| | Gerald Moore & Alexander Kipnis | Vier Ernste Gesänge O Tod, Wie Bitter Bist Du | |
| | Alexander Kipnis, Staatskapelle Berlin & Leo Blech | Die Meistersinger von Nürnberg, WWV. 96: Verachtet mir die Meister nicht (Recorded 1926) | |
| | Nicolai Berezowsky & Alexander Kipnis | Boris Godunov, Act IV Scene 2: Farewell and Death of Boris (Recorded 1945) | |
| | Ernst Victor Wolff & Alexander Kipnis | Meine Liebe Ist Grün | |
| | Ezio Pinza, Jarmila Novotna, Rose Bamtpon, Bidu Sayao & Alexander Kipnis | Don Giovanni, Atto Primo: I. No. 1 Introduzione "Notte e giorno faticar" | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act I (Conc.): Scene (v) Ripossate, vezzose ragazze | |
| | Gerald Moore & Alexander Kipnis | Cophtisches Lied I | |
| | Ezio Pinza, Jarmila Novotna, Rose Bamtpon, Bidu Sayao & Alexander Kipnis | Don Giovanni, Atto Primo: XXV. No. 11 Aria "Fin ch'han del vino" | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act I: Mi par ch'oggi il demonio si diverta | |
| | Kirsten Flagstad, Alexander Kipnis, Rene Maison, Herbert Janssen, Emery Darcy, Karl Laufkötter, Julius Huehn, Marita Farell, Bruno Walter & John Gurney | Fidelio, Op. 72: Act I: Dialogue: Ihr habt recht, Vater Rocco (Leonore, Rocco, Marzelline) | |
| | Alexander Kipnis & George Szell | Boris Godunov: "Prologue - Scene 3: Kremlen: Coronation" | |
| | Ezio Pinza, Jarmila Novotna, Rose Bampton, Bidu Sayao, Alexander Kipnis, Charles Kullmann, Mack Harrel, Norman Cordon, Bruno Walter & New York Metropolitan Orchestra | Don Giovanni: Act 1 - La Ci Darem La Mano; Fermati, Scellerato; Ah, Fuggi Il Traditor | |
| | Alexander Kipnis, Ezio Pinza, Bruno Walter & Orchestra del Teatro Metropolitan | Don Giovanni, K.525, IWM 167, Act I: "Orsù, spicciati presto" (Don Giovanni, Leporello) | |
| | Lawrence Tibbett, The Metropolitan Opera Orchestra, Emil Cooper, The Metropolitan Opera Chorus, Martial Singher, Alexander Kipnis & Bidu Sayao | Pelleas et Melisande (Pelleas and Melisande): Act III, Scene III: Ah! Je respire enfin! | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act II: Ah taci, ingiusto core! | |
| | Alexander Kipnis, Staatskapelle Berlin, Else Ruzicka & Erich Orthmann | Der Rosenkavalier, Act 2: Herr Kavalier! | |
| | Kirsten Flagstad, Alexander Kipnis, Rene Maison, Herbert Janssen, Emery Darcy, Karl Laufkötter, Julius Huehn, Marita Farell, Bruno Walter & John Gurney | Fidelio, Op. 72: Act I: Ach Vater, Vater, eilt (Marzelline) | |
| | Jarmila Novotna, Helge Rosvaenge, Alexander Kipnis, Wiener Staatsopernchor, Arturo Toscanini & Wiener Philharmoniker | Die Zauberflote (The Magic Flute), K. 620: Act II: No. 13 Arie: Alles fuhlt der Liebe Freuden (Monostatos) | |
| | Alexander Kipnis, Fritz Reiner & New York Philharmonic | Boris Godounov (version by Shostakovich): Act II: Chiming Clock | |
| | Alexander Kipnis, Staatskapelle Berlin & Clemens Schmalstich | Der Freischutz, Op. 77: Hier im ird'schen Jammertal (Recorded 1930) | |
| | Bayreuther Festspielorchester & Alexander Kipnis | Parsifal: So ward es uns verhiessen | |
| | Martial Singher, Alexander Kipnis, Bidu Sayao, The Metropolitan Opera Orchestra, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Chorus | Pelleas et Melisande (Pelleas and Melisande): Act II: Interlude | |
| | Jarmila Novotna, Helge Rosvaenge, Alexander Kipnis, Wiener Staatsopernchor, Arturo Toscanini & Wiener Philharmoniker | Die Zauberflote (The Magic Flute), K. 620: Act II: No. 16 Terzett: Sied uns zum zweiten Mal willkommen (3 Boys) | |
| | Alexander Kipnis & Orchester der Staatsoper Berlin | Eugen Onegin: Ein jeder kennt die Lieb auf Erden | |
