| | Tasmanian Symphony Orchestra & Sebastian Lang-Lessing | Peer Gynt Suite No. 1, Op. 46: III. Anitras Dans (Anitra’s Dance) | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto in F Major, Op. 28: III. Polonaise. Allegretto vivace | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 2 in C Minor, Op. 74: III. Rondo. Allegro vivo | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 8 in A-Flat Major, Op. 218: III. Polonaise | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Recollections of Ireland, Op. 69: III. Garry Owen: Allegro | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 5 in F Minor, Op. 180: II. Andantino | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 3 in D Minor, Op. 87: II. Andantino sostenuto | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 8 in A-Flat Major, Op. 218: II. Andantino | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 1 in A Major, Op. 34: II. Larghetto | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Recollections of Ireland, Op. 69: IV. St Patrick's Day | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Recollections of Ireland, Op. 69: II. The Groves of Blarney: Andante sostenuto espressivo | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 4 in E Major, Op. 64: III. Rondo: Allegretto – Tempo di marcia | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 2 in E Minor, Op. 85: II. La tranquillité: Adagio non troppo | |
| | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra & Ola Rudner | Don Giovanni, K. 527, Act 1: "Madamina! Il catalogo è questo" (Catalogue Aria) | |
| | Kate Miller-Heidke & Tasmanian Symphony Orchestra | The Healing Tree | |
| | Tasmanian Symphony Orchestra & Nicolette Fraillon | Giselle, Act II: No. 12, Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 2 in D Minor: II. Andante | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Rondo brillant in B-Flat Major, Op. 233: I. Introduzione. Adagio | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto in A Minor, Op. 214: II. Adagio con moto | |
| | David Hobson, Tasmanian Symphony Orchestra & Marco Guidarini | L'elisir d'amore, Act II: "Una furtiva lagrima" | |
| | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra & Sebastian Lang-Lessing | Vier Präludien und ernste Gesänge: II. Ich wandte mich | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 6 in B-Flat Major, "Fantastique", Op. 90: III. Allegro agitato | |
| | Marko Letonja, Emma Matthews & Tasmanian Symphony Orchestra | Die Zauberflöte, K.620, Act II: "Ach, ich fühl's" | |
| | Sebastian Lang-Lessing & Tasmanian Symphony Orchestra | Symphony No.3 in E flat, Op.97 - "Rhenish": 5. Lebhaft | |
| | Tasmanian Symphony Orchestra & Pinchas Steinberg | Holberg Suite, Op. 40: III. Gavotte (Allegretto) | |
| | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra & Ola Rudner | Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja" | |
| | Tasmanian Symphony Orchestra & Sebastian Lang-Lessing | Symphony No. 4 in D Minor, Op. 120: 2. Romanze (Ziemlich langsam) | |
| | Tasmanian Symphony Orchestra & David Stanhope | Christmas Oratorio, BWV 248, Pt. 2: 10. Sinfonia (Arr. W. Gillies Whittaker) | |
| | Pinchas Steinberg & Tasmanian Symphony Orchestra | Holberg Suite, Op. 40: 5. Rigaudon (Allegro con brio) | |
| | Ola Rudner & Tasmanian Symphony Orchestra | Six German Dances, K. 571: Dance No. 3 in C Major | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto No. 3 in D Minor, Op. 87: I. Allegro moderato | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto in A Minor, Op. 214: II. Adagio con moto | |
| | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra & Ola Rudner | Don Giovanni, K. 527, Act II: "Deh, vieni alla finestra" | |
| | Tasmanian Symphony Orchestra & David Porcelijn | Symphony No. 6 in F Major, Op. 68 "Pastoral" 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | |
| | Tasmanian Symphony Orchestra & David Stanhope | Antiche danze ed arie per liuto, Suite 3, P. 172: 1. Italiana | |
| | Tasmanian Symphony Orchestra & Sebastian Lang-Lessing | Symphony No. 8 in B Minor, D. 759, "Unfinished": I. Allegro moderato | |
| | Howard Shelley & Tasmanian Symphony Orchestra | Piano Concerto in A Minor, Op. 7: I. Allegro maestoso – | |
| | Tasmanian Symphony Orchestra & Sebastian Lang-Lessing | The Merry Wives of Windsor: Overture | |
| | Tasmanian Symphony Orchestra & Nicolette Fraillon | Giselle Act III: Grand pas de deux - Variation d'Albert | |
| | Tasmanian Symphony Orchestra & David Stanhope | Romeo and Juliet, Fantasy Overture: Love Theme | |
| | Teddy Tahu Rhodes, Tasmanian Symphony Orchestra & Sebastian Lang-Lessing | Vier Präludien und ernste Gesänge: Prelude to No. 4 (Adagio) | |
| | Tasmanian Symphony Orchestra & David Porcelijn | Speed | |
| | David Stanhope & Tasmanian Symphony Orchestra | Romeo and Juliet, Fantasy Overture - TH.42: Love Theme | |
| | Barbara Jane Gilby, Tasmanian Symphony Orchestra & David Stanhope | Thaïs: Méditation | |
| | David Stanhope, Tasmanian Symphony Orchestra & Barbara Jane Gilby | The Gadfly - Concert Suite Op. 97a: 8. Romance (Arr. By Lev Atovmyan) | |
| | Tasmanian Symphony Orchestra & David Porcelijn | Symphony No. 8 in F Major, Op. 93: 1. Allegro vivace e con brio | |
| | Tasmanian Symphony Orchestra & Ola Rudner | William Tell: Overture (Excerpt) | |
| | Tasmanian Symphony Orchestra & Richard Divall | Iphigénie en Tauride: Overture (excerpt) | |
| | Lisa McCune, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra & Guy Noble | Edelweiss (From "The Sound of Music") [Arr. Michael Hurst] | |
| | Karin Schaupp, Tasmanian Symphony Orchestra & The Melbourne Symphony Orchestra | Concertino for Guitar and Orchestra in A Minor, Op. 72: II. Romanza | |
