| | Harry Christophers, Ian Partridge & The Sixteen | O Come Let Us Sing Unto the Lord, HWV 253, "Chandos Anthem No. 8": Tell It Out Among the Heathen … (Tenor, Chorus) | |
| | Harry Christophers, Ian Partridge & The Sixteen | O Come Let Us Sing Unto the Lord, HWV 253, "Chandos Anthem No. 8": O Come, Let Us Worship and Fall Down … (Tenor) | |
| | Harry Christophers, Ian Partridge & The Sixteen | O Come Let Us Sing Unto the Lord, HWV 253, "Chandos Anthem No. 8": For Look, As High As the Heaven … (Tenor) | |
| | Dame Janet Baker, Elly Ameling, Academy of St Martin in the Fields, The Choir of King's College, Cambridge, Ian Partridge, John Shirley-Quirk & Sir David Willcocks | Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part II: Chorale: Jesu bleibet meine Freude (Jesu, joy of man's desiring) (choir) | |
| | Harry Christophers, Ian Partridge & The Sixteen | The Lord Is My Light, HWV 255, "Chandos Anthem No. 10": One Thing Have I Desired of the Lord … (Tenor) | |
| | Harry Christophers, Ian Partridge & The Sixteen | My Song Shall Be Alway, BWV 252, "Chandos Anthem No. 7": For Who Is He Among the Clouds … (Tenor) | |
| | Elly Ameling, Dame Janet Baker, Ian Partridge, John Shirley-Quirk, The Choir of King's College, Cambridge, Academy of St Martin in the Fields & Sir David Willcocks | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147: Jesus bleibet meine Freude (choir) | |
| | Pro Cantione Antiqua, Charles Brett, Timothy Penrose, Kevin Smith, James Griffett, Michael George, Christopher Keyte, Ian Partridge, Nancy Long, Stephen Roberts & Suzanne Flowers | Music for Easter Sunday: Magnificat Super Aurora Lucis Rutilat | |
| | Harry Christophers, Ian Partridge & The Sixteen | The Lord Is My Light, HWV 255, "Chandos Anthem No. 10": The Lord Is My Strength and My Shield … (Tenor) | |
| | Harry Christophers, Ian Partridge & The Sixteen | The Lord Is My Light, HWV 255, "Chandos Anthem No. 10": The Lord Is My Light and My Salvation … (Tenor) | |
| | Harry Christophers, Ian Partridge & The Sixteen | O Praise the Lord With 1 Consent, HWV 254, "Chandos Anthem No. 9": For This Our Truest Int'rest Is … (Tenor) | |
| | Harry Christophers, Ian Partridge & The Sixteen | O Sing Unto the Lord, HWV 249b, "Chandos Anthem No. 4": The Waves of the Sea Rage Horribly … (Tenor) | |
| | Ian Partridge & Jennifer Partridge | It Was a Lover and His Lass, Op. 23 | |
| | Ian Partridge | Severn meadow | |
| | Patrizia Kwella, Carolyn Watkinson, Ian Partridge, Academy of Ancient Music & Christopher Hogwood | La Resurrezione, HWV 47, Pt. 1: "Quando è parto dell'affetto" | |
| | Clifford Benson & Ian Partridge | To Joy, Op. 13b No. 5 | |
| | Chameleon Arts Wind Quintet & Ian Partridge | A Catch for Wind Instruments, Op. 49: XXII. The Salmon | |
| | Ian Partridge, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 1: XVII. Air. Thy Father! Away, I Renounce the Soft Claim (Artabanes) | |
| | Ian Partridge & Richard Burnett | Winterreise, D. 911: No. 14, Der greise Kopf | |
| | Ian Partridge & Julius Drake | Myrthen, Op. 25: No. 2, Freisinn | |
| | Ian Partridge & Jennifer Partridge | Away to Twiver, the Poem from the Famous History of Friar Bacon | |
| | Ian Partridge & Jennifer Partridge | Three Songs, Op. 15: Song of Shadows | |
| | Ian Partridge & Richard Burnett | 8 Lieder, Op. 52: No. 4, Mailied in E-Flat Major | |
| | Ian Partridge, Pro Cantione Antiqua, Christopher Wilson & William Hunt | First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail | |
| | Harry Christophers, Sixteen Orchestra & Ian Partridge | Chandos Anthem No. 7, HWV 252, "My song shall be alway": For who is he among the clouds that shall be compared unto the Lord? (Tenor) | |
