| | The English Concert, Trevor Pinnock, Lynne Dawson & The English Concert Choir | Dido and Aeneas: "Shake the Cloud from Off Your Brow" - "Banish Sorrow, Banish Care" | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido and Aeneas, Z. 626, Act III: Dido "When I Am Laid In Earth" | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido & Aeneas, Z. 626, Act III: "When I Am Laid in Earth" (Dido's Lament) | |
| | Dominique Visse, Gerald Finley, John Bowen, Lynne Dawson, Maria Cristina Kiehr, Orchestra of the Age of Enlightenment, René Jacobs, Robin Blaze, Rosemary Joshua, Stephen Wallace & Susan Bickley | Dido and Aeneas, Z. 626, Act III: Chorus "With Dropping Wings Ye Cupids Come" | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido and Aeneas, Z. 626, Act III: Dido "Thy Hand, Belinda" | |
| | Anne Sofie von Otter, John Eliot Gardiner, Lynne Dawson, Monteverdi Choir & Orchestre de l'Opéra de Lyon | Iphigénie en Aulide : Act 3 "Adieu, vivez pour Oreste" [Iphigénie] "Lui, par qui le couteau" [Clytemnestre, Iphigénie] "Non, non, nous ne souffrirons pas" [Chorus] | |
| | Carlo Maria Giulini, Jard van Ness, Keith Lewis, Lynne Dawson, Simon Estes, Philharmonia Orchestra & Philharmonia Chorus | Requiem in D Minor, K. 626: II. Kyrie | |
| | Carlo Maria Giulini, Lynne Dawson, Jard van Nes, Keith Lewis, Simon Estes, Philharmonia Chorus & Philharmonia Orchestra | Requiem in D Minor, K. 626: I. Introitus. Requiem aeternam | |
| | Lynne Dawson, Lautten Compagney & Wolfgang Katschner | Ottone, Re Di Germania (Opera, HWV 15): Affanni del pensier | |
| | John Nelson, Alastair Miles, Orchestre de chambre de Paris, Lynne Dawson, David Daniels, Christine Brandes, Ian Bostridge & The Bach Choir | L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the morn upon the night | |
| | Carlo Maria Giulini, Philharmonia Orchestra, Philharmonia Chorus, Jard van Ness, Keith Lewis, Lynne Dawson & Simon Estes | Requiem in D Minor, K. 626: III. Sequentia - Lacrimosa | |
| | Harry Christophers, Lynne Dawson & The Sixteen | O Sing Unto the Lord, HWV 249b, "Chandos Anthem No. 4": Duet: O Worship the Lord In the Beauty of Holiness … (Soprano, Tenor) | |
| | Lynne Dawson, The Choir of King's College, Cambridge, Brandenburg Consort & Sir Stephen Cleobury | Messiah, HWV 56, Pt. 3: Air "I Know That My Redeemer" | |
| | Malcolm Martineau & Lynne Dawson | As I Lay in the Early Sun, Op. 13b No. 3 | |
| | Malcolm Martineau & Lynne Dawson | Oh Fair to See, Op. 13b No. 2 | |
| | Malcolm Martineau & Lynne Dawson | Seven Elizabethan Lyrics, Op. 12: II. My Life's Delight | |
| | Malcolm Martineau & Lynne Dawson | Seven Elizabethan Lyrics, Op. 12: VII. Fair House of Joy | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido & Aeneas, Z. 626, Act III: "When I Am Laid in Earth" (Dido's Lament) | |
| | Carlo Maria Giulini, Jard van Ness, Keith Lewis, Lynne Dawson, Simon Estes, Philharmonia Orchestra & Philharmonia Chorus | Requiem, K. 626: 6. Lacrimosa | |
| | Julius Drake & Lynne Dawson | 7 Melodies, Op. 2: No. 6. Hebe | |
| | Julius Drake & Lynne Dawson | Banalites: No. 2. Hotel | |
| | Julius Drake & Lynne Dawson | A Chloris | |
| | Harry Christophers, Lynne Dawson & The Sixteen | The Lord Is My Light, HWV 255, "Chandos Anthem No. 10": It Is the Lord the Ruleth the Sea … (Soprano) | |
| | Harry Christophers, Lynne Dawson & The Sixteen | O Sing Unto the Lord, HWV 249b, "Chandos Anthem No. 4": O Sing Unto the Lord a New Song! … (Soprano, Chorus) | |
