| | Carlo Maria Giulini, Jard van Ness, Keith Lewis, David Wilson-Johnson, Ruth Ziesak, Roberta Alexander, Elmar Schloter, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Andreas Röhn, Wen-Sinn Yang, Rainer Seidel & François Leleux | Mass in B Minor, BWV 232 "Hohe Messe": No. 4, Aria. Agnus Dei | |
| | Ilse Eerens, Markus Schäfer, David Wilson-Johnson, Orchestra of the 18th Century, Cappella Amsterdam, Frans Brüggen & Michael Chance | Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Sanfte soll mein Todeskummer (Tenor) | |
| | Amanda Pitt, David Owen Norris, David Wilson-Johnson, Joanne Thomas & Philip Langridge | Duets: VI. Weep you no more | |
| | Frans Brüggen, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Orchestra of the 18th Century & Cappella Amsterdam | Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Aria: Saget, saget mit geschwinde (Soprano, Alto) | |
| | Frans Brüggen, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Orchestra of the 18th Century & Cappella Amsterdam | Kommt, eilet und laufet, BWV 249, "Easter Oratorio": Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) | |
| | David Wilson-Johnson, London Symphony Chorus, Richard Hickox, Felicity Palmer, London Symphony Orchestra & Arthur Davies | The Kingdom, Op. 51, Part III, Pentecost: And suddenly there came from heaven a sound (Mezzo-Soprano, St John, St Peter, Chorus) | |
| | Jan DeGaetani, Philip Langridge, Stephen Roberts, David Wilson-Johnson, Sir John Tomlinson, London Sinfonietta & David Atherton | Punch and Judy: Toccata III A | |
| | John Mark Ainsley, Mozarteumorchester Salzburg, Miah Persson, David Wilson-Johnson, Salzburg Bach Choir & Ivor Bolton | Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Fruhling (Spring): Aria: Schon eilet froh der Ackersmann (Simon) | |
| | Alan G. Melville, Anne Dawson, David Wilson-Johnson & English Chamber Orchestra | The Immortal Hour, Act I Scene 2: No. 11, Dear Lord, Sit Here (Etain/Eochaidh) | |
| | David Wilson-Johnson, Miah Persson, Topi Lehtipuu, Ivor Bolton, Mozarteumorchester Salzburg & Salzburger Bachchor | Die Schopfung (The Creation), Hob. XXI: 2, Pt. II: Trio: Zu Dir, O Herr, Blickt Alles Auf (Gabriel, Uriel, Raphael) | |
| | John Mark Ainsley, Mozarteumorchester Salzburg, Miah Persson, Ivor Bolton, David Wilson-Johnson & Salzburg Bach Choir | Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Winter (Winter): Song with Chorus: Ein Madchen, das auf Ehre (Hanne, Chorus) | |
| | Esa-Pekka Salonen, Sir John Tomlinson, David Wilson-Johnson, Nigel Robson, John Aler & London Sinfonietta | Renard the Fox - A burlesque tale in song and dance: Con brio | |
| | Mireille Delunsch, David Wilson-Johnson, Ivor Bolton, Mozarteumorchester Salzburg, William Dazeley, Ed Lyon, Salzburg Bach Choir & Masashi Tsuji | L'enfance Du Christ, Op. 25: Part I, "Le Songe D'Herode", Scene 6: Joseph! Marie! Ecoutez - nous (Angels, Marie, Joseph) | |
| | Amanda Pitt, David Owen Norris, David Wilson-Johnson, Joanne Thomas & Philip Langridge | Irish Song: The Rose of Tralee | |
| | David Wilson-Johnson, David Atherton, London Sinfonietta & Kenneth Bowen | King Priam, Act II Scene 1: Interlude I. Hermes, Hermes, with the winged feet come quick! (Old Man, Hermes) | |
| | David Wilson-Johnson, Richard Hickox, Roderick Elms & London Symphony Orchestra | The Kingdom, Op. 51, Part I. In the Upper Room: Men and brethren (Peter) | |
| | Margaret Marshall, Sir Stephen Cleobury, The Choir of King's College, Cambridge, Ann Murray, English Chamber Orchestra, Rogers Covey-Crump & David Wilson-Johnson | Missa Solemnis in C, K. 337: VI. Agnus Dei | |
| | Peter Sidhom, David Wilson-Johnson, Fiona Kimm, Martyn Hill, BBC Symphony Orchestra & Oliver Knussen | Taverner, Act I: But This Is Not Enough, John | |
| | David Wilson-Johnson, Simon Joly Chorale, Robert Craft, Philharmonia Orchestra & Claire Booth | Cantata No. 2, Op. 31: Schopfen Aus Brunnen Des Himmels Nach Wassen Des Worts (To Draw from Heaven's Springs) | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, The English Concert Choir, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Sanctus | |
| | Margaret Marshall, Ann Murray, Rogers Covey-Crump, David Wilson-Johnson, The Choir of King's College, Cambridge, English Chamber Orchestra & Sir Stephen Cleobury | Missa solemnis in C Major, K. 337: II. Gloria | |
| | George Guest, English Chamber Orchestra, Yvonne Kenny, Sarah Walker, William Kendall, David Wilson-Johnson & Choir of St John’s College | Requiem in D Minor, K. 626, III. Sequenz: VI. Lacrimosa | |
| | David Wilson-Johnson, Trevor Pinnock & The English Concert | Belshazzar: "Behold the Monstrous Human Beast" | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, The English Concert Choir, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Gloria: Gloria in excelsis Deo | |
