| | Patrick Doyle & Jane Eaglen | Weep You No More Sad Fountains | |
| | Patrick Doyle & Jane Eaglen | The Dreame | |
| | Jane Eaglen, London Symphony Orchestra, Donald Runnicles & Janice Graham | Four Last Songs: Im Abendrot "Wir sind durch Not und Freude gegangen" | |
| | Claudio Abbado, Berliner Philharmoniker, Waltraud Meier, Ben Heppner, Bryn Terfel, Jane Eaglen, Tõnu Kaljuste, Eric Ericson Chamber Choir & Swedish Radio Chorus | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro molto assai (Alla marcia) - Andante maestoso - Allegro energico, sempre ben marcato | |
| | Berliner Philharmoniker, Claudio Abbado, Eric Ericson Chamber Choir, Swedish Radio Chorus, Waltraud Meier, Ben Heppner, Bryn Terfel & Jane Eaglen | Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile | |
| | Berliner Philharmoniker, Claudio Abbado, Eric Ericson Chamber Choir, Swedish Radio Chorus, Waltraud Meier, Ben Heppner, Bryn Terfel & Jane Eaglen | Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | |
| | Berliner Philharmoniker, Claudio Abbado, Eric Ericson Chamber Choir, Swedish Radio Chorus, Waltraud Meier, Ben Heppner, Bryn Terfel & Jane Eaglen | Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | |
| | Chor der Deutschen Staatsoper Berlin, Daniel Barenboim, Jane Eaglen, René Pape & Staatskapelle Berlin | Tannhäuser, Act 2: "Freudig begrüssen wir die edlen Halle" (Ritter, Grafen, Edelfrauen, Edelknaben) | |
| | Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra & Jane Eaglen | Medea in Corinto, Act 1: "Come!... Sen riede" (Medea, Chorus) | |
| | Gregory Yurisich, David Parry, Philharmonia Orchestra & Jane Eaglen | Tosca, SC 69 (Highlights), Act II: How much? (Tosca, Scarpia) | |
| | Orchestra del Maggio Musicale Fiorentino, Riccardo Muti, Jane Eaglen & Eva Mei | Norma, Act I Scene 2: Ah! si! fa core e abbracciami (Norma/Adalgisa) | |
| | David Parry, Philharmonia Orchestra, Jane Eaglen & Dennis O'Neill | Turandot, SC 91, Act II Scene 2: Within this Palace a story lives forever (In questa reggia) (Princess Turandot, Calaf) | |
| | Daniel Barenboim, Jane Eaglen, Staatskapelle Berlin & Thomas Hampson | Tannhäuser, Act 3: "Allmächt'ge Jungfrau! Hör mein Flechen!" (Elisabeth, Wolfram) | |
| | Jane Eaglen, London Symphony Orchestra, Donald Runnicles & Janice Graham | Four Last Songs: Frühling "In dammrigen Gruften" | |
| | Jane Eaglen | Rule Britannia | |
| | Jane Eaglen, Sara Fulgoni, Anna Larsson, Vesko Eschkenazy, Het Koninklijk Concertgebouworkest & Riccardo Chailly | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2, Final scene from Goethe's "Faust": "Bei der Liebe, die den Fussen" | |
| | David Parry, Philharmonia Orchestra, Jane Eaglen & Dennis O'Neill | Aida, Act III: At last I see you, my sweet Aida… (Radames, Aida) | |
| | London Classical Players, Sir Roger Norrington & Jane Eaglen | Tristan and Isolde, WWV. 90, Act III, Final Scene: Mild und leise (Isoldes Liebestod) | |
| | Daniel Barenboim, Jane Eaglen & Staatskapelle Berlin | Tannhäuser, Act 2: "Dich teure Halle, grüss' ich wieder" (Elisabeth) | |
| | Philharmonia Orchestra, Carlo Rizzi & Jane Eaglen | Mefistofele: Romanza di Margherita (L'altra notte in fondo al mar) | |
| | Riccardo Muti, Orchestra del Maggio Musicale Fiorentino, Eva Mei & Jane Eaglen | Norma, Act 1: "Adalgisa! Alma costanza" (Norma, Adalgisa) [Live] | |
| | Geoffrey Mitchell Choir, New London Children's Choir, David Parry, Philharmonia Orchestra, Jane Eaglen & Dennis O'Neill | Turandot, SC 91: O Princess who in caravans of splendour (Turandot, The Unknown Prince, Chorus) | |
| | Dimitri Kavrakos, Coro del Maggio Musicale Fiorentino, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino & Jane Eaglen | Norma, Act 1: "Sediziose voci" (Norma, Oroveso, Coro) [Live] | |
| | London Symphony Orchestra, Jane Eaglen & Donald Runnicles | Sieben Frühe Lieder: Traumgekrönt | |
| | Riccardo Muti, Orchestra del Maggio Musicale Fiorentino, Jane Eaglen & Vincenzo La Scola | Norma, Act 2: "In mia man alfin tu sei" (Norma, Pollione) [Live] | |
| | Philharmonia Orchestra, Carlo Rizzi & Jane Eaglen | Madama Butterfly: Che tua madre | |
