| | Peter Rose, Gerd Grochowski, Brigitte Geller, Markus Raab, ORF Radio Symphony Orchestra Vienna, Kurt Streit, Martin Schwab, Camilla Nylund, Dietmar Kerschbaum, Arnold Schoenberg Choir, Ralf Lukas, Bertrand De Billy & Thomas Ebenstein | Fidelio, Op. 72a (with inserted texts by W. Jens): Act I: Duet: Jetzt, Schatzchen, jetzt sind wir allein… (Jaquino, Marzelline) | |
| | Brigitte Geller, Bertrand De Billy, Kurt Streit, ORF Radio Symphony Orchestra Vienna, Ralf Lukas, Markus Raab, Camilla Nylund, Arnold Schoenberg Choir, Thomas Ebenstein, Peter Rose, Gerd Grochowski, Dietmar Kerschbaum & Martin Schwab | Fidelio, Op. 72a (with inserted texts by W. Jens): Act I: Aria: O war' ich schon mit dir vereint… (Marzelline) | |
| | Geoffrey Moses, Peter Rose, Sir Charles Mackerras, Diana Montague, Philharmonic Orchestra & Timothy Robinson | The Bartered Bride, Act III Scene III: Oh, I don't understand it! | |
| | Neal Davies, Peter Rose, Sir Charles Mackerras, Yvonne Howard & Philharmonic Orchestra | The Bartered Bride, Act I Scene III: Hold it! Are we not forgetting | |
| | Andreas Schmidt, Berliner Philharmoniker, Daniel Barenboim, Graham Clark, Günter von Kannen, Joan Rodgers, Sir John Tomlinson, Lella Cuberli, Peter Rose & Phyllis Pancella | Le nozze di Figaro: Act 2, "Esci omai, garzon malnato" [Susanna, La Contessa, Marcellina, Basilio, Il | |
| | Neal Davies, Peter Rose, David Lloyd-Jones, BBC National Orchestra of Wales, Toby Spence & Janice Watson | Ivanhoe, Act III Scene 2: Look, where thy moody father walks apart (King, Ivanhoe, Cedric, Rowena) | |
| | Peter Rose, Martin Schwab, Brigitte Geller, Bertrand De Billy, Kurt Streit, ORF Radio Symphony Orchestra Vienna, Dietmar Kerschbaum, Gerd Grochowski, Thomas Ebenstein, Camilla Nylund, Arnold Schoenberg Choir, Ralf Lukas & Markus Raab | Fidelio, Op. 72a (with inserted texts by W. Jens): Ouverture | |
| | Peter Rose, Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra, Elizabeth Futral & Stephen Chaundy | Lucia of Lammermoor, Part II. Act II Scene 5: They bring the incense (Lucia, Raimondo, Normanno, Chorus) | |
| | Neal Davies, Geoffrey Moses, Peter Rose, Sir Charles Mackerras, Diana Montague, Yvonne Howard, Philharmonic Orchestra & Susan Gritton | The Bartered Bride, Act III Scene V: Sextet "Think it over, Marenka, think it through" | |
| | Brigitte Geller, Ralf Lukas, Martin Schwab, ORF Radio Symphony Orchestra Vienna, Dietmar Kerschbaum, Markus Raab, Peter Rose, Gerd Grochowski, Bertrand De Billy, Kurt Streit, Thomas Ebenstein, Camilla Nylund & Arnold Schoenberg Choir | Fidelio, Op. 72a (with inserted texts by W. Jens): Er wollte Wasser, der Gefangene… (Rocco) | |
| | Alan Opie, Andrew Shore, Peter Rose, Gabriele Bellini, Della Jones, English National Opera Orchestra, Bruce Ford & Jennifer Rhys-Davies | The Barber of Seville, Act I: Pay attention! What's the trouble? (Chorus, Bartolo, Figaro, Basilio, Berta, Count, Rosina, Officer) | |
| | Peter Rose, Houston Symphony Orchestra & Andrés Orozco-Estrada | The Creation, Hob. XXI:2, Pt. 1: No. 3, Und Gott machte das Firmament | |
| | London Symphony Orchestra, Peter Rose, William Dazeley, Tenebrae & Sir Colin Davis | L'enfance du Christ, Op. 25, H. 130, Pt. III, L'arrivée À Saïs: Scène II, No. 12 - "Entrez, Pauvres Hébreux" | |
| | Nicole Heaston, Toby Spence, Peter Rose, Houston Symphony Orchestra, Andrés Orozco-Estrada & Houston Symphony Chorus | The Creation, Hob. XXI:2, Pt. 2: No. 26, Vollendet ist das große Werk | |
| | Peter Rose, Houston Symphony Orchestra & Andrés Orozco-Estrada | The Creation, Hob. XXI:2, Pt. 2: No. 21, Gleich öffnet sich der Erde Schoß | |