| | English Chamber Orchestra, Anne Dawson, Alan G. Melville & David Wilson-Johnson | The Immortal Hour, Act I Scene 2: No. 7, And Your Name, Fair Lord? (Etain/Eochaidh) | |
| | David Wilson-Johnson, Miah Persson, Topi Lehtipuu, Ivor Bolton, Mozarteumorchester Salzburg & Salzburger Bachchor | Die Schopfung (The Creation), Hob. XXI: 2, Pt. I: Mit Staunen Sieht Das Wunderwerk (Gabriel, Chorus) | |
| | Paul Goodwin, David Wilson-Johnson & Kammerorchester Basel | Riccardo Primo, Re d'Inghliterra, HWV 23, Act III: In giustizia e furore | |
| | David Wilson-Johnson, André Previn, London Symphony Orchestra & Jacqueline Miura | L'Enfant Et Les Sortilèges - Fantaisie Lyrique en Deux Parties: Duo Miaulé | |
| | David Wilson-Johnson, Richard Hickox, London Symphony Orchestra, Judith Howarth & Arthur Davies | Caractacus, Op. 35, Scene 1: On the ocean and the river (Orbin, Caractacus, Eigen) | |
| | David Wilson-Johnson, Matthias Bamert & London Philharmonic Orchestra | 6 Monologues from Hofmannsthal's Jedermann: I. Ist alls zu End das Freudenmahl | |
| | David Owen Norris & David Wilson-Johnson | Maud: VIII. I Have Led Her Home | |
| | David Wilson-Johnson, Sir Simon Rattle & Berliner Philharmoniker | Symphony No. 8, Zweiter Teil: VII. Ewiger Wonnebrand | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, Carolyn Watkinson, The English Concert Choir, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Kyrie | |
| | London Symphony Orchestra, David Wilson-Johnson, Michele Pertusi, Sir Colin Davis & London Symphony Chorus | La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - Chanson de Brander. "Certain rat, dans une cuisine" | |
| | David Wilson-Johnson & David Owen Norris | Maud: II. A Voice by the Cedar Tree | |
| | Mireille Delunsch, David Wilson-Johnson, Ivor Bolton, Mozarteumorchester Salzburg, William Dazeley, Ed Lyon, Salzburg Bach Choir & Masashi Tsuji | L'enfance Du Christ, Op. 25: Part III, "L'arrivee a Sais", Scene 2: Vous Pleurez, Jeune Mere (Father, Marie, Joseph, Ismaili) | |
| | David Wilson-Johnson, The Nash Ensemble & Lionel Friend | The Great Journey, Pt. 2 "Landing": In That Land | |
| | St Paul's Cathedral Choir, St. Paul's Mozart Orchestra, Andrew Carwood, Lynda Russell, James Oxley, Lina Markeby & David Wilson-Johnson | Missa in C Major, "Missa solemnis", K. 337: II. Gloria | |
| | David Wilson-Johnson, London Sinfonietta & Oliver Knussen | Abraham and Isaac: After these things God tested Abraham | |
| | Amanda Pitt, David Owen Norris, David Wilson-Johnson, Joanne Thomas & Philip Langridge | The Arnold Book of Old Songs: English and Welsh Songs - III. Three Poor Mariners | |
| | Dame Felicity Lott, Trevor Pinnock, The English Concert, The English Concert Choir, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson & Nicholas Parle | Missa in Angustiis "Nelson Mass", Hob. XXII:11 in D Minor: Gloria: Gloria in Excelsis Deo | |
| | Stafford Dean, David Wilson-Johnson, Simon Keenlyside, Sir Thomas Allen, Bernard Haitink, Patricia Payne, Sarah Walker, Orchestra of the Royal Opera House, Covent Garden, Dame Felicity Lott, Gillian Webster, Maria Bovino, Neil Jenkins & Stuart Kale | Peter Grimes, Op. 33, Act 2, Scene 1: "We Planned That Their Lives" (Ellen, Rector, Mrs Sedley, Boles, Ned, Nieces, Auntie, Balstrode, Hobson, Swallow) | |
| | George Guest, English Chamber Orchestra, Yvonne Kenny, Sarah Walker, William Kendall, David Wilson-Johnson & Choir of St John’s College | Requiem in D Minor, K. 626, III. Sequenz: III. Rex tremendae | |
| | Miah Persson, Salzburg Bach Choir, David Wilson-Johnson, Mozarteumorchester Salzburg, John Mark Ainsley & Ivor Bolton | Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Herbst (Autumn): Duet: Ihr Schonen aus der Stadt, kommt her (Lukas, Hanne) | |
| | Edo de Waart, Netherlands Radio Philharmonic, Alessandra Marc, Andrea Silvestrelli, Chor der Oper Leipzig, David Wilson-Johnson, Doris Soffel, Netherlands Radio Choir & Vinson Cole | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Imple superna gratia | |
| | Amanda Pitt, David Owen Norris, David Wilson-Johnson, Joanne Thomas & Philip Langridge | From Love at the Inn: I. Little Moth | |
| | Georges Gautier, David Wilson-Johnson, John Mark Ainsley, London Symphony Orchestra & André Previn | L'heure espagnole, Comédie en un acte: Il n'est pour l'horloger (Scenes XX-XXI) | |
| | Paul Goodwin, David Wilson-Johnson & Kammerorchester Basel | Riccardo Primo, Re d'Inghliterra, HWV 23, Act II: Quanto saresti | |
| | George Guest, English Chamber Orchestra, Yvonne Kenny, Sarah Walker, William Kendall, David Wilson-Johnson & Choir of St John’s College | Requiem in D Minor, K. 626, III. Sequenz: V. Confutatis | |
| | David Wilson-Johnson, Scottish Chamber Orchestra & Garry Walker | Symphony No. 2: The Turnen Stile | |