| | John Eliot Gardiner, Lynne Dawson & Orchestre de l'Opéra de Lyon | Iphigénie en Aulide: Act 3: "Adieu, Conservez Dans Votre Âme" [Iphigénie] | |
| | Lynne Dawson, Hans-Peter Graf, Stephen Varcoe, Chris de Moor, La Grande Écurie et la Chambre du Roy & Jean-Claude Malgoire | Der Messias, K. 572: No. 39, Amen (Handel's Messiah, HWV 56 Arr. by Mozart) | |
| | Lynne Dawson & Lautten Compagney | Ariodante, HWV 33, Act I: Aria: Volate, Amori | |
| | Lynne Dawson | The Vale of Clwyd, WoO 155/19 | |
| | Hans Peter Graf, Lynne Dawson, La Grande Écurie et la Chambre du Roy & Jean-Claude Malgoire | Le Messie, K. 572, Pt. 1: No. 13, Erwach' zu Liedern der Wonne (Aria) [After George Frideric Handel's Messiah, HWV 56] | |
| | Lynne Dawson, Marc Minkowski & Les Musiciens du Louvre | Ariodante HWV 33: "Volate, Amori" | |
| | Lynne Dawson, Lautten Compagney & Wolfgang Katschner | Solomon (Oratorio, HWV 67): Thy Sentence, Great King | |
| | Lynne Dawson, Handel and Haydn Society Chorus, Handel and Haydn Society & Christopher Hogwood | Acis and Galatea, HWV 49, K. 566 (Arr. Mozart as Acis und Galatea) Act II: So ist mein Acis denn dahin.Laß, Galatea. | |
| | Lynne Dawson, Michael Schade, Gerald Finley & Graham Johnson | Kantate zum Geburtstag des Sängers Michael Vogl, D. 666 | |
| | Lynne Dawson, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Jephtha, Act 1: "Say, my dear mother" | |
| | Lynne Dawson & Julius Drake | Das holde Bescheiden, Op. 11: No. 40, Besuch in Urach | |
| | Lynne Dawson & Julius Drake | Old Meg | |
| | Lynne Dawson & Julius Drake | 4 French Chansons, Op. 29: IV. Le petit Couturier (The little Tailor) | |
| | Lynne Dawson, Marc Minkowski & Les Musiciens du Louvre | Hercules, HWV 60: Aria: "Banish love from thy breast" | |
| | La Grande Écurie et la Chambre du Roy, Jean-claude Magloire, Jean-Louis Comoretto, James Bowman & Lynne Dawson | Giulio Cesare in Egitto, HWV 17, Act I, Scene 7: Qui nobile donzella (Recitativo) (Curio, Cesare, Cleopatra) | |
| | Joel Revzen, Minnesota Chorale & The Saint Paul Chamber Orchestra | Die Schöpfung (The Creation), H. 21, No. 2: Recitative (Raphael) | |
| | Lynne Dawson & Lautten Compagney | Joshua, HWV 64, Act III: Air: Oh! Had I Jubal's Lyre | |
| | Lynne Dawson & Julius Drake | Das holde Bescheiden, Op. 11: No. 18, Nur zu! | |
| | Joel Revzen, Minnesota Chorale & The Saint Paul Chamber Orchestra | Die Schöpfung (The Creation), H. 21, No. 2: Aria - Auf Starkem | |
| | Lynne Dawson | To the Blackbird, WoO 155/20 | |
| | Richard Hickox, Linda Finnie, Northern Sinfonia, Ingrid Attrot & Lynne Dawson | Riders to the Sea: I went down to the spring well (Maurya, Nora, Cathleen) | |
| | Lynne Dawson, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Jephtha, Act 2: Symphony - "Hail, glorious conqueror" | |
| | Lynne Dawson, Hans-Peter Graf, Stephen Varcoe, Chris de Moor, La Grande Écurie et la Chambre du Roy & Jean-Claude Malgoire | Der Messias, K. 572: No. 28, Ihr Schall ging aus (Handel's Messiah, HWV 56 Arr. by Mozart) | |
| | Lynne Dawson, Handel and Haydn Society Orchestra & Christopher Hogwood | Ode for Saint Cecilia's Day, HWV76 - Arr. Mozart: Aria: "Leidenschaften stillt und weckt Musik" | |
| | Lynne Dawson, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Jephtha, HWV 70, Act II: "Welcome as the cheerful light" | |
| | The King's Consort, Lynne Dawson & Robert King | Laudate pueri in G Major, RV 601: V. Suscitans a terra | |
