| | Jan Peerce | Kol Nidrei | |
| | Risë Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra & Leopold Stokowski | Samson and Delilah (Highlights) : Act II, Scene III, "Mon Coeur S'ouvre À Ta Voix" | |
| | Jan Peerce | Bluebird of Happiness | |
| | Jan Peerce, Warner Bass, The RCA Victor Orchestra & RCA Victor Chorus | Kol Nidrei | |
| | Jan Peerce, Abraham Ellstein & The RCA Victor Orchestra | Rozhinkes Mit Mandlen | |
| | Jan Peerce | Passover Scene from "La Juive" | |
| | Eleanor Steber & Jan Peerce | Madame Butterfly, Act II: Or Vienmi Ad Adornar | |
| | Fritz Reiner, The RCA Victor Orchestra, Risë Stevens, Alessio De Paolis, Jan Peerce & George Cehanovsky | Carmen, Act III: Reposons-nous une heure ici | |
| | Renato Cellini, The RCA Victor Orchestra, Jan Peerce & Nathaniel Sprinzena | Rigoletto, Act I: Della mia bella incognita borghese | |
| | Jan Peerce | A Cantor for a Sabbath | |
| | Jan Peerce, The Metropolitan Opera Chorus, The Metropolitan Opera Orchestra & Bruno Walter | Un ballo in maschera, Act I: La rivedrà nell'estasi (Live) | |
| | Jan Peerce, Pierrette Alarie, Margaret Harshaw, Giacomo Vaghi, The Metropolitan Opera Orchestra, Giuseppe Antonicelli & The Metropolitan Opera Chorus | Un ballo in maschera, Act I: Di' tu se fedele (Live) | |
| | Eleanor Steber, Jan Peerce & Suzanne Carré | Viene La Sera | |
| | Eleanor Steber & Jan Peerce | Madame Butterfly, Act III: Addio, Fiorito Asil | |
| | Arturo Toscanini, NBC Symphony Orchestra, Licia Albanese, Jan Peerce & Francesco Valentino | La bohème, Act III: Marcello, finalmente! | |
| | Arturo Toscanini, Nan Merriman, Eileen Farrell, Jan Peerce, Norman Scott, NBC Symphony Orchestra & Robert Shaw Chorale | Symphony No. 9, Op. 125 In D Minor: III. Adagio Molto e Cantabile; Andante Moderato | |
| | Johnny Silver, Jan Peerce, The RCA Victor Orchestra, Patrice Munsel, Regina Resnik, James Melton, Paula Lenchner, Fritz Reiner, Risë Stevens, Robert Merrill, Robert Shaw Chorale & Hugh Thompson | Die Fledermaus (Sung in English): Act II: Czardas: Voice of my homeland (Rosalinda) | |
| | Zinka Milanov, Jan Peerce, The RCA Victor Orchestra & Renato Cellini | Il Trovatore: Miserere (Recorded 1952) | |
| | Eleanor Steber & Jan Peerce | Madame Butterfly, Act II: Coro a Bocca Chiusa | |
| | Jan Peerce, Eleanor Steber, Fernando Corena, Cesare Siepi, Roberta Peters, Studio Chorus, Karl Böhm, Giorgio Tozzi, Studio Orchestra, Lisa Della Casa & Theodore Uppman | Don Giovanni, K. 527: Act I Scene 5: Aria: Madamina, il catalogo e questo (Leporello) | |
| | NBC Symphony Orchestra, Robert Merrill, Arturo Toscanini, Johanne Morland, Maxine Stellman, Paul Dennis, Jan Peerce, Arthur Newman, Licia Albanese, George Cehanovsky & John Garris | La traviata*: Act III: Finale I (Flora, il Marches, il Dottore) | |
| | The RCA Victor Orchestra, Fritz Reiner, Risë Stevens & Jan Peerce | Carmen, Act IV: "Carmen, il est temps encore" (Carmen, Don José) | |
| | The RCA Victor Orchestra, Fritz Reiner, Osie Hawkins, Risë Stevens, Jan Peerce & Robert Shaw Chor | Carmen, Act II: "Holà Carmen! Holà!" (Zuniga, Carmen, Don José, Chœur) | |
| | Jan Peerce, Julius Baker, Maurice Wilk, Robert Bloom, Bernard Greenhouse & Erich Itor Kahn | Herr Jesu Christ, du höchstes Gut, BWV 113: Jesus nimmt die Sunder an | |
| | Jan Peerce | A Nigun | |
| | NBC Symphony Orchestra, Arturo Toscanini, Licia Albanese & Jan Peerce | La traviata, Act II: "Invitato a qui seguirmi" | |