| | Nederlands Philharmonisch Orkest, Chorus of Dutch National Opera, Marc Albrecht, Yosep Kang, Alexander Vassilev & Peter Rose | Der Rosenkavalier, Op. 59, Act 1: VII. Di rigori armato il seno (Der Tenor) | |
| | Karen Cargill, William Dazeley, Tenebrae, Sir Colin Davis, London Symphony Orchestra & Peter Rose | L'enfance du Christ, Op. 25, H 130: Part III, L'arrivée À Saïs, Scene 2 - Entrez, Pauves Hébreux | |
| | Peter Rose, Houston Symphony Orchestra & Andrés Orozco-Estrada | The Creation, Hob. XXI:2, Pt. 2: No. 20, Und Gott sprach, Es bringe die Erde hervor lebende Geschöpfe | |
| | Peter Rose, David Parry, English National Opera Orchestra, Julian Gavin & Susan Patterson | Ernani, Part II: No, my vengeance won't be hurried (Silva, Elvira, Ernani) | |
| | Sir Charles Mackerras, Paul Groves, Yelda Kodalli, Lynton Atkinson, Desiree Rancatore, Peter Rose, Scottish Chamber Orchestra & Scottish Chamber Orchestra Chorus | Die Entführung aus dem Serail, K. 384, Act III: Vaudeville. Nie werd' ich deine Huld verkennen - Chorus. Bassa Selim lebe lange! | |
| | Neal Davies, Geoffrey Moses, Peter Rose, Sir Charles Mackerras, Diana Montague, Yvonne Howard, Philharmonic Orchestra & Timothy Robinson | The Bartered Bride, Act III Scene V: Oh, Vašek! Don't run away! | |
| | Peter Rose, Adrian Partington Singers, Adrian Partington, David Lloyd-Jones & BBC National Orchestra of Wales | Ivanhoe, Act I Scene 1: Each day this realm of England faints and fails (Cedric, Men) | |
| | Ralf Lukas, Peter Rose, Martin Schwab, ORF Radio Symphony Orchestra Vienna, Dietmar Kerschbaum, Markus Raab, Gerd Grochowski, Arnold Schoenberg Choir, Camilla Nylund, Brigitte Geller, Bertrand De Billy, Kurt Streit & Thomas Ebenstein | Fidelio, Op. 72a (with inserted texts by W. Jens): Tagein, tagaus!… (Rocco) | |
| | Dietmar Kerschbaum, Markus Raab, Bertrand De Billy, Kurt Streit, Brigitte Geller, ORF Radio Symphony Orchestra Vienna, Thomas Ebenstein, Ralf Lukas, Gerd Grochowski, Camilla Nylund, Arnold Schoenberg Choir, Martin Schwab & Peter Rose | Fidelio, Op. 72a (with inserted texts by W. Jens): Act II: Recitative and Aria: O brich noch nicht, du mattes Herz! (Leonore) | |
| | Peter Rose, London Philharmonic Choir, Neville Creed, Neeme Järvi, Karen Cargill, London Philharmonic Orchestra, Lisa Milne & Peter Auty (tenor) | Requiem, Op. 89, B. 165: Lacrimosa | |
| | Andrew Shore, Peter Rose, Gabriele Bellini & English National Opera Orchestra | The Barber of Seville, Act I: Who'd know? (Bartolo, Basilio) | |
| | Adot Make It Hot | Do Better (feat. Peter Rose) | |
| | Peter Rose, David Parry, English National Opera Orchestra, Julian Gavin & Susan Patterson | Ernani, Part II: More gold than you could desire is yours (Ernani, Elvira, Silva) | |
| | Kurt Masur, New York Choral Artists, The American Boychoir, New York Philharmonic, Christine Brewer, Florence Quivar, Anthony Rolfe Johnson, Peter Rose & Glenn Dicterow | Missa solemnis in D Major, Op. 123: II. Gloria | |
| | London Symphony Orchestra, Karen Cargill, Sir Colin Davis, William Dazeley, Tenebrae & Peter Rose | L'enfance du Christ, Op. 25, H. 130, Pt. III, L'arrivée À Saïs: Scène II, No. 14 - "Vous Pleurez, Jeune Mère" | |
| | Alan Opie, Peter Rose, Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra & Stephen Chaundy | Lucia of Lammermoor, Part I Scene 3: Your suspicions are confirmed now (Normanno, Enrico, Raimondo, Chorus) | |
| | Peter Rose, Sir Charles Mackerras, Philharmonic Orchestra & Paul Charles Clarke | The Bartered Bride, Act II Scene IV: I have plenty of others | |
