| | Guildford Choral Society, Hilary Davan Wetton, Janice Watson, Peter Hoare, Royal Philharmonic Orchestra & St Catherine's School Middle Chamber Choir | Hodie (This Day): Choral: The Blessed Son of God | |
| | Guildford Choral Society, Hilary Davan Wetton, Janice Watson, Peter Hoare, Royal Philharmonic Orchestra & St Catherine's School Middle Chamber Choir | Hodie (This Day): Choral: No Sad Thought His Soul Affright | |
| | New York Philharmonic, Alan Gilbert, Gerald Finley, Patricia Racette, Peter Hoare, William Ferguson, Sidney Outlaw & The Collegiate Chorale | Il prigioniero: II. Scene One | |
| | Yvonne Kenny, Della Jones, Philip Langridge, Peter Hoare, Jonathan Summers, Welsh National Opera Orchestra & Sir Charles Mackerras | Gloriana, Op. 53, Act II Scene 3: 34. Quartet | |
| | Krisztina Szabó, Barbara Hannigan, Jennifer France, Peter Hoare, Andri Björn Róbertsson, George Benjamin & Netherlands Radio Philharmonic Orchestra | Lessons in Love And Violence: Part 1, Scene 2: II. My Husband Died | |
| | Symphonieorchester des Bayerischen Rundfunks, Sir Simon Rattle, Peter Hoare & Simon O'Neill | Siegfried, WWV 86C, Act I Scene 3: Hoho! Hoho! Hohei! | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 3: "Should we take a sly look?" | |
| | Symphonieorchester des Bayerischen Rundfunks, Sir Simon Rattle, Peter Hoare & Simon O'Neill | Siegfried, WWV 86C, Act I Scene 1: Hoiho! Hoiho! Hau' ein! Hau' ein! | |
| | Leigh Melrose, Anthony Negus, Lisa Milne, Welsh National Opera Orchestra, Ben Evans, Samantha Hay, Amanda Baldwin, Tomos Hardy, Welsh National Opera Chorus, Christopher Purves, Rosie Hay, Peter Hoare, Cameron Jones & Sarah Tynan | The Sacrifice: Act I Scene 4: Why bring a knife to a wedding? (Evan, The Birds) | |
| | Christopher Purves, Welsh National Opera Chorus, Anthony Negus, Welsh National Opera Orchestra, Lisa Milne & Peter Hoare | The Sacrifice, Act I Scene 4: Get him! (Mal, Sian, General, Chorus) | |
| | Lisa Milne, Christopher Purves, Peter Hoare, Leigh Melrose, Cameron Jones, Welsh National Opera Chorus, Welsh National Opera Orchestra, Ben Evans, Rosie Hay, Sarah Tynan, Samantha Hay, Amanda Baldwin, Tomos Hardy & Anthony Negus | The Sacrifice: Act I Scene 4: Get him! (Mal, Sian, General, Chorus) | |
| | Christopher Purves, Rosie Hay, Samantha Hay, Amanda Baldwin, Peter Hoare, Leigh Melrose, Cameron Jones, Tomos Hardy, Anthony Negus, Welsh National Opera Chorus, Welsh National Opera Orchestra, Lisa Milne, Ben Evans & Sarah Tynan | The Sacrifice: Act II Scene 3: Hail the king, long live the boy king! (Guests, The Birds, Megan) | |
| | Rebecca Evans, Sir Charles Mackerras, Chorus of the Welsh National Opera, Peter Hoare & Welsh National Opera Orchestra | A Song of the High Hills: II. Slow and Solemnly | |
| | Guildford Choral Society, Hilary Davan Wetton, Janice Watson, Peter Hoare, Royal Philharmonic Orchestra & St Catherine's School Middle Chamber Choir | Hodie (This Day): Lullaby: Sweet Was the Song the Virgin Sang | |
| | Claire Rutter, Westminster Boys' Choir, Matilde Wallevik, City of London Choir, Stephen Gadd, Peter Hoare, Royal Philharmonic Orchestra, Hilary Davan Wetton & Westminster Abbey Choir Boys | Der glorreiche Augenblick, Op. 136: Europa steht! (Chorus) | |
| | Claire Rutter, Hilary Davan Wetton, Matilde Wallevik, Marta Fontanals-Simmons, Peter Hoare, Julian Davies, Stephen Gadd, Leon McCawley, City of London Choir & Royal Philharmonic Orchestra | Fantasia in C Minor, Op. 80 "Choral Fantasy": II. Marcia assai vivace - III. Allegretto, ma non troppo | |
| | Lisa Milne, Welsh National Opera Chorus, Welsh National Opera Orchestra, Ben Evans, Anthony Negus, Christopher Purves, Peter Hoare, Cameron Jones, Rosie Hay, Leigh Melrose, Samantha Hay, Amanda Baldwin, Tomos Hardy & Sarah Tynan | The Sacrifice: Interlude: Passacaglia | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 2: "Buy some fish from Señor Mendoza's barges!" | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 3: "You are not playing in tune" | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 2: There is no greater happiness" | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 4: "The bottle is the sun of our lives" | |
| | Lisa Milne, Christopher Purves, Cameron Jones, Ben Evans, Sarah Tynan, Peter Hoare, Leigh Melrose, Anthony Negus, Rosie Hay, Samantha Hay, Amanda Baldwin, Tomos Hardy, Welsh National Opera Chorus & Welsh National Opera Orchestra | The Sacrifice: Act I Scene 1: I should not be here. Not tonight (Sian, Evan) | |
| | Guildford Choral Society, Hilary Davan Wetton, Janice Watson, Peter Hoare, Royal Philharmonic Orchestra & St Catherine's School Middle Chamber Choir | Hodie (This Day): Pastoral: The Shepherds Sing | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 4: "What is this? Why are you here?" | |
