| | Regina Resnik, American Opera Society Chorus, American Opera Society Orchestra, Eleanor Steber & Robert Lawrence | Les Troyens: Nuit D'ivresse Et D'extase Infinie! | |
| | Regina Resnik, American Opera Society Chorus, American Opera Society Orchestra, Eleanor Steber & Robert Lawrence | Les Troyens: Ah! Ah! Je Vais Mourir | |
| | Dimitri Mitropoulos, The Metropolitan Opera Orchestra, Eleanor Steber, George Cehanovsky, Nicolai Gedda, Rosalind Elias, Giorgio Tozzi & Regina Resnik | Vanessa, Op. 32: Act III: I should never have been a doctor (Doctor) | |
| | Astrid Varnay, Ramon Vinay, Regina Resnik, Josef Greindl, Brünnhild Friedland, Bruni Falcon, Lise Sorrell, Maria von Ilosvay, Lieselotte Thomamüller, Gisela Litz, Sibylla Plate, Erika Schubert, Bayreuther Festspielorchester, Clemens Krauss, Hans Hotter & Ira Malaniuk | Die Walküre, WWV 86b, Act I: Prelude (Live) | |
| | Regina Resnik, American Opera Society Chorus, American Opera Society Orchestra, Eleanor Steber & Robert Lawrence | Les Troyens: Nous Avons Vu Finir Sept Ans a Peine | |
| | Birgit Nilsson, Regina Resnik, Wiener Philharmoniker & Sir Georg Solti | Elektra, Op. 58, TrV 223: "Was bluten muß? Dein eigenes Genick" | |
| | Cloe Elmo, Leonard Warren, Regina Resnik, Giuseppe Valdengo, Licia Albanese, Martha Lipton, Leslie Chabay, Fritz Reiner & The Metropolitan Opera Orchestra | Falstaff, Act III: Reverenza | |
| | Giuseppe Valdengo, Regina Resnik, Martha Lipton, Giuseppe di Stefano, Licia Albanese, Leslie Chabay, Cloe Elmo, Fritz Reiner & The Metropolitan Opera Orchestra | Falstaff, Act III: Brava! Quelle corna saranno la mia gioia! | |
| | Jerome Hines, Regina Resnik, David Thaw, Marga Hoffgen, Bayreuther Festspielorchester & Rudolf Kempe | Das Rheingold, WWV 86A, Scene 4: Weiche, Wotan, weiche! (Live) | |
| | Regina Resnik, Eleanor Steber, American Opera Society Chorus, American Opera Society Orchestra & Robert Lawrence | Les Troyens: Ha! Après Dix Ans | |
| | Regina Resnik, Sammes Chorus, Ian Wallace & The Mantovani Orchestra | Kismet: Not Since Ninevah | |
| | Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, The Metropolitan Opera Chorus, Regina Resnik, Licia Albenese, Lorenzo Alvarez, Martha Lipton, Cloe Elmo, Fritz Reiner & The Metropolitan Opera | Falstaff: Act I: Sei polli: sei scellini (Falstaff) | |
| | Hilde Gueden, Waldemar Kmentt, Erika Koth, Walter Berry, Eberhard Wächter, Regina Resnik, Peter Klein, Erich Kunz, Wiener Philharmoniker & Herbert von Karajan | Die Fledermaus, Act II: O welch‘ allerliebstes Damenuhr | |
| | Hilde Güden, Regina Resnik, Waldemar Kmentt, Hedwig Schubert, Walter Berry, Wiener Staatsopernchor, Wiener Philharmoniker & Herbert von Karajan | Die Fledermaus, Act II: No. 10, Csárdás. Klänge der Heimat – Dialogue | |
| | Eleanor Steber, Giorgio Tozzi, Nicolai Gedda, Rosalind Elias, Regina Resnik, The Metropolitan Opera Orchestra, The Metropolitan Opera & Dimitri Mitropoulos | Vanessa: Act II: "Under the Willow Tree..." | |
| | Regina Resnik, Sir Edward Downes & Orchestra of the Royal Opera House, Covent Garden | Samson et Dalila, Op. 47, R. 288: Mon coeur s'ouvre à ta voix | |
| | Ramon Vinay, Josef Greindl, Regina Resnik, Bayreuth Festival Choir and Orchestra & Clemens Krauss | Die Walküre : Act III | |
| | Jan Peerce, The RCA Victor Orchestra, James Melton, Paula Lenchner, Patrice Munsel, Regina Resnik, Hugh Thompson, Fritz Reiner, Robert Shaw Chorale, Risë Stevens, Johnny Silver & Robert Merrill | Die Fledermaus (Sung in English): Act II: Duet: How he prances and romances (Rosalinda, Eisenstein) | |
| | Ramon Vinay, Regina Resnik, Bayreuther Festspiele & Clemens Krauss | Die Walküre, WWV 86B, Act I: Einen Unseligen labtest du | |
| | Audrey Schuh, Inge Borkh, Knud Anderson, New Orleans Opera & Regina Resnik | Elektra: Allein! Weh, Ganz Allein | |
| | Audrey Schuh, Inge Borkh, Knud Anderson, New Orleans Opera & Regina Resnik | Elektra: Ich Habe Keine Guten Nachte | |
| | Jan Peerce, Risë Stevens, Patrice Munsel, Robert Merrill, Hugh Thompson, Paula Lenchner, Johnny Silver, James Melton, Robert Shaw Chorale, Fritz Reiner, The RCA Victor Orchestra & Regina Resnik | Die Fledermaus (Sung in English): Act III: Couplet: Ever since I was a baby (Adele, Ida, Frank) | |
| | Johnny Silver, Jan Peerce, The RCA Victor Orchestra, Patrice Munsel, Regina Resnik, James Melton, Paula Lenchner, Fritz Reiner, Risë Stevens, Robert Merrill, Robert Shaw Chorale & Hugh Thompson | Die Fledermaus (Sung in English): Act II: Czardas: Voice of my homeland (Rosalinda) | |
