| | Dresden Philharmonic Orchestra | Ritirata Notturna Di Madrid (arr. L. Berio) | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Adagio for Strings and Organ In G Minor | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Symphony No. 7 in A Major, Op. 92: II. Allegretto | |
| | Herbert Kegel, Dresden Philharmonic Orchestra & MDR Leipzig Radio Symphony Orchestra | Gurre-Lieder: Part I: Orchestral Prelude | |
| | Chor der Staatsoper Dresden, Heinz Rögner & Dresden Philharmonic Orchestra | Die Csardasfurstin (The Gypsy Princess), Act II: Tanzwalzer: Erstrahlen Die Lichter | |
| | Dresden Philharmonic Orchestra & Robert Hanell | Orphee Aux Enfers (Orpheus In the Underworld) (Sung In German): Overture | |
| | Ute Selbig, Egbert Junghanns, Dresden Kreuzchor, Dresden Philharmonic Orchestra & Martin Flämig | Vom Himmel hoch, da komm ich her (Chorus) | |
| | Elisabeth Wilke, Martin Flämig, Annette Markert, Ute Selbig, Egbert Junghanns, Michael-Christfried Winkler, Armin Ude, Jutta Zoff, Dresden Kreuzchor & Dresden Philharmonic Orchestra | Oratorio de Noel, Op. 12: Quintet: Consurge, Filia Sion (Soprano, Mezzo-soprano, Contralto, Baritone, Chorus) | |
| | Dresden Philharmonic Orchestra & Jorg-Peter Weigle | 4 Tondichtungen nach Arnold Bocklin, Op. 128: No. 3. Die Toteninsel (The Isle of the Dead) | |
| | Kurt Masur, Dresden Philharmonic Orchestra & Annerose Schmidt | Piano Concerto No. 23 in A major, KV 488: II. Adagio | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Donna Diana: Overture | |
| | Martin Flämig, Dresdner Kreuzchor & Dresden Philharmonic Orchestra | Vom Himmel Hoch | |
| | Heinz Rögner, Dresden Philharmonic Orchestra & Harald Neukirch | Eine Nacht in Venedig (A Night in Venice), Act I: Komm' in Die Gondel, Mein Liebchen | |
| | Arleen Auger, Martin Flämig & Dresden Philharmonic Orchestra | Christmas Oratorio, BWV 248: Christmas Oratorio, BWV 248, Part VI: Aria: Nur Ein Wink Von Seinen Handen | |
| | Walter Hartwich, Dresden Philharmonic Orchestra & Heinz Bongartz | 4 Tondichtungen Nach Arnold Bocklin, Op. 128: No. 1. Der Geigende Eremit (The Fiddling Hermit) | |
| | Siegfried Vogel, MDR Leipzig Radio Choir, Eberhard Büchner, Ingeborg Wenglor, Dresden Philharmonic Orchestra, Martin Ritzmann, Wolfgang Hellmich, Jutta Vulpius, Harald Neukirch & Rudolf Neuhaus | Die Lustige Witwe (The Merry Widow): Act III: Ja, Das Studium Der Weiber Ist Schwer | |
| | Siegfried Vogel, MDR Leipzig Radio Choir, Eberhard Büchner, Ingeborg Wenglor, Dresden Philharmonic Orchestra, Martin Ritzmann, Wolfgang Hellmich, Jutta Vulpius, Harald Neukirch & Rudolf Neuhaus | Die Lustige Witwe (The Merry Widow): Act II: Es Lebe Eine Vilja, Ein Waldmagdelein | |
| | Siegfried Vogel, MDR Leipzig Radio Choir, Eberhard Büchner, Ingeborg Wenglor, Dresden Philharmonic Orchestra, Martin Ritzmann, Wolfgang Hellmich, Jutta Vulpius, Harald Neukirch & Rudolf Neuhaus | Die Lustige Witwe (The Merry Widow): Act I: Damenwahl! Hot Man Rufen Rings Im Saal | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Pulcinella Suite: VI. Gavotta Con Due Variazioni | |
| | Ute Selbig, Martin Flämig, Dresden Kreuzchor, Egbert Junghanns & Dresden Philharmonic Orchestra | Vom Himmel hoch: Finale: Lob, Ehr sei Gott im hochsten Thron (Chorus) | |
| | Wilhelm Kempff, Paul van Kempen & Dresden Philharmonic Orchestra | 1. Allegro | |
| | Heinz Rögner, Siegfried Vogel, MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Elisabeth Ebert, Rosemarie Rönisch, Martin Ritzmann, Harald Neukirch & Hannerose Katterfeld | Eine Nacht in Venedig (A Night in Venice), Act I: Komm' in Die Gondel, Mein Liebchen (Duke, Delacqua, Annina) | |
| | Dresden Philharmonic Orchestra, Bernd Aldenhoff & Walter Stoschek | Rienzi: Rienzi, Act V: Allmacht'ger Vater, "Rienzi's Prayer" | |
| | Heinz Rögner, Dresden Philharmonic Orchestra & Sylvia Geszty | Die Fledermaus: Spiel' ich die Unschuld vom Lande | |