| | Jan Peerce, Eleanor Steber, Fernando Corena, Cesare Siepi, Roberta Peters, Studio Chorus, Karl Böhm, Giorgio Tozzi, Studio Orchestra, Lisa Della Casa & Theodore Uppman | Don Giovanni, K. 527: Act II Scene 10: Recitativo accompagnato ed Aria: In quali eccessi (Donna Elvira) | |
| | Ezio Pinza, Jan Peerce, Vina Bovy, Kerstin Thorborg, Arturo Toscanini, NBC Symphony Chorus & NBC Symphony Orchestra | Symphony No. 9 in D Minor, Op. 125, "Choral": II. Molto vivace | |
| | Jan Peerce | Sylvia | |
| | Licia Albanese, Jan Peerce, Robert Merrill, NBC Symphony Orchestra & Leopold Stokowski | Samson and Delilah (Highlights): Act II, Scene I. "Amour! viens aider ma faiblesse!" | |
| | Jan Peerce | Encore | |
| | The Metropolitan Opera Orchestra, Zinka Milanov & Jan Peerce | Il Trovatore: Miserere | |
| | Jan Peerce | Morning (Speaks) | |
| | Jan Peerce | Anywhere I Wander | |
| | Jan Peerce, Leonard Warren, Pierrette Alarie, Giacomo Vaghi, Lorenzo Alvary, The Metropolitan Opera Chorus, The Metropolitan Opera Orchestra & Giuseppe Antonicelli | Un ballo in maschera, Act III: Si, rivederti Amelia (Live) | |
| | Eleanor Steber & Jan Peerce | Madame Butterfly, Act I: Bimba dagli Occhi Pieni di Malia | |
| | NBC Symphony Orchestra, Leopold Stokowski, Risë Stevens & Jan Peerce | Samson et Dalila, Act II, Scene 2, 3: "Se pourrait-il?" (Dalila, Samson) | |
| | Leonard Warren, Erna Berger, Jan Peerce, Nan Merriman, Robert Shaw Chorale, Renato Cellini & The RCA Victor Orchestra | Rigoletto: Ch'io gli parli | |
| | Arturo Toscanini, Rose Bampton, Jan Peerce, Herbert Janssen, Sidor Belarsky, Joseph Laderoute & NBC Symphony Orchestra | Fidelio, Op. 72, Act II: Ach! Du bist gerettet! | |
| | Jarmila Novotna, Jan Peerce, Kerstin Thorborg, Nicola Moscona, Westminster Choir, Arturo Toscanini & NBC Symphony Orchestra | Symphony No. 9 in D minor, Op. 125, "Choral": II. Molto vivace | |
| | Jan Peerce, Frances Greer, The Metropolitan Opera Chorus, The Metropolitan Opera Orchestra & Bruno Walter | Un ballo in maschera, Act III: Sì, rivederti, Amelia (Live) | |
| | Jan Peerce, Grace Moore, John Baker, The Metropolitan Opera Orchestra & Cesare Sodero | Tosca, Act III: Amaro sol per te m'era morire (Live) | |
| | Jan Peerce, Lorenzo Alvary, Grace Moore, The Metropolitan Opera Orchestra & Cesare Sodero | Tosca, Act I: Gente là dentro! (Live) | |
| | Risë Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra & Leopold Stokowski | Samson and Delilah (Highlights) : Act III, Scene II, "Bacchanale" | |
| | Grace Moore, Jan Peerce, The Metropolitan Opera Orchestra & Cesare Sodero | Tosca, Act I: Ah, quegli occhi! (Live) | |
| | Jan Peerce | Maria, My Own | |
| | Nathaniel Sprinzena, Nan Merriman, Arthur Newman, Paul Ukena, Joyce White, Erna Berger, Jan Peerce, Leonard Warren, Italo Tajo & The RCA Victor Orchestra | Rigoletto: Compiuto Pur Quanto a Fare Mi Resta | |
| | Alfred Newman, Ezio Pinza, Roberta Peters, Jan Peerce, The 20th Century-Fox Symphony Orchestra & The 20th Century-Fox Symphony Chorus | Faust - Jewel Song | |
| | Frank Valentino, George Cehanovsky, Nicola Moscona, Arturo Toscanini, NBC Symphony Orchestra, Anne McKnight, Licia Albanese & Jan Peerce | La Bohème, IGP 1, Act IV: "Dorme? - Riposa" (Musetta, Rodolfo, Marcello, Mimì, Schaunard, Colline) | |
| | Jan Peerce, Risë Stevens, Patrice Munsel, Robert Merrill, Hugh Thompson, Paula Lenchner, Johnny Silver, James Melton, Robert Shaw Chorale, Fritz Reiner, The RCA Victor Orchestra & Regina Resnik | Die Fledermaus (Sung in English): Act II: Duet: How he prances and romances (Rosalinda, Eisenstein) | |
