| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part II: 44. Chorus "Hallelujah" | |
| | Freiburger Barockorchester & René Jacobs | Don Giovanni, Ouvertura | |
| | Petra Müllejans, Philippe Jaroussky, Ann-Kathrin Brüggemann & Freiburger Barockorchester | Cantata No. 82, "Ich habe genug", BWV 82: I. "Ich habe genug" | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 12. Chorus "For Unto Us a Child Is Born" | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Radamisto (1720): Aria Ombra cara di mia sposa (II, 2) | |
| | Lorenzo Coppola, Gottfried von der Goltz & Freiburger Barockorchester | Clarinet Concerto, K. 622: II. Adagio | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part III: 53. Chorus "Worthy Is the Lamb That Was Slain" - 54. Chorus "Amen" | |
| | Petra Müllejans, Philippe Jaroussky, Ann-Kathrin Brüggemann & Freiburger Barockorchester | Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170: I. "Vergnügte Ruh, beliebte Seelenlust " | |
| | Bejun Mehta, Freiburger Barockorchester, René Jacobs & Rosemary Joshua | Sosarme (1732): Duetto Per le porte del tormento (II, 8) | |
| | Freiburger Barockorchester, Gottfried von der Goltz, Anne Katharina Schreiber & Petra Müllejans | Concerto for Three Violins in D Major, BWV 1064R: I. (Allegro) | |
| | René Jacobs, Freiburger Barockorchester & RIAS Kammerchor | Idomeneo, K. 366: Atto II, Sc.6. No.15 Coro ""Placido È Il Mar | |
| | Sandrine Piau, Freiburger Barockorchester & Gottfried von der Goltz | Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | |
| | Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, René Jacobs & RIAS Kammerchor | Don Giovanni, Atto Secondo. Scena 15. Il Commendatore, Don Giovanni, Leporello, Coro "Don Giovanni, a Cenar Teco" | |
| | Andreas Staier, Gottfried von der Goltz & Freiburger Barockorchester | Piano Concerto No. 27, K. 595: III. Allegro | |
| | Andreas Staier, Gottfried von der Goltz & Freiburger Barockorchester | Piano Concerto No. 27, K. 595: II. Larghetto | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part III: 47. Accompagnato (bass) "Behold, I Tell You a Mystery" - 48. Air (bass) "The Trumpet Shall Sound" | |
| | Freiburger Barockorchester, Gottfried von der Goltz & Petra Müllejans | Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | |
| | René Jacobs, Freiburger Barockorchester & RIAS Kammerchor | Idomeneo, K. 366: Atto I, Sc.3. No.3 Coro ""Godiam la Pace | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621: Ouverture | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 1. "Sinfony" | |
| | Andreas Staier, Gottfried von der Goltz & Freiburger Barockorchester | Concerto for Piano and Strings in G Major, Hob. XVIII:4: III. Finale. Rondo Presto | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Amadigi di Gaula (1715): Aria Sento la gioia (III, 6) | |
| | Andreas Staier, Freiburger Barockorchester & Gottfried von der Goltz | Concerto for Piano and Orchestra in D Major, Hob.XVIII:11. II. un Poco Adagio | |
| | Freiburger Barockorchester & Gottfried von der Goltz | Concerto XI a Quattro en Ut Mineur: I. Largo | |
| | Petra Müllejans, Gottfried von der Goltz, Anne Katharina Schreiber & Freiburger Barockorchester | Concerto for Three Violins in D Major, BWV 1064R: III. Allegro | |
| | Freiburger Barockorchester & Gottfried von der Goltz | Violin Concerto in E Major, BWV 1042: I. Allegro | |
| | Freiburger Barockorchester, Gottfried von der Goltz & Petra Müllejans | Suite No. 3 in D Major, BWV 1068: II. Air | |
| | Lorenzo Coppola, Gottfried von der Goltz & Freiburger Barockorchester | Clarinet Concerto, K. 622: III. Allegro | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 19. Recitative (alto) "Then Shall the Eyes of the Blind Be Opened" - 20. Air (alto & Countertenor) "He Shall Feed His Flock" | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 2. Accompagnato (tenor) "Comfort Ye, My People, Saith Your God" | |
| | Isabelle Faust, Freiburger Barockorchester & Pablo Heras-Casado | Violin Concerto in D Minor, WoO 2: II. Langsam | |
| | Freiburger Barockorchester & René Jacobs | Idomeneo, K. 366: Ouverture. Allegro | |
| | Bernarda Fink, Petra Müllejans & Freiburger Barockorchester | Vergnügte Ruh, Beliebte Seelenlust, BWV 170: I. Aria "Vergnügte Ruh! Beliebte Seelenlust!" | |
| | Freiburger Barockorchester, Johannes Weisser, René Jacobs & Sunhae Im | Don Giovanni, Atto Primo. Scena 9. Duettino Don Giovanni, Zerlina "Là Ci Darem la Mano" | |
| | Freiburger Barockorchester & René Jacobs | Die Jahreszeiten, XXI:3, Der Frühling : "Schon Eilet Froh Der Ackersmann" | |
| | René Jacobs, Freiburger Barockorchester & RIAS Kammerchor | Orfeo ed Euridice, Act III, Scene 1, Orfeo: Che farò senza Euridice? " | |
| | Freiburger Barockorchester, Gottfried von der Goltz & Petra Müllejans | Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | |
| | Freiburger Barockorchester & Petra Müllejans | Violin Concerto in A Minor, BWV 1041: I. (Allegro) | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Agrippina (1709): Aria Voi, che udite il mio lamento (II, 5) | |
| | Bernarda Fink, Petra Müllejans & Freiburger Barockorchester | Gott Soll Allein Mein Herze Haben, BWV 169: I. Sinfonia | |
| | Alexandrina Pendatchanska, Freiburger Barockorchester, Johannes Weisser, Kenneth Tarver, Lorenzo Regazzo, Nikolay Borchev, Olga Pasichnyk, René Jacobs & Sunhae Im | Don Giovanni, Atto Primo. Scena 20. Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio "Riposate, Vezzose Ragazze" | |
| | Freiburger Barockorchester, Lorenzo Regazzo & René Jacobs | Don Giovanni, Atto Primo. Scena 5. Aria Leporello "Madamina, Il Catalogo È Questo" | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621, Act II: No.15 Coro "Ah Grazie Si Rendano" | |
| | Andreas Staier, Freiburger Barockorchester & Gottfried von der Goltz | Concerto for Piano and Orchestra in D Major, Hob.XVIII:11. I. Vivace | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part III: 51. Chorus "But Thanks Be to God Who Giveth Us the Victory" | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 7. Chorus "And He Shall Purify the Sons of Levi" | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 4. Chorus "And the Glory of the Lord Shall Be Revealed" | |
| | Freiburger Barockorchester & Gottfried von der Goltz | Concerto II a Quattro en Ut Mineur: III. Largo | |
| | Freiburger Barockorchester, Petra Müllejans, Anne Katharina Schreiber & Gottfried von der Goltz | Concerto for Three Violins in D Major, BWV 1064R: II. Adagio | |
| | Bernarda Fink, Freiburger Barockorchester & Petra Müllejans | Cantate for Solo Alto BWV 170 - Aria: Vergnügte Ruh! Beliebte Seelenlust | |
