ergo quaesumus | |