| | Günther Herbig & Dresden Philharmonic Orchestra | Symphony No. 95 In C Minor, Hob.I:95: II. Andante Cantabile | |
| | Dresden Philharmonic Orchestra, Herbert Kegel & Gerty Herzog | Orchestral Variations On a Theme By Paganini, Op. 26: Variation 9 | |
| | Mitsuko Shirai, Marga Schiml, Armin Ude, Hermann Christian Polster, MDR-Rundfunkchor, Dresden Philharmonic Orchestra, Walter Heinz Bernstein & Herbert Kegel | Mass in C Major, K. 262 - "Missa longa": 1. Kyrie | |
| | Heinz Rögner, Siegfried Vogel, MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Elisabeth Ebert, Rosemarie Rönisch, Martin Ritzmann, Harald Neukirch & Hannerose Katterfeld | Eine Nacht in Venedig (A Night in Venice), Act I: Oho! … Seht, O Seht! … Frutti Di Mare! (Annina, Chorus) | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Friederike Apelt, Wolfgang Hellmich, Gudrun Fischer & Robert Hanell | Orphee Aux Enfers (Orpheus In the Underworld) (Sung In German): Um Die Alkmene Zu Verfuhren | |
| | Herbert Kegel & Dresden Philharmonic Orchestra | Pittsburgh Symphony: III. Ostinato | |
| | Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Philharmonic Orchestra & Herbert Kegel | Symphony, "Mathis der Maler": III. The Temptation of St. Anthony | |
| | Dresden Philharmonic Orchestra & Kurt Masur | Symphony No. 1 in D Major, Op. 25 "Symphonie Classique": II. Larghetto | |
| | Martin Flämig, Dresden Philharmonic Orchestra & Annelies Burmeister | Mass In F Major, BWV 233: Quoniam (Alto) | |
| | MDR Leipzig Radio Choir, Dresden Philharmonic Orchestra, Herbert Kegel, Dresden Boys Choir, Theo Adam, Anthony Roden & Kari Lövaas | War Requiem, Op. 66: Move him into the sun - Pie Jesu Domine | |
| | Dresden Kreuzchor, Dresden Philharmonic Orchestra & Martin Flämig | Vom Himmel hoch | |
| | Dresden Philharmonic Orchestra & Günther Herbig | Symphony No. 94 in G Major, Hob.I:94 - "The Surprise": I. Adagio - Vivace assai | |
| | Mitsuko Shirai, Marga Schiml, Armin Ude, Hermann Christian Polster, MDR-Rundfunkchor, Walter Heinz Bernstein, Dresden Philharmonic Orchestra & Herbert Kegel | Missa brevis in C, K. 258 "Spaur": 5. Benedictus | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Pittsburgh Symphony: I. Molto energico | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Carmen, Act III: Prelude | |
| | Michel Plasson, Dresden Philharmonic Orchestra & Nelson Freire | Piano Concerto No. 2 in A Major, S. 125 - R456: Marziale un poco meno Allegro | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Pittsburgh Symphony: II. Slow March | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Symphony No. 3 in E-Flat Major, Op. 55, "Eroica": IV. Finale: Allegro Molto | |
| | Dresden Philharmonic Orchestra & Herbert Kegel | Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro Ma Non Troppo | |
| | Kurt Masur & Dresden Philharmonic Orchestra | Symphony No. 102 in B-Flat Major, Hob.I:102: IV. Finale. Presto | |
| | Dresden Philharmonic Orchestra | Slavonic Dances, Series 1, Op. 46, B. 83: 16 Slavonic Dances, Op. 46, B. 83: No. 3 In a Flat Major | |
| | Mitsuko Shirai, Marga Schiml, Armin Ude, Hermann Christian Polster, MDR-Rundfunkchor, Walter Heinz Bernstein, Dresden Philharmonic Orchestra & Herbert Kegel | Missa brevis in C, K. 258 "Spaur": 2. Gloria | |
| | Michel Plasson, Dresden Philharmonic Orchestra & Nelson Freire | Piano Concerto No. 2 in A Major, S. 125 - R456: Allegro Agitato Assai | |
| | Dresden Philharmonic Orchestra, Horst Förster & Gustav Schmahl | Violin Concerto No. 1: I. Sostenuto - Allegro assai | |
| | Martin Flämig, Theo Adam & Dresden Philharmonic Orchestra | Christmas Oratorio, BWV 248, Pt. I: Aria: Grosser Herr, O Starker Konig … (Bass) | |
| | Dresden Philharmonic Orchestra & Jorg-Peter Weigle | Variations and Fugue on a Theme of Mozart, Op. 132 : Theme: Andante grazioso | |
