| | Eugene Ormandy, The Philadelphia Orchestra & Mack Harrell | 5 Songs from William Blake: No. 5 And Did Those Feet | |
| | The Metropolitan Opera, Bruno Walter, Bidu Sayao & Mack Harrell | Don Giovanni: Scene 4 - Act I -''Masetto, Sento Un Po''' | |
| | Fritz Reiner, Hans Hopf, Paul Schöffler, Gerhard Pechner, Mack Harrell, Thomas Hayward & The Metropolitan Opera Orchestra | Die Meistersinger, Act I: Am stillen Herd in Winterszeit | |
| | Mack Harrell, Ezio Pinza, Coro del Teatro Metropolitan, Bruno Walter, Orchestra del Teatro Metropolitan & Bidu Sayao | Don Giovanni, K.525, IWM 167, Act I: "Guarda un po'" (Masetto, Don Giovanni, Zerlina, Coro) | |
| | Fritz Reiner, Mack Harrell, Thomas Hayward, Gerhard Pechner, Josef Greindl & The Metropolitan Opera Orchestra | Die Meistersinger, Act I: Beliebt's, wir schreiten zur Merkerwahl? | |
| | New York Philharmonic, Dimitri Mitropoulos, Eileen Farrell & Mack Harrell | Wozzeck, Op. 7, Act II, Scene 3: "Guten Tag, Franz" (Marie, Wozzeck) [Live] | |
| | Brooks Smith & Mack Harrell | Italienisches Liederbuch: No. 17. Und willst du deinen Liebsten sterben sehen? | |
| | New York Philharmonic, Dimitri Mitropoulos, New York Schola Cantorum, Mack Harrell, David Lloyd & Frederick Jagel | Wozzeck, Op. 7, Act II, Scene 5: "Oh! Andres! Andres! Ich kann nicht schlafen" (Soldiers, Wozzeck, Andres, Drum Major) | |
| | New York Philharmonic, Dimitri Mitropoulos, Mack Harrell, Joseph Mordino & Ralph Herbert | Wozzeck, Op. 7, Act III, Scene 4: "Das Messer? Wo ist das Messer?" (Wozzeck, Captain, Doctor) | |
| | New York Philharmonic, Dimitri Mitropoulos, Ralph Herbert & Mack Harrell | Wozzeck, Op. 7, Act I, Scene 4: "Was erleb' ich, Wozzeck?" (Doctor, Wozzeck) | |
| | Mack Harrell & Brooks Smith | Le manoir de Rosemonde: Le Manoir de Rosemonde | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 3: Recitative. Io deggio ad ogni patto (Leporello, Don Giovanni) | |
| | Alexander Sved, Mack Harrell, Norman Cordon, The Metropolitan Opera Chorus, Erich Leinsdorf & The Metropolitan Opera Orchestra | Lohengrin, WWV 75, IRW 31, Act I: "Dank, König, dir, dass du zu richten kamst!" (Friedrich, Chor, König, Heerrufer) | |
| | The Metropolitan Opera Chorus, John Carter, Rose Pauly, Eyvind Laholm, Kirsten Flagstad, Herbert Janssen, Emanuel List, Maxine Stellman, Mack Harrell, The Metropolitan Opera Orchestra & Erich Leinsdorf | Tannhauser: Act I Scene 1:: Naht euch dem Strande (Chorus) | |
| | Paul Schöffler, Gerhard Pechner, Osie Hawkins, Joseph Folmer, Thomas Hayward, Algerd Brazis, Alessio De Paolis, Emery Darcy, Mack Harrell, Hans Hopf, Lawrence Davidson, Lorenzo Alvary, Fritz Reiner, The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus | Die Meistersinger, Act I: Ihr mahnt mich da gar recht | |
| | Frederic Jagel, Mack Harrell, Dimitri Mitropoulos, New York Philharmonic, David Lloyd, Edwina Eustis, Eileen Farrell, Joseph Mordino, Ralph Herbert, Adolph Anderson, Hubert Norville, Bess Ann Herdt, High School of Music and Art Chorus & New York Schola Cantorum | Wozzeck, Op. 7: Act II | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act II Scene 5: Epilogue. Resti dunque quel birbon (Zerlina, Masetto, Leporello) | |
