| | David Thomas, Janice Knight, Nigel Kennedy, English Chamber Orchestra & Harold Lester | Sinfonia (The Arrival of the Queen of Sheba) | |
| | Dame Emma Kirkby, David Thomas & Anthony Rooley | Lost Is My Quiet for Ever, Z. 502 | |
| | Dame Emma Kirkby, David Thomas, Academy of Ancient Music & Christopher Hogwood | Cantata, BWV 212 "Peasant Cantata": 20-21: Dein Wachstum sei feste | |
| | Concerto Vocale, René Jacobs, David Thomas, Martyn Hill, Guy De Mey, Christoph Prégardien & Bernarda Fink | Il ritorno d'Ulisse in patria, Act IV, Scene 2: "Sempre, villano Eumete" (Antinoo) | |
| | Judith Nelson, Shirley Minty, Rogers Covey-Crump, David Thomas, Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music & Simon Preston | Mass in G, "Missa Sancti Nicolai", Hob.XXII:6: 6. Agnus Dei | |
| | Masaaki Suzuki, David Thomas & Bach Collegium Japan | The Messiah, HWV 56, Pt. 1: No. 11, The People That Walked In Darkness (Bass) | |
| | Patrizia Kwella, Margaret Cable, David Thomas, Academy of Ancient Music & Christopher Hogwood | Comus, HWV 44: Chorus 2: Happy, Happy, Happy Plains | |
| | The Parley of Instruments & David Thomas | Ayres In the Comedy of 'The Funeral’: Overture | |
| | Dame Emma Kirkby, David Thomas, Academy of Ancient Music & Christopher Hogwood | Cantata, BWV 212 "Peasant Cantata": 12-13. Fünfzig Taler bares Geld | |
| | Hanover Band, Nicholas McGegan & David Thomas | Serse - Act 1: Arietta: Signor, Lasciate Far a Me | |
| | Christopher Hogwood, Academy of Ancient Music, Dame Emma Kirkby, Rogers Covey-Crump & David Thomas | "Coffee Cantata" BWV 211: Schweigt stille, plaudert nicht.Hat man nicht mit seinen Kindern | |
| | David Thomas & P.O. Jørgens | Mckissacks Blues | |
| | Hanover Band, Nicholas McGegan & David Thomas | Serse, HWV 40, Act I: Signor, signor, lasciate far a me | |
| | Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan & Masaaki Suzuki | Messiah, HWV 56, Pt. 1: Accompanied Recitative. And suddenly there was with the angel (Soprano) | |
| | Studio Chorus, Cappella Coloniensis, Eva Csapó, David Thomas, Hans-Martin Linde, Hein Meens, Paul Elliott, Michael Schopper & Jean Nirouet | Geschwinde, ihr wirbelnden Winde, BWV 201: Recitative: Wie, Midas, bist du toll (Alto, Tenor, Bass) | |
| | Dame Emma Kirkby, David Thomas, Academy of Ancient Music & Christopher Hogwood | La Resurrezione, HWV 47, Pt. 1: "D'amor fu consiglio" | |
| | David Thomas, John Eliot Gardiner, Ashley Stafford, Brian Gordon & English Baroque Soloists | Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Trio. "With That Sublime Celestial Lay" | |
| | David Thomas, Christopher Hogwood, Taverner Choir & Academy of Ancient Music | The Libertine, or the Force of Love, Z. 600: Prepare, Prepare, New Guests Draw Near | |
| | David Thomas, Andrew Parrott & Taverner Players | Messiah, HWV 56, Pt. 2, Scene 6: Aria. "Why Do the Nations" | |
| | Monastery Baroque Orchestra, Maulbronn Chamber Choir, Jurgen Budday, Sinead Pratschke, Michael Chance, Raimund Nolte, David Thomas & Mark le Brocq | Samson, HWV 57, Act III: With Might Endu'd - The Holy One Of Israel (Air) - To Fame Immortal Go (Chorus Of Israelites) | |
| | David Thomas, John Eliot Gardiner & Monteverdi Orchestra | The Tempest, Z.631/10, Act 2: "Arise, ye subterranean winds" (First Devil) | |
| | Dame Emma Kirkby, Christopher Hogwood, Academy of Ancient Music & David Thomas | Epsom Wells, Z. 579: Leave These Useless Arts | |
| | David Thomas, The Melbourne Symphony Orchestra & Arvo Volmer | Clarinet Concerto: II. Magic Distance | |
| | David Thomas, Taverner Players, Taverner Consort, Taverner Choir, Nigel Rogers, Andrew Parrott, Dame Emma Kirkby & Roger Covey-Crump | Vespro della beata Vergine (1610): Versus et responsorium (Canto gregoriano) - Ora pro nobis | |
