| | Choeurs de Radio France, Orchestre National de France, Lorin Maazel, Choeurs et Maîtrise de Radio France & Julia Migenes Johnson | Carmen, Act 1: Habanera - "L'amour Est un Oiseau Rebelle" [Carmen] | |
| | Lorin Maazel, Pittsburgh Symphony Orchestra & Andres Cardenes | Danse Macabre, Op. 40 | |
| | Lorin Maazel, Anthony Newman & Pittsburgh Symphony Orchestra | Symphony No. 3 in C Minor, Op. 78 - "Organ Symphony": IV. Maestoso | |
| | Sarah Brightman, Paul Miles-Kingston, Choir of Winchester Cathedral, English Chamber Orchestra, James Lancelot & Lorin Maazel | Requiem: VII. Pie Jesu | |
| | José Carreras, Wiener Staatsopernchor, Vienna State Opera Orchestra & Lorin Maazel | Turandot: Nessun dorma | |
| | Lorin Maazel & Wiener Philharmoniker | An Der Schönen Blauen Donau, Op. 314 | |
| | Choeurs et Maîtrise de Radio France, Lorin Maazel, Orchestre National de France & Plácido Domingo | Carmen, Act 2: Flower Song - "La Fleur Que Tu m'avais Jetée" [Don José] | |
| | Lorin Maazel, Yo-Yo Ma & Pittsburgh Symphony Orchestra | Andante Cantabile for Cello Solo and String Orchestra in D Major, Op. Posth. | |
| | Choeurs et Maîtrise de Radio France, Julia Migenes Johnson, Lorin Maazel & Orchestre National de France | Bizet : Carmen : Act 1 Habanera - "L'amour Est un Oiseau Rebelle" [Carmen, Chorus] | |
| | Lorin Maazel & Pittsburgh Symphony Orchestra | Danse Bacchanale from "Samson Et Dalila", Act III | |
| | Lorin Maazel & Orchestre National de France | Carmen, Act 3: Entracte | |
| | Lorin Maazel, Anthony Newman & Pittsburgh Symphony Orchestra | Symphony No. 3 in C Minor, Op. 78 - "Organ Symphony": I. Adagio | |
| | Sarah Brightman, Plácido Domingo, Paul Miles-Kingston, Choir of Winchester Cathedral, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: VIII. Lux aeterna & Libera me | |
| | Sarah Brightman, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: III. Recordare | |
| | Plácido Domingo, Paul Miles-Kingston, Thomas Drew, Choir of Winchester Cathedral, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: I. Requiem & Kyrie | |
| | Julia Migenes Johnson, Lorin Maazel, Orchestre National de France & Choeurs et Maîtrise de Radio France | Carmen, Act 1: Habanera - "L'amour est un oiseau rebelle" (Carmen, Chorus) | |
| | Sarah Brightman, Plácido Domingo, Choir of Winchester Cathedral, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: VI. Hosanna | |
| | Paul Miles-Kingston, Choir of Winchester Cathedral, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: V. Offertorium | |
| | Sarah Brightman, Plácido Domingo, Choir of Winchester Cathedral, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: IV. Ingemisco .Lacrymosa | |
| | Paul Miles-Kingston, Plácido Domingo, Choir of Winchester Cathedral, James Lancelot, English Chamber Orchestra & Lorin Maazel | Requiem: II. Dies irae .Rex tremendae | |
| | - | Also sprach Zarathustra, Op. 30: Einleitung | |
| | Lorin Maazel & Wiener Philharmoniker | An der schönen blauen Donau, Walzer, Op. 314 | |
| | Lorin Maazel & Orchestre National de France | Danse Macabre, Op. 40 | |
| | The Cleveland Orchestra & Lorin Maazel | I vespri siciliani, Act 3, Le quattro stagioni: II. La primavera | |
| | Lorin Maazel & Pittsburgh Symphony Orchestra | Phaéton, Op. 39 | |
| | Lorin Maazel & Wiener Philharmoniker | Walzer À la Paganini, Op. 11 | |