| | Geoffrey Mitchell Choir, New London Children's Choir, David Parry, Philharmonia Orchestra, Jane Eaglen, Dennis O'Neill, Nicolai Gedda & Mary Plazas | Turandot, SC 91: O stranger, now listen! (Turandot, The Unknown Prince, The Emperor, Liu, Chorus) | |
| | Jane Eaglen, Sir Mark Elder & Orchestra of the Royal Opera House, Covent Garden | Isolde's Liebestod from Tristan und Isolde | |
| | Bernard Haitink, Jard van Nes, Anne Sofie von Otter, Symphonieorchester des Bayerischen Rundfunks & Jane Eaglen | Götterdämmerung, Prologue: "Dämmert der Tag?" (Norns) | |
| | Alastair Miles, Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra, Jane Eaglen, Bruce Ford & Raúl Giménez | Medea in Corinto, Act 2: "Amiche, cingete" (Chorus, Creonte, Egeo, Medea, Giasone) | |
| | Jane Eaglen, Zubin Mehta & Israel Philharmonic Orchestra | Salome, Op. 54: Ah! Du wolltest mich nicht deinen Mund kussen lassen | |
| | Jane Eaglen, Anne-Marie Owens, Sir Mark Elder & Orchestra of the Age of Enlightenment | Bianca e Férnando: "Sórgi, o padre, e la figlia rimira" | |
| | London Symphony Orchestra, Jane Eaglen & Donald Runnicles | Sieben Frühe Lieder: Im Zimmer | |
| | Philharmonia Orchestra, Carlo Rizzi & Jane Eaglen | Tosca: Vissi d'arte | |
| | Riccardo Muti, Eva Mei, Jane Eaglen & Orchestra del Maggio Musicale Fiorentino | Norma, Act II: Mira, o Norma (Norma, Adalgisa) | |
| | Jane Eaglen, Riccardo Chailly, Netherlands Chamber Choir, Anne Schwanewilms, Prague Philharmonic Chorus, Ruth Ziesak, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sara Fulgoni, Jongenskoor Van Het Sacramentskoor, Breda, Anna Larsson, Het Koninklijk Concertgebouworkest, Ben Heppner, Peter Mattei & Jan-Hendrik Rootering | Symphony No. 8 in E-Flat - "Symphony of a Thousand": XVIII. "Alles Vergängliche" | |
| | Peter Sidhom, Clive Bayley, Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra, Dennis O'Neill, Jane Eaglen & Mary Plazas | Turandot, SC 91: How pale you look, O stranger! (Turandot, The Unknown Prince, Liu, Ping, Timur, Chorus) | |
| | David Parry, Philharmonia Orchestra, Dennis O'Neill & Jane Eaglen | Tosca, SC 69, Act III: All the stars shone in heaven (Cavaradossi, Tosca) | |
| | Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Radio Choir, Prague Philharmonic Chorus, Het Koninklijk Concertgebouworkest & Riccardo Chailly | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: Hymnus "Veni creator spiritus": "Imple superna gratia" | |
| | Jane Eaglen, Sir Mark Elder & Orchestra of the Royal Opera House, Covent Garden | Die Walküre "Hojotoho": Brünnhilde's Battle Cry | |
| | David Parry, Rosalind Plowright, Philharmonia Orchestra, Dennis O'Neill & Jane Eaglen | Aida, Act I Scene 1: Alas, I hear the cries of war (Aida, Amneris, Radames) | |
| | London Symphony Orchestra, Jane Eaglen & Donald Runnicles | Wesendonck-Lieder: Stehe still | |
| | Claudio Abbado, Berliner Philharmoniker, Waltraud Meier, Ben Heppner, Bryn Terfel, Jane Eaglen, Eric Ericson Chamber Choir & Swedish Radio Chorus | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale | |
| | Dimitri Kavrakos, Coro del Maggio Musicale Fiorentino, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino, Carmela Remigio, Jane Eaglen & Vincenzo La Scola | Norma, Act 2: "Né compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione) [Live] | |
| | Philharmonia Orchestra, Carlo Rizzi & Jane Eaglen | Adriana Lecouvreur: Poveri fiori gemme de'prati | |
| | David Parry, Anne Mason, Philharmonia Orchestra & Jane Eaglen | Medea in Corinto, Act 2: "Dove mi guidi?" (Ismene, Medea) | |
| | Christopher Booth-Jones, Gregory Yurisich, David Parry, Philharmonia Orchestra, John Daszak, Dennis O'Neill & Jane Eaglen | Tosca, SC 69, Act II: Enough. Tosca, your answer (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) | |
| | David Parry, Philharmonia Orchestra, Jane Eaglen & Raúl Giménez | Medea in Corinto, Act 2: "Se il sangue, la vita" (Egeo, Medea) | |
| | Chor der Deutschen Staatsoper Berlin, Daniel Barenboim, Jane Eaglen, René Pape, Staatskapelle Berlin & Thomas Hampson | Tannhäuser, Act 2: "Blick ich umher in diesem edlen Kreise" (Wolfram, Ritter und Edelfrauen) | |
| | David Parry, Philharmonia Orchestra, Dennis O'Neill & Jane Eaglen | Tosca, SC 69, Act III: Oh, hands of mercy (O dolci mani) (Cavaradossi, Tosca) | |