| | Igor Stravinsky, Hilde Gueden, Eugene Conley, Mack Harrell & The Metropolitan Opera Orchestra | The Rake's Progress, Act III, Scene 2: Very Well, Then, My Dear and Good Tom - Well, Then - My Heart Is Wild with Fear | |
| | New York Philharmonic, Dimitri Mitropoulos, Joseph Mordino & Mack Harrell | Wozzeck, Op. 7, Act I, Scene 1: "Langsam, Wozzeck, langsam!" (Captain, Wozzeck) [Live] | |
| | Robert Shaw, Mack Harrell & The RCA Victor Orchestra | Ich habe genug, BWV 82: III. Aria. Schlummert ein, ihr matten Augen | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 2: Recitative. Orsu, spiciati presto (Don Giovanni, Leporello) | |
| | Mack Harrell, Dimitri Mitropoulos, The Metropolitan Opera Orchestra, Inge Borkh & Giulio Gari | Salome, Op. 54, IRS 86, Act I: "Dein Haar ist gräßlich!" (Salome, Jochanaan, Narraboth) | |
| | Eugene Ormandy, The Philadelphia Orchestra & Mack Harrell | 5 Songs from William Blake: No. 2 Tiger! Tiger! | |
| | Mack Harrell, Dimitri Mitropoulos, The Metropolitan Opera Orchestra, Inge Borkh & Ramon Vinay | Salome, Op. 54, IRS 86, Act I: "Eine Menge Menschen wird sich gegen sie sammeln" (Jochanaan, Herodes, Salome) | |
| | Calvin Marsh, Mack Harrell, Blanche Thebom, The Metropolitan Opera Orchestra & Ramon Vinay | Salome, Op. 54, IRS 86, Act I: "Wahrhaftig, Herr, es wäre besser" (Erster Juden, Herodes, Herodias, Zwei Nazarener, Jochanaan) | |
| | Francesco Valentino, Licia Albanese, Mack Harrell & Raoul Jobin | I Pagliacci, Act I: Si Puo? Signore! Signore! | |
| | Rose Pauly, Eyvind Laholm, Kirsten Flagstad, Mack Harrell, The Metropolitan Opera Orchestra, Erich Leinsdorf, The Metropolitan Opera Chorus, John Carter, Herbert Janssen, Emanuel List & Maxine Stellman | Tannhauser: Act III Scene 2: O du mein holder Abendstern (Wolfram) | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 3: Finch'han dal vino, "Champagne Aria" (Don Giovanni) | |
| | Eyvind Laholm, Kirsten Flagstad, Herbert Janssen, Emanuel List, Maxine Stellman, Mack Harrell, The Metropolitan Opera Orchestra, Erich Leinsdorf, The Metropolitan Opera Chorus, John Carter & Rose Pauly | Tannhauser: Act I Scene 2: Geliebter, sag? (Venus, Tannhauser) | |
| | Gerhard Pechner, Hans Hopf, Josef Greindl, Lorenzo Alvary, Lawrence Davidson, Osie Hawkins, Algerd Brazis, Joseph Folmer, Thomas Hayward, Alessio De Paolis, Emery Darcy, Mack Harrell, Fritz Reiner & The Metropolitan Opera Orchestra | Die Meistersinger, Act I: Seid ihr nun fertig? | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act II Scene 5: Questo e il fin (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | |
| | New York Philharmonic, Dimitri Mitropoulos, Adolph Anderson, Hubert Norville, Mack Harrell, Eileen Farrell, Frederick Jagel, David Lloyd, Joseph Mordino & New York Schola Cantorum | Wozzeck, Op. 7, Act II, Scene 4: "Ich hab' ein Hemdlein an, das ist nicht mein" (First Apprentice, Second Apprentice, Wozzeck, Marie, Drum Major, Andres, Madman, Soldiers) | |