| | Brigitte Geller, Kurt Streit, Martin Schwab, ORF Radio Symphony Orchestra Vienna, Ralf Lukas, Bertrand De Billy, Markus Raab, Camilla Nylund, Dietmar Kerschbaum, Arnold Schoenberg Choir, Thomas Ebenstein, Peter Rose & Gerd Grochowski | Fidelio, Op. 72a (with inserted texts by W. Jens): Er oder wir - darum geht es jetzt… (Rocco) | |
| | Peter Rose, Houston Symphony Orchestra & Andrés Orozco-Estrada | The Creation, Hob. XXI:2, Pt. 1: No. 5, Und Gott sprach "Es sammle sich das Wasser" | |
| | Alan Opie, Paul Hodges, Peter Rose, David Parry, Philharmonia Orchestra, Peter Wedd & Helen Williams | Ernani, Act III: Charlemagne inspire me (O sommo Carlo) (Carlo, Silva, Chorus) | |
| | Peter Rose, David Parry, English National Opera Orchestra, Julian Gavin & Susan Patterson | Ernani, Part II: Jago, admit the pilgrim here directly (Silva, Ernani, Elvira) | |
| | Sauro Berti & Peter Rose | Prayers from the Ark: The Prayer of the Elephant | |
| | Peter Rose, London Philharmonic Choir, Neville Creed, Neeme Järvi, Karen Cargill, London Philharmonic Orchestra, Lisa Milne & Peter Auty (tenor) | Requiem, Op. 89, B. 165: Quid sum miser | |
| | Alan Opie, Peter Rose, David Parry, Christine Rice, Philharmonia Orchestra, Peter Wedd, Elizabeth Futral & Paul Charles Clarke | Lucia of Lammermoor, Part II. Act I Scene 4: Go, you villain, detested and hated! (Arturo, Enrico, Raimondo, Lucia, Edgardo, Alisa, Chorus) | |
| | Peter Rose, English National Opera Chorus, David Parry, English National Opera Orchestra & Julian Gavin | Ernani, Part II: Bring your horses and fetch all your weapons (Ernani, Silva, Silva's men) | |
| | Peter Rose, David Parry, Rosalind Plowright, Philharmonia Orchestra, Dennis O'Neill, Jane Eaglen & Alfred Boe | Aida, Act I Scene 1: Grave is the cause (The Pharaoh, Messenger, Aida, Radames, Amneris) | |
| | Toby Spence, Peter Rose, Houston Symphony Orchestra, Andrés Orozco-Estrada & Houston Symphony Chorus | The Creation, Hob. XXI:2, Pt. 1: No. 1, Die Vorstellung des Chaos | |
| | Stephen Gadd, Peter Rose, David Lloyd-Jones, BBC National Orchestra of Wales, Peter Wedd & Geraldine McGreevy | Ivanhoe, Act I Scene 3: Isaac, my Jew, my purse of Gold (Prince John, Cedric, de Bracy, Rebecca) | |
| | Kurt Masur, New York Choral Artists, The American Boychoir, New York Philharmonic, Christine Brewer, Florence Quivar, Anthony Rolfe Johnson, Peter Rose & Glenn Dicterow | Missa solemnis in D Major, Op. 123: V. Agnus Dei. Adagio. Presto | |
| | Neeme Järvi, London Philharmonic Orchestra, Peter Rose, Peter Auty (tenor), Karen Cargill, Neville Creed, Lisa Milne & London Philharmonic Choir | Requiem, Op. 89, B. 165: Tuba mirum | |
| | Peter Rose, John Storgårds & BBC Philharmonic | Symphony No. 14 in G Minor, Op. 135: IX. O Delvig, Delvig! | |
| | Neeme Järvi, Lisa Milne, Neville Creed, Peter Auty (tenor), Karen Cargill, Peter Rose, London Philharmonic Choir & London Philharmonic Orchestra | Requiem, Op. 89, B. 165: Pie Jesu | |
| | Peter Rose, Houston Symphony Orchestra & Andrés Orozco-Estrada | The Creation, Hob. XXI:2, Pt. 2: No. 25, Und Gott sah jedes Ding | |
| | Alan Opie, Peter Rose, David Parry, Christine Rice, Philharmonia Orchestra, Peter Wedd, Elizabeth Futral & Paul Charles Clarke | Lucia of Lammermoor, Part II. Act I Scene 4: What restrains me at such a moment? (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo) | |
| | Alan Opie, Peter Rose, David Parry, Philharmonia Orchestra & Stephen Chaundy | Lucia of Lammermoor, Part I Scene 2: You seem unhappy (Normanno, Enrico, Raimondo) | |