| | Vladimir Ashkenazy, London Symphony Orchestra & Lorin Maazel | Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso (excerpt) | |
| | Lorin Maazel, Anthony Newman & Pittsburgh Symphony Orchestra | Symphony No. 3 in C Minor, Op. 78 - "Organ Symphony": II. Allegro Moderato | |
| | Lorin Maazel, Orchestra Philharmonique de Monte Carlo, Choeur de la Radio Suisse Romande & Choeur Pro Arte de Lausanne d'André Charlet | Slave Chorus from Nabucco (Act III) | |
| | Wiener Philharmoniker & Lorin Maazel | Feuerfest! Op. 269 (Fireproof!) Polka francaise | |
| | Julia Migenes Johnson, Lorin Maazel & Orchestre National de France | Carmen, Act 1: Habanera - "L'amour est un oiseau rebelle" [Carmen, Chorus] | |
| | Julia Migenes Johnson, Lorin Maazel & Orchestre National de France | Carmen: Act 1 Habanera: "L'amour est un oiseau rebelle" [Carmen, Chorus] | |
| | The Cleveland Orchestra & Lorin Maazel | Romeo and Juliet, Op. 64: 13. Dance of the Knights | |
| | Wiener Philharmoniker & Lorin Maazel | Orpheus in The Underworld (Orphée aux enfers): Can-Can | |
| | Wiener Philharmoniker & Lorin Maazel | La forza del destino: Ouvertüre | |
| | Lorin Maazel, Berliner Philharmoniker & Yo-Yo Ma | Silent Woods for Cello and Orchestra in D-Flat Major, Op. 68 No. 5 | |
| | Orchestre Radio-Symphonique De Berlin (Rso) & Lorin Maazel | Symphonie No. 25 En Sol Mineur, K. 183: I. Allegro con Brio | |
| | Lorin Maazel, New York Philharmonic, Christine Brewer, Nancy Gustafson, Mary Phillips, Nancy Maultsby, Anthony Dean Griffey, Wolfgang Schöne & Jason Grant | Symphony No. 8, Pt. II: XIII. Alles Vergängliche | |
| | Plácido Domingo, Juan Pons, Mara Zampieri, Lorin Maazel, Orchestra del Teatro alla Scala di Milano, Coro del Teatro alla Scala di Milano, Nella Verri, Sergio Bertocchi, Ernesto Gavazzi, Francesco Memeo, Aldo Bottion, Umberto Scalavino, Antonio Salvadori, Giovanni Savoiardo, Orazio Mori, Ernesto Panariello, Marco Chingari, Luigi Roni, Pietro Spagnoli, Aldo Bramante, Giulio Bertola & Claudio Giombi | La Fanciulla del West: Ch'ella Mi Creda Libero e Lontano | |
| | Lorin Maazel & Pittsburgh Symphony Orchestra | Danse bacchanale from "Samson et Dalila", Act III | |
| | Paul Miles-Kingston, Sarah Brightman, Lorin Maazel, English Chamber Orchestra & Choir of Winchester Cathedral | Pie Jesu | |
| | Paul Miles-Kingston, Choir of Winchester Cathedral, English Chamber Orchestra, James Lancelot, Lorin Maazel & Sarah Brightman | 7. Pie Jesu | |
| | Lorin Maazel & Vienna State Opera Orchestra | Swan Lake Suite, Op. 20: Scene | |
| | Lorin Maazel, Berliner Philharmoniker & Yo-Yo Ma | Rondo for Cello and Orchestra in G Minor, Op. 94 | |
| | Lorin Maazel & Wiener Philharmoniker | An der schönen blauen Donau, Op. 314 | |
| | Lorin Maazel, New York Philharmonic, Christine Brewer, Nancy Gustafson, Mary Phillips, Nancy Maultsby, Anthony Dean Griffey, Wolfgang Schöne & Jason Grant | Symphony No. 8, Pt. I: III. Infirma nostri corporis | |
| | Plácido Domingo, Sarah Brightman, Choir of Winchester Cathedral, English Chamber Orchestra & Lorin Maazel | Hosanna | |
| | Lorin Maazel, Yo-Yo Ma & Pittsburgh Symphony Orchestra | Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | |
| | Sol Gabetta, Lorin Maazel & Münchner Philharmoniker | Cello Concerto No. 1 in E flat major, Op. 107: III. Cadenza | |
| | Anna Moffo, Lorin Maazel & Orchester der Deutschen Oper Berlin | Carmen, Act I: L'amour est un oiseau rebelle (Habanera) | |