| | Alexander Kipnis & Arthur Bergh | Liederkreis, Op. 39: No. 5. Mondnacht (Moonlit Night) | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act II Scene 5: Epilogue. Resti dunque quel birbon (Zerlina, Masetto, Leporello) | |
| | Bidu Sayao, Martial Singher, Alexander Kipnis, The Metropolitan Opera Chorus, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Orchestra | Pelleas et Melisande (Pelleas and Melisande): Act V: 'Ce n'est pas de cette petite blessure' | |
| | Alexander Kipnis | Nun lass uns Frieden Schliessen | |
| | Alexander Kipnis | Verrat | |
| | Bidu Sayao, Martial Singher, Alexander Kipnis, The Metropolitan Opera Chorus, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Orchestra | Pelleas et Melisande (Pelleas and Melisande): Act I, Scene I: Pourquoi pleures-tu? | |
| | Alexander Kipnis & Berliner Staatsopern Orchester | Der Barbier Von Sevilla Die Verleumdung | |
| | Jarmila Novotna, Helge Rosvaenge, Alexander Kipnis, Wiener Staatsopernchor, Arturo Toscanini & Wiener Philharmoniker | Die Zauberflote (The Magic Flute), K. 620: Act II: No. 10 Arie mit Chor: O Isis und Osiris (Sarastro, Chorus) | |
| | Karl Laufkötter, Julius Huehn, John Gurney, Kerstin Thorborg, Emery Darcy, Alexander Kipnis, The Metropolitan Opera Orchestra & Erich Leinsdorf | Tristan und Isolde, Act III: Kurwenal! Hör! (Live) | |
| | Frank Bibb & Alexander Kipnis | Der Lindenbaum | |
| | Alexander Kipnis | Don Carlo: Ella giammai m'amo (Recorded 1923) | |
| | Bidu Sayao, Martial Singher, Alexander Kipnis, The Metropolitan Opera Chorus, Lawrence Tibbett, Emil Cooper & The Metropolitan Opera Orchestra | Pelleas et Melisande (Pelleas and Melisande): Act III, Scene I: Je les tiens dans les mains | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 3: Finch'han dal vino, "Champagne Aria" (Don Giovanni) | |
| | Alexander Kipnis & Frank Bibb | Der Wegweiser | |
| | Alexander Kipnis, Bruno Walter, Orchestra del Teatro Metropolitan, Jarmila Novotna, Rose Bampton & Charles Kullman | Don Giovanni, K.525, IWM 167, Act II: "Di molte faci il lume" (Leporello, Donna Elvira, Don Ottavio, Donna Anna) | |
| | Philarmonic Symphony Orchestra & Alexander Kipnis | Boris Godunov: Leave us alone | |
| | Alexander Kipnis & Berliner Staatsopern Orchester | Die Zauberflöte O Isis Und Osiris | |
| | Alexander Kipnis, Orchester der Staatsoper Berlin & Johannes Heidenreich | Der Barbier von Bagdad: So schwärmet Jugend | |
| | The Metropolitan Opera, Bruno Walter, Ezio Pinza & Alexander Kipnis | Don Giovanni: Scene 1 - Act II -"Eh Via, Buffone, Non Mi Seccar!" | |
| | Alexander Kipnis & Ernst Victor Wolff | Der Gang Zum Liebchen | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, The Metropolitan Opera Chorus, Bruno Walter & The Metropolitan Opera Orchestra | Don Giovanni, K. 527 : Act I: Fuggi, crudele, fuggi! | |
| | Kirsten Flagstad, Alexander Kipnis, Rene Maison, Herbert Janssen, Emery Darcy, Karl Laufkötter, Julius Huehn, Marita Farell, Bruno Walter & John Gurney | Fidelio, Op. 72: Act I: Dialogue: Marzelline! Marzelline!! (Jaquino, Marzelline, Rocco, Leonore) | |
| | The Metropolitan Opera, Bruno Walter, Bidu Sayao, Mack Harrell, Ezio Pinza & Alexander Kipnis | Don Giovanni: Scene 3 - Act I -''Giovinette Che Fate All'Amore'' | |
| | Alexander Kipnis, Bruno Walter, The Metropolitan Opera Orchestra & Kirsten Flagstad | Fidelio, Op. 72, ILB 67, Act II: "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco) | |
| | Kirsten Flagstad, Alexander Kipnis, Rene Maison, Herbert Janssen, Emery Darcy, Karl Laufkötter, Julius Huehn, Marita Farell, Bruno Walter & John Gurney | Fidelio, Op. 72: Act I: Terzetto: Gut Sohnchen, gut (Rocco, Leonore, Marzelline) | |
| | Alexander Kipnis & Orchester der Staatsoper Berlin | Wie bist du, meine Königin | |