| | Frederic Jagel, Mack Harrell, Dimitri Mitropoulos, New York Philharmonic, David Lloyd, Edwina Eustis, Eileen Farrell, Joseph Mordino, Ralph Herbert, Adolph Anderson, Hubert Norville, Bess Ann Herdt, High School of Music and Art Chorus & New York Schola Cantorum | Wozzeck, Op. 7: Act I | |
| | Mack Harrell & Brooks Smith | Poeme pastoral: La crepuscule | |
| | The Metropolitan Opera, Bruno Walter, Bidu Sayao, Mack Harrell, Ezio Pinza & Alexander Kipnis | Don Giovanni: Scene 3 - Act I -''Giovinette Che Fate All'Amore'' | |
| | The Metropolitan Opera Orchestra, Sir Thomas Beecham, The Metropolitan Opera Chorus, Mack Harrell & Licia Albanese | Carmen: Act I - "Sur La Place, Chacun Passe" | |
| | New York Philharmonic, Dimitri Mitropoulos, Mack Harrell, Edwina Eustis & New York Schola Cantorum | Wozzeck, Op. 7, Act III, Scene 3: "Tanzt Alle ; tanzt nur zu, springt, schwitzt und stinkt" (Wozzeck, Margret, Choir) | |
| | Dimitri Mitropoulos, New York Philharmonic, Mack Harrell & Ralph Herbert | Wozzeck, Op. 7: Act I, Scene IV: Der Doktor "Was erleb' ich, Wozzeck?" | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 4: Protegga il giusto cielo (Donna Anna, Don Ottavio, Donna Elvira) | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus, The Metropolitan Opera Orchestra & Norman Cordon | Don Giovanni, K. 527, Act I Scene 3: Appendix. Aria. Dalla sua pace (Don Ottavio) | |
| | Igor Stravinsky, Mack Harrell, The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus | The Rake's Progress, Act I, Scene 2: Lanterloo, My Lady | |
| | Mack Harrell, The Metropolitan Opera Chorus, Sir Thomas Beecham, The Metropolitan Opera Orchestra & Licia Albanese | Carmen, GB 9, IGB 16, Act I: "Sur la place chacun passe" (Chœur, Moralès, Micaëla) | |
| | Dimitri Mitropoulos, New York Philharmonic, Frederick Jagel, Joseph Mordino, David Lloyd & Mack Harrell | Wozzeck, Op. 7: Act II, Scene V: Rondo marziale con introduzione "Oh! Andres! Ich kann nicht schlafen!" | |
| | Dimitri Mitropoulos, New York Philharmonic, David Lloyd & Mack Harrell | Wozzeck, Op. 7: Act I, Scene II: Andres "Du, der Platz ist verflucht!" | |
| | Mack Harrell, Eugene Ormandy, The Philadelphia Orchestra, David Lloyd, Frances Yeend & Temple University Choir | Kolokola (The Bells), Op. 35: II. Lento | |
| | Francesco Valentino, Licia Albanese, Mack Harrell & Raoul Jobin | I Pagliacci, Act I: I Zampognari! | |
| | The Metropolitan Opera Orchestra, Sir Thomas Beecham, Mack Harrell, Raoul Jobin & Lorenzo Alvary | Carmen: Act I - "Avec La Garde Montante" | |
| | Eugene Ormandy, The Philadelphia Orchestra & Mack Harrell | 5 Songs from William Blake: No. 3 The Land Of Dreams | |
| | Rose Bampton, Jarmila Novotna, Ezio Pinza, Bidu Sayao, Alexander Kipnis, Charles Kullman, Norman Cordon, Mack Harrell, Bruno Walter, The Metropolitan Opera Chorus & The Metropolitan Opera Orchestra | Don Giovanni, K. 527, Act I Scene 4: Tra quest arbori celata (Don Giovanni, Zerlina, Masetto) | |
| | New York Philharmonic, Dimitri Mitropoulos, Eileen Farrell & Mack Harrell | Wozzeck, Op. 7, Act III, Scene 2: "Dort links geht's in die Stadt" (Marie, Wozzeck) | |