| | Welsh National Opera Chorus, Anthony Negus, Welsh National Opera Orchestra, Lisa Milne & Peter Hoare | The Sacrifice, Act I Scene 4: I toast my wife. My wife! Ye gods! (Mal, Sian, Chorus) | |
| | Josephine Barstow, Yvonne Kenny, Della Jones, Peter Hoare, Alan Opie, Philip Langridge, Jonathan Summers, Richard Van Allan, Chorus of the Welsh National Opera, Welsh National Opera Orchestra & Sir Charles Mackerras | Gloriana, Op. 53, Act II Scene 3: 37. Ensemble | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 4: "I can't understand it" | |
| | Berliner Philharmoniker, Sir Simon Rattle & Peter Hoare | The Gospel According to the Other Mary, Act I Scene 5: Tell Me, How Is This Night Different | |
| | Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Ralph Mason, Philip Lloyd Evans, Felicity Palmer, Peter Hoare, Donald Adams, Neil Archer, Alwyn Mellor, Richard Stuart, Donald Maxwell, Peter Savidge & Clare O'Neill | The Yeomen of the Guard, Act II: Finale. Comes the Pretty Young Bride | |
| | New York Philharmonic, Alan Gilbert, Gerald Finley, Patricia Racette, Peter Hoare, William Ferguson, Sidney Outlaw & The Collegiate Chorale | Il prigioniero: VI. Scene Four | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 3: "It must be here" | |
| | Sarah Tynan, Rosie Hay, Cameron Jones, Samantha Hay, Tomos Hardy, Lisa Milne, Welsh National Opera Orchestra, Ben Evans, Welsh National Opera Chorus, Amanda Baldwin, Christopher Purves, Leigh Melrose, Peter Hoare & Anthony Negus | The Sacrifice: Act I Scene 3: Queen of the blossom (Megan, Mal, Sian) | |
| | Berliner Philharmoniker, Sir Simon Rattle & Peter Hoare | The Gospel According to the Other Mary, Act II Scene 4: His Son Cried Out to Him | |
| | Berliner Philharmoniker, Sir Simon Rattle, Kelley O'Connor, Tamara Mumford, Peter Hoare, Daniel Bubeck, Brian Cummings & Nathan Medley | The Gospel According to the Other Mary, Act II Scene 6: Why Seek Ye the Living Among the Dead? | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 2: "Give it back!" | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 4: "Son! At last" | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 1: "I had better get her married off" | |
| | Carlo Rizzi, Jane Henschel, Victoria Simmonds, Welsh National Opera Orchestra, Peter Hoare & Cheryl Barker | Katya Kabanova, JW 1/8, Act I Scene 1: If you want to obey your mother (Kabanicha, Tichon, Katya, Varvara) | |
| | Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Ralph Mason, Philip Lloyd Evans, Felicity Palmer, Peter Hoare & Donald Adams | The Yeomen of the Guard, Act I: Finale. Oh, Sergeant Meryll, Is It True | |
| | Guildford Choral Society, Hilary Davan Wetton, Janice Watson, Peter Hoare, Royal Philharmonic Orchestra & St Catherine's School Middle Chamber Choir | Hodie (This Day): Song: The Oxen | |
| | Sir Mark Elder, BBC Symphony Orchestra, Joyce El-Khoury & Peter Hoare | Belisario, Act 1: "Plauso! Voci di gioia!" (Antonina, Eutropio) | |
| | Samuel Boden, Barbara Hannigan, Peter Hoare, George Benjamin & Netherlands Radio Philharmonic Orchestra | Lessons in Love And Violence: Part 1, Scene 2: IV. Why Do The Poor Sleep Three In A Bed | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 2: "Rosina... Rosina..." | |
| | Christopher Purves, Leigh Melrose, Welsh National Opera Chorus, Anthony Negus, Welsh National Opera Orchestra & Peter Hoare | The Sacrifice, Act II Scene 3: Come, the man who wounded me! (Mal, Evan, General, Guests) | |
| | Guildford Choral Society, Hilary Davan Wetton, Janice Watson, Peter Hoare, Royal Philharmonic Orchestra & St Catherine's School Middle Chamber Choir | Hodie (This Day): Narration: Now When Jesus Was Born | |
| | Symphonieorchester des Bayerischen Rundfunks, Sir Simon Rattle, Peter Hoare & Simon O'Neill | Siegfried, WWV 86C, Act I Scene 1: Da hast du die Stücken, schändlicher Stümper | |
| | London Philharmonic Orchestra, The Glyndebourne Chorus, Viacheslav Voynarovskiy, Andrey Breus, Lyubov Petrova, Alexandra Durseneva, Vsevolod Grivnov, Nino Surguladze, Sergei Alexashkin, Alan Opie, Jonathan Veira, Peter Hoare, Pavel Baransky, Maksim Mikhailov, Claire Ormshaw, Vladimir Jurowski & Thomas Blunt | Betrothal in a Monastery, Op. 86, Act 3: "Come in, come in" | |
| | Symphonieorchester des Bayerischen Rundfunks, Sir Simon Rattle, Peter Hoare & Simon O'Neill | Siegfried, WWV 86C, Act II Scene 3: Willkommen, Siegfried! Sag', du kühner | |
| | Symphonieorchester des Bayerischen Rundfunks, Sir Simon Rattle, Peter Hoare & Simon O'Neill | Siegfried, WWV 86C, Act I Scene 1: Es sangen die Vöglein so selig im Lenz | |
| | Stéphane Degout, Peter Hoare, George Benjamin & Netherlands Radio Philharmonic Orchestra | Lessons in Love And Violence: Part 2, Scene 6: I. Drumming - I Can Hear Drumming | |