| | Ian Partridge, Stephen Varcoe, London Handel Orchestra, Charles Brett, Denys Darlow & Gillian Fisher | The Triumph of Time and Truth, HWV 71, Act I: No. 10, Recit. Our Different Powers We'll Try (Pleasure, Beauty, Time, Counsel) | |
| | Franklyn Whiteley, Sarah Walker, Stephen Varcoe, Robert Tear, Paul Taylor, Neville Taweel, Pauline Stevens, John Shirley-Quirk, Royal Philharmonic Orchestra, Doreen Price, Ian Partridge, Felicity Palmer, John Noble, Corin Manley, Noel Mangin, Benjamin Luxon, Martyn Hill, Elizabeth Harwood, Bryn Evans, Wendy Eathorne, Meredith Davies, John Huw Davies, Mavis Beattie, Robert Bateman, Elaine Barry, John Alldis Choir & John Alldis | A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: The twilight closes round the garden (Sali, Vrenchen, The Dark Fiddler) | |
| | Ian Partridge & Richard Burnett | Der Wachtelschlag, WoO 129 | |
| | Ian Partridge, Eric Stannard, Heinrich Schütz Choir, Philip Jones Brass Ensemble, Keith Harvey, William Waterhouse, Rodney Slatford, Charles Spinks & Sir Roger Norrington | Historia der Geburt Jesu Christi, SWV 435 (1664): Da berief Herodes die Weisen | |
| | Ian Partridge | Der Jüngling auf dem Hügel, D.702 | |
| | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, Choir of St John’s College, Cambridge & George Guest | Mass in B-Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 (Ed. Landon, Füssl & Landon): 3. Credo | |
| | Stephen Roberts, Sir Philip Ledger, Charles Brett, Academy of St Martin in the Fields & Ian Partridge | Te Deum, H. 146: Te per orbem terrarum | |
| | Ian Partridge & Jakob Lindberg | Awake, Sweet Love, Thou Art Returned | |
| | Chameleon Arts Wind Quintet & Ian Partridge | A Catch for Wind Instruments, Op. 49: IV. The Minnow or Penk | |
| | Geoffrey Bush, Ian Partridge & Teresa Cahill | A Little Love Music: I. Hide, Absalom, thy guilty tresses clear | |
| | Die Regensburger Domspatzen, Ian Partridge, John Elwes, Hamburger Bläserkreis für alte Musik & Hanns-Martin Schneidt | Vespro della Beata Vergine, SV 206: IV. Laudate pueri | |
| | Harry Christophers, Sixteen Orchestra & Ian Partridge | Chandos Anthem No. 10, HWV 255, "The Lord is my Light": One thing have I desired in the Lord (Tenor) | |
| | Dame Felicity Lott, Eiddwen Harrhy, Thomas Trotter, Marilyn Sansom, Academy of St Martin in the Fields, The Choir of King's College, Cambridge, Sir Philip Ledger, Charles Brett & Ian Partridge | Te Deum H146 (1989 Remastered Version): Aeterna fac cum sanctis | |
| | Ian Partridge & Len Vorster | 3 Songs: No. 1, The Rio Grande | |
| | Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard | La giovinetta pianta - Madrigali a 5 voci (Book III) | |
| | Ian Partridge & Jennifer Partridge | Northumberland | |
| | Ian Partridge, Pro Cantione Antiqua, Christopher Wilson & William Hunt | First Book of Ayres Contayning Divine and Morall Songs: No. 11, Never Weather-Beaten Sail | |
| | Ian Partridge, Christopher Keyte, Purcell Consort of Voices, Choristers Of All Saints & Grayston Burgess | The Passion according to St. Matthew: Et ecce unus ex his, qui erant cum Jesu, extendens manum | |
| | Ian Partridge & Julius Drake | Lieder und Gesänge, Vol. I, Op. 27: II. Dem roten Röslein gleicht mein Lieb | |
| | Ian Partridge & Jennifer Partridge | Sweet and Twenty | |
| | Ian Partridge & Jennifer Partridge | Rest Sweet Nymphs | |
| | Ian Partridge, Edmond Leloir, Orchestre de la Suisse Romande & Ernest Ansermet | Herr, gehe nicht ins Gericht mit deinem Knecht, Cantata BWV 105: 5. "Kann ich nur Jesum mir zum Freunde machen" | |
| | Jennifer Partridge & Ian Partridge | Yet will I love her | |
| | Beryl Korman, David Cambell, Ian Partridge, Jennifer Partridge & Stephen Roberts | The Rose and the Nightingale, Op. 2, No. 2 | |
| | Harry Christophers, Ian Partridge & The Sixteen | I Will Magnify Thee, O God, HWV 250a, "Chandos Anthem No. 5A": Ev'ry Day Will I Give Thanks Unto Thee … (Tenor) | |