| | Masaaki Suzuki, David Thomas & Bach Collegium Japan | The Messiah, HWV 56, Pt. 2: No. 40, Why Do the Nations So Furiously Rage (Bass) | |
| | Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan & Masaaki Suzuki | Messiah, HWV 56, Pt. 1: Accompanied Recitative. Thus saith the Lord (Bass) | |
| | Judith Nelson, Simon Preston, Choir of Christ Church Cathedral, Oxford, Carolyn Watkinson, Academy of Ancient Music, Martyn Hill & David Thomas | Missa in Honorem Beatissimae Virginis Mariae, Hob. XXII:4 "Grosse Orgel": Kyrie | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & David Thomas | Judas Maccabaeus, HWV 63, Act II: The Lord Worketh Wonders | |
| | Masaaki Suzuki, David Thomas & Bach Collegium Japan | The Messiah, HWV 56, Pt. 1: No. 5, Thus Saith the Lord (Bass) | |
| | Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan & Masaaki Suzuki | Messiah, HWV 56, Pt. 2: Aria. How beautiful are the feet of Him (Soprano) | |
| | Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan & Masaaki Suzuki | Messiah, HWV 56, Pt. 2: Arioso. Behold, and see if there be any sorrow (Tenor) | |
| | Dame Emma Kirkby, David Thomas, Anthony Rooley & Trevor Jones | We Yet Agree | |
| | David Thomas, Monteverdi Choir, John Eliot Gardiner, Ashley Stafford, Brian Gordon, English Baroque Soloists & Paul Elliott | Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Final Chorus. "Hail! Bright Cecilia" | |
| | Dame Emma Kirkby, David Thomas, Anthony Rooley & Trevor Jones | Dialogues: Vulcan, O Vulcan, My Love | |
| | Rogers Covey-Crump, Dame Emma Kirkby, Andrew Parrott, Nigel Rogers, Taverner Choir, Taverner Consort, Taverner Players & David Thomas | Vespro della beata Vergine: Concerto - Pulchra es | |
| | Stephen Varcoe, David Thomas, Monteverdi Choir, John Eliot Gardiner, Ashley Stafford, Brian Gordon, English Baroque Soloists, Jennifer Smith & Paul Elliott | Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Chorus. "Hail! Bright Cecilia" | |
| | Dame Emma Kirkby, Christopher Hogwood, Academy of Ancient Music & David Thomas | "Coffee Cantata" BWV 211: Mädchen, die von harten Sinnen | |
| | Masaaki Suzuki, David Thomas & Bach Collegium Japan | The Messiah, HWV 56, Pt. 3: No. 48, The Trumpet Shall Sound (Bass) | |
| | Richard Wistreich, Consort Of Musicke, David Thomas & Anthony Rooley | Seventh Book of Madrigals (1619): Vorrei baciarti, O Filli | |
| | Dame Emma Kirkby, David Thomas, Anthony Rooley & Trevor Jones | Dialogues: Come, My Daphne, Come Away | |
| | Christopher Hogwood, Academy of Ancient Music, Dame Emma Kirkby & David Thomas | "Coffee Cantata" BWV 211: Mädchen, die von harten Sinnen | |
| | Judith Nelson, Christopher Hogwood, Academy of Ancient Music & David Thomas | The Massacre of Paris, Z. 604: Thy Genius, Lo! (2 Settings) | |
| | The Parley of Instruments & David Thomas | Ayres in the Comedy of 'The Funeral’: Jigg | |
| | Consort Of Musicke, Joseph Cornwell, Andrey King, Dame Emma Kirkby, Anthony Rooley, David Thomas, Evelyn Tubb & Richard Wistreich | Piangono al pianger mio le fere | |
| | David Thomas, Anthony Rooley & Dame Emma Kirkby | Come Hither, You That Love (For Beaumont and Fletcher's "The Captain") | |
| | Philharmonia Baroque Orchestra, David Thomas & Nicholas McGegan | Theodora, HWV 68: Act 1. Recit: 'Tis Dioclesian's natal Day | |
| | David Thomas, Elisabeth Priday, Academy of Ancient Music & Christopher Hogwood | Dido and Aeneas, Act 2: Prelude for the Witches - "Wayward Sisters" | |
| | Ashley Stafford, David Thomas, English Baroque Soloists & John Eliot Gardiner | Hail! Bright Cecilia, Z. 328: III. "Hark each tree" (Alto, Bass) | |
| | Rue des orties, Sylvain Guillaumet, Christian Daguet & David Thomas | Mazurka : Le temps qui fuit, le temps qu'il faut | |
| | Masaaki Suzuki, David Thomas & Bach Collegium Japan | The Messiah, HWV 56, Pt. 2: No. 40, Why Do the Nations so Furiously Rage | |
