| | Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Liebster Jesu, Wir Sind Hier: Chorale Setting, BWV 373 | |
| | Christoph Genz, Sibylla Rubens, Matthias Goerne, Scot Weir, Thomas Mehnert, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Psalm 42, Op. 42: Wie Der Hirsch Schreit (Chorus) | |
| | Helmuth Rilling, Lothar Odinius, Diana Damrau, Markus Marquardt, Juliane Banse, Stuttgart Bach Collegium & Gächinger Kantorei Stuttgart | Mass No. 18 In C Minor, K. 427, "Great" (arr. R.D. Levin): Gloria: Gloria | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: II. Coro: Himmelskonig, Sei Willkomen | |
| | Christoph Genz, Sibylla Rubens, Matthias Goerne, Scot Weir, Thomas Mehnert, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Psalm 42, Op. 42: Wie Der Hirsch Schreit (Chorus) | |
| | Michael Behringer, James Taylor, Sibylla Rubens, Michael Gross & Helmuth Rilling | Komm, Susser Tod, BWV 478 | |
| | Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Schicksalslied, Op. 54: Orchestral Postlude With Choir (alternate Version) | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: I. Sonata | |
| | Michael Behringer, James Taylor, Michael Gross & Helmuth Rilling | Vergiss Mein Nicht, Mein Allerliebster Gott, BWV 505 | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: VII. Choral: Jesu, Deine Passion | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: V. Aria: Leget Euch Dem Heiland Unter | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in G Minor, BWV 1056: II. Largo | |
| | Wolfgang Schone, Arleen Auger, Aldo Baldin, Carolyn Watkinson, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Jesu, Der Du Meine Seele, BWV 78: Aria: Wir Eilen Mit Schwachen, Doch Emsigen Schritten (Soprano, Alto) | |
| | Isabelle Faust, Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Concerto for 2 Violins In D Minor, BWV 1043: II. Largo Ma Non Tanto | |
| | Gerhard Gnann, Andreas Schmidt, Ingeborg Danz & Helmuth Rilling | Jesus, Unser Trost Und Leben; Sacred Song, BWV 475 | |
| | Gächinger Kantorei Stuttgart, Stuttgart Bach Collegium, Diana Damrau, Juliane Banse, Helmuth Rilling, Lothar Odinius & Markus Marquardt | Mass No. 18 In C Minor, K. 427, "Great" (arr. R.D. Levin): Kyrie | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata 207a, "Auf schmetternde Tüne", BWV 207a: No. 9, Chorus: August Lebe, Lebe Konig | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: VI. Aria: Jesus, Lass Durch Wohl Und Weh | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: IV. Aria: Starkes Lieben | |
| | Bach-Collegium Stuttgart, Christoph Poppen, Helmuth Rilling, Isabelle Faust & Muriel Cantoreggi | Concerto for Three Violins in D Major, BWV 1064: III. Allegro | |
| | Bach-Collegium Stuttgart, Christoph Poppen, Helmuth Rilling, Isabelle Faust & Muriel Cantoreggi | Concerto for Three Violins in D Major, BWV 1064: II. Adagio | |
| | Bach-Collegium Stuttgart, Christoph Poppen, Helmuth Rilling, Isabelle Faust & Muriel Cantoreggi | Concerto for Three Violins in D Major, BWV 1064: I. Allegro | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto Movement in D Major, BWV 1045: Sinfonia | |
| | Isabelle Faust, Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Concerto for 2 Violins In D Minor, BWV 1043: III. Allegro | |
| | Isabelle Faust, Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Concerto for 2 Violins In D Minor, BWV 1043: I. Vivace | |
| | Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Violin Concerto In a Minor, BWV 1041: II. Andante | |
| | Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Komm, Jesu, Komm, BWV 229 | |
| | Helmuth Rilling, Bach Ensemble, The & Günther Passin | Ich Steh Mit Einem Fuss Im Grabe, BWV 156: Sinfonia | |
| | Christoph Genz, Sibylla Rubens, Matthias Goerne, Scot Weir, Thomas Mehnert, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Psalm 42, Op. 42: Finale: Warum Betrubst Du Dich (Chorus) | |
| | Christoph Genz, Sibylla Rubens, Matthias Goerne, Scot Weir, Thomas Mehnert, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Psalm 42, Op. 42: Was Betrubst Du Dich, Meine Seele (Chorus) | |
| | Gächinger Kantorei Stuttgart, Klaus Häger, Helmuth Rilling, Stuttgart Bach Collegium, Donna Brown, Claudia Schubert & Marcus Ullmann | Vesperae Solennes de Confessore, K. 339: Laudate Dominum | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: VIII. Coro: So Lasset Uns Gehen In Salem Der Freuden | |
| | Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart & Helmuth Rilling | Cantata No. 182, "Himmelskönig, sei willkommen," BWV 182: III. Recitativo: Siehe, Ich Komme | |
| | Bach-Collegium Stuttgart, Helmuth Rilling & Isabelle Faust | Concerto for Violin in G Minor, BWV 1056: I. Allegro | |
| | Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Violin Concerto In e Major, BWV 1042: III. Allegro Assai | |
| | Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Violin Concerto In e Major, BWV 1042: II. Adagio | |
| | Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Violin Concerto In e Major, BWV 1042: I. Allegro | |
| | Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Violin Concerto In a Minor, BWV 1041: III. Allegro Assai | |
| | Christoph Poppen, Helmuth Rilling & Stuttgart Bach Collegium | Violin Concerto In a Minor, BWV 1041: I. (without Tempo Indication) | |
| | Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Warum Betrubst Du Dich, Mein Herz: Chorale Setting, BWV 420 / Chorale Setting, BWV 421 | |
| | Michael Behringer, Sibylla Rubens, Michael Gross & Helmuth Rilling | Brich Entzwei Mein Armes Herze, BWV 444 | |
| | Michael Behringer, James Taylor, Michael Gross & Helmuth Rilling | Es Ist Vollbracht! Vergiss Ja Nicht Dies Wort, BWV 458 | |
| | Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Ich Lasse Dich Nicht, Du Segnest Mich Denn, BWV Anh. 159 | |
| | Helmuth Rilling, Stuttgart Bach Collegium & Günther Passin | Ich Hatte Viel Bekummernis, BWV 21: Sinfonia | |
| | Peter Mikuláš, Michaela Kaune, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Te Deum, Op. 103: Aeterna Fac Cum Sanctis Tuis (Chorus) | |
| | Peter Mikuláš, Michaela Kaune, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Te Deum Laudamus (Chorus) | |
| | Christoph Genz, Sibylla Rubens, Matthias Goerne, Scot Weir, Thomas Mehnert, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Psalm 42, Op. 42: Recitative: Meine Tranen Sind (Soprano) | |
| | Helmuth Rilling, Christiane Oelze, Thomas Quasthoff, Stuttgart Bach Collegium, Gächinger Kantorei Stuttgart, Ingeborg Danz, Matthias Goerne & Michael Schade | St. Matthew Passion, BWV 244: Wir Setzen Uns Mit Tranen Nieder (Chorus) | |
| | Klaus Häger, Donna Brown, Marcus Ullmann, Helmuth Rilling, Gächinger Kantorei Stuttgart, Stuttgart Bach Collegium & Claudia Schubert | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Agnus Dei | |
| | Claudia Schubert, Stuttgart Bach Collegium, Gächinger Kantorei Stuttgart, Helmuth Rilling, Marcus Ullmann, Donna Brown & Klaus Häger | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Benedictus | |