| | Sir Georg Solti, Wiener Philharmoniker, Birgit Nilsson & Regina Resnik | Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" | |
| | Leonard Bernstein, Wiener Philharmoniker, Graziella Sciutti, Gerhard Stolze, Murray Dickie, Erich Kunz, Ilva Ligabue, Juan Oncina, Hilde Rössel-Majdan, Rolando Panerai & Regina Resnik | Falstaff, Act I Scene 2: In due parole - L'enorme Falstaff | |
| | Roberta Peters, Regina Resnik, Erich Leinsdorf & The Metropolitan Opera Orchestra | Le Nozze di Figaro: Tutto ancor non ho perso | |
| | Regina Resnik, Sir Edward Downes & Orchestra of the Royal Opera House, Covent Garden | Carmen: "Les tringles des sistres tintaient" | |
| | Regina Resnik, Pierre Monteux, London Symphony Orchestra & London Symphony Chorus | Roméo et Juliette, Op. 17 / Pt. 1: Strophes 1 & 2: "Premiers transports""Heureux enfants" | |
| | Victoria de los Ángeles, Regina Resnik, Theodor Uppman, The Metropolitan Opera Orchestra, The Metropolitan Opera & Jean Morel | Pelléas et Mélisande, L. 88, Act I, Scene 3: "Il fait sombre dans les jardins." (Mélisande, Geneviève, Pelléas, Chœur) | |
| | Richard Woitach & Regina Resnik | Das Irdische Leben (The Earthly Life) | |
| | Bayreuther Festspielorchester, Clemens Krauss & Regina Resnik | Der Ring des Nibelungen: Die Walküre: "Du bist der Lenz, nach dem ich verlangte" | |
| | Dimitri Mitropoulos, Rosalind Elias, Regina Resnik, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Kurt Herbert Adler | Vanessa; Act 4: Grandmother! - Yes, Erika | |
| | Sir Georg Solti, Wiener Philharmoniker, Birgit Nilsson & Regina Resnik | Elektra, Op. 58: "Was bluten muß? Dein eigenes Genick" | |
| | Georgette Spanellys, Thomas Schippers, Orchestre de la Suisse Romande, Yvonne Minton, Regina Resnik, Mario del Monaco, Jean Prudent & Alfred Hallett | Carmen: "Écoute, Compagnon, Écoute!" | |
| | Regina Resnik, Mario del Monaco, Orchestre de la Suisse Romande & Thomas Schippers | Turandot: "Près des remparts de Séville" - "Tais-toi" | |
| | Regina Resnik, American Opera Society Chorus, American Opera Society Orchestra, Eleanor Steber & Robert Lawrence | Les Troyens: Du Peuple Et Des Soldats, Ô Roi! | |
| | Eberhard Wächter, Regina Resnik, Waldemar Kmentt, Erika Köth, Hedwig Schubert, Walter Berry, Wiener Philharmoniker & Herbert von Karajan | Die Fledermaus, Act II: No. 7, Couplet. Ich lade gern mir Gäste ein – Dialogue | |
| | Regina Resnik, Sir Georg Solti, Wiener Philharmoniker & Birgit Nilsson | Tristan und Isolde, WWV 90, Act 1: "Kennst du der Mutter Künste nicht?" | |
| | Regina Resnik, Ramon Vinay, Bayreuther Festspiele & Clemens Krauss | Die Walküre, WWV 86B, Act I: Schläfst du, Gast? | |
| | Eleanor Steber, Giorgio Tozzi, Nicolai Gedda, Rosalind Elias, Regina Resnik, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Dimitri Mitropoulos | Vanessa: Act III: "Here You Are!" | |
| | Regina Resnik, Sir Edward Downes & Orchestra of the Royal Opera House, Covent Garden | Carmen: E l'amore uno strano angelo (Habañera) | |
| | Jerome Hines, Astrid Varnay, Regina Resnik, Bayreuther Festspielorchester & Rudolf Kempe | Die Walküre, WWV 86B, Act II: Was verlangst du? (Live) | |
| | Regina Resnik, Mstislav Rostropovich & Orchestre National de France | Pique Dame: "Akh, postyl mne etot svet!" | |
| | Richard Woitach & Regina Resnik | Hansel and Gretel | |
| | Bayreuther Festspielorchester, Clemens Krauss, Ramon Vinay & Regina Resnik | Der Ring des Nibelungen: Die Walküre: "Siegmund heiß ich, und Siegmund bin ich" | |
| | Regina Resnik, American Opera Society Chorus, American Opera Society Orchestra, Eleanor Steber & Robert Lawrence | Les Troyens: Que la Déesse Nous Protège | |
| | Richard Woitach & Regina Resnik | Sred' Shumnovo Bala (At the Ball) Op. 38, No. 3 | |
| | Regina Resnik, The Ambrosian Singers, National Philharmonic Orchestra & Richard Bonynge | The Merry Widow, Act II: Cancan: We're the famous Maxime playgirls | |
| | Galina Vishnevskaya, Regina Resnik, Peter Gougaloff, Orchestre National de France & Mstislav Rostropovich | Pique Dame, Op. 68, TH. 10, Act I: "Liza, otvori!" | |
| | Giorgio Tozzi, Hilde Gueden, Regina Resnik, Lisa Della Casa, The Metropolitan Opera Orchestra & Erich Leinsdorf | Le nozze di Figaro, K. 492, Act IV: Tutto è disposto - Aprite un po' quegl'occhi (Live) | |
