| | RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 1: No. 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | |
| | Bernarda Fink, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 2: No. 39. Aria (Alt) Erbarme dich | |
| | RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 2: No. 68. Chorus I & II Wir setzen uns mit Tränen nieder | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part II: 44. Chorus "Hallelujah" | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido and Aeneas, Z. 626, Act III: Dido "When I Am Laid In Earth" | |
| | Angelika Kirchschlager, Concerto Köln & René Jacobs | Le Nozze di Figaro, K. 492: Atto secondo. Scena 2, N.12 Arietta Cherubino "Voi che sapete" | |
| | RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 2: No. 54. Choral O Haupt voll Blut und Wunden | |
| | Freiburger Barockorchester & René Jacobs | Don Giovanni, Ouvertura | |
| | Maria Cristina Kiehr, Orchestre de la Schola Cantorum Basiliensis, Chiara Banchini & René Jacobs | Maddalena ai piedi di Cristo: No. 47 Aria Maddalena, "Per il mar del pianto mio" | |
| | Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe & René Jacobs | St. Matthew Passion, BWV 244, Part 2: 39. Aria (Alt) "Erbarme Dich" | |
| | Freiburger Barockorchester & René Jacobs | Die Jahreszeiten, XXI:3, Der Sommer : "Die Düst'ren Wolken Trennen Sich" | |
| | Freiburger Barockorchester & René Jacobs | Die Jahreszeiten, XXI:3, Der Sommer : "Willkommen Jetzt, O Dunkler Hain" | |
| | Freiburger Barockorchester & René Jacobs | Die Jahreszeiten, XXI:3, Der Sommer : "Die Mittagssonne Brennt Jetzt" | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 12. Chorus "For Unto Us a Child Is Born" | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Radamisto (1720): Aria Ombra cara di mia sposa (II, 2) | |
| | René Jacobs & Akademie für Alte Musik Berlin | Die Zauberflöte, K. 620: Ouvertüre | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part III: 53. Chorus "Worthy Is the Lamb That Was Slain" - 54. Chorus "Amen" | |
| | RIAS Kammerchor, Akademie für Alte Musik Berlin & René Jacobs | Johannes Passion, BWV 245, Pt. 1: 1. Chorus "Herr, unser Herrscher" (Exordium) | |
| | Konstantin Wolff, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 2: No. 65. Aria (Baß) Mache dich, mein Herze, rein | |
| | Bejun Mehta, Freiburger Barockorchester, René Jacobs & Rosemary Joshua | Sosarme (1732): Duetto Per le porte del tormento (II, 8) | |
| | René Jacobs, Freiburger Barockorchester & RIAS Kammerchor | Idomeneo, K. 366: Atto II, Sc.6. No.15 Coro ""Placido È Il Mar | |
| | Concerto Köln, Patrizia Ciofi, René Jacobs & Véronique Gens | Le nozze di Figaro, Atto Terzo, Scenes 9 & 10: No. 21. Duettino Susanna, la Contessa "Su L'aria..." | |
| | Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, René Jacobs & RIAS Kammerchor | Don Giovanni, Atto Secondo. Scena 15. Il Commendatore, Don Giovanni, Leporello, Coro "Don Giovanni, a Cenar Teco" | |
| | RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 1: No. 29. Choral O Mensch, bewein' dein Sünde groß | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido & Aeneas, Z. 626, Act III: "When I Am Laid in Earth" (Dido's Lament) | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part III: 47. Accompagnato (bass) "Behold, I Tell You a Mystery" - 48. Air (bass) "The Trumpet Shall Sound" | |
| | RIAS Kammerchor, Johannes Weisser, Akademie für Alte Musik Berlin & René Jacobs | Johannes Passion, BWV 245, Pt. 2: 32. Arie (Baβ) "Mein teurer Heiland, laß dich fragen" - Choral "Jesu, der du warest tot" | |
| | René Jacobs, Freiburger Barockorchester & RIAS Kammerchor | Idomeneo, K. 366: Atto I, Sc.3. No.3 Coro ""Godiam la Pace | |
| | Akademie für Alte Musik Berlin & René Jacobs | Brockes-Passion: I. Teil: 1. Sinfonia | |
| | Alexandrina Pendachanska, Bernarda Fink, Freiburger Barockorchester, Mark Padmore & René Jacobs | La clemenza di Tito, K. 621: Ouverture | |
| | Concerto Vocale, Nederlands Kamerkoor & René Jacobs | Vespro della beata vergine, SV 206: Laetatus sum | |
| | Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs | Messiah, HWV 56, Part I: 1. "Sinfony" | |
| | René Jacobs, Gustav Leonhardt & La Petite Bande | Matthäuspassion, BWV 244: Erbarme dich | |
| | René Jacobs, Concerto Vocale, Danielle Borst & Guillemette Laurens | L'incoronazione di Poppea, Act III, Scene 8: "Pur ti miro" | |
| | RIAS Kammerchor, Akademie für Alte Musik Berlin & René Jacobs | Johannes Passion, BWV 245, Pt. 2: 39. Chorus "Ruht wohl, ihr heiligen Gebeine" | |
| | René Jacobs & Freiburger Barockorchester | Orfeo ed Euridice, Act III, Scene 3, Ballo ultimo. Maestoso | |
| | René Jacobs, RIAS Kammerchor & Freiburger Barockorchester | Orfeo ed Euridice, Act II, Scene 2, Coro: Vieni ai regni del riposo | |
| | René Jacobs, RIAS Kammerchor & Freiburger Barockorchester | Orfeo ed Euridice, Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | |
| | René Jacobs, RIAS Kammerchor & Freiburger Barockorchester | Orfeo ed Euridice, Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo | |
| | Bejun Mehta, Freiburger Barockorchester & René Jacobs | Amadigi di Gaula (1715): Aria Sento la gioia (III, 6) | |
| | René Jacobs, Akademie für Alte Musik Berlin & Anna-Kristiina Kaappola | Die Zauberflöte, K. 620: Act II - 8. Auftritt. Nr.14 Arie Königin: "Die Hölle Rache kocht in meinem Herzen" | |
| | Bernarda Fink, Concerto Köln, Pietro Spagnoli, René Jacobs & Véronique Gens | Così fan tutte, K. 588, Act 1: "Faccia Che Al Campo Giunga" - Terzettino "Soave Sia Il Vento" | |
| | Concerto Köln & René Jacobs | Le nozze di Figaro: Sinfonia | |
| | RIAS Kammerchor, René Jacobs & Akademie für Alte Musik Berlin | Johannes Passion, BWV 245, Pt. 2: 40. Choral "Ach Herr, laß dein lieb Engelein" | |
| | Christina Roterberg, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 1: No. 8. Aria (Sopran) Blute nur, du liebes Herz | |
| | Bernarda Fink, Akademie für Alte Musik Berlin & René Jacobs | Matthäus-Passion, BWV 244, Pt. 1: No. 6. Aria (Alt) Buß und Reu | |
| | René Jacobs, Gustav Leonhardt & La Petite Bande | Matthäuspassion, BWV 244: Erbarme dich | |
| | Maria Cristina Kiehr, Orchestre de la Schola Cantorum Basiliensis, Chiara Banchini & René Jacobs | Maddalena ai piedi di Cristo: No. 36 Recitativo Amor Celeste, Amor Terreno, Cristo "Oh ciel, chi vide mai la penitenza" | |
| | Concerto Köln, Núria Rial & René Jacobs | Le nozze di Figaro, Atto Quarto, Scena 1: No. 24. Cavatina Barbarina "L'ho Perduta... Me Meschina!" | |
| | Dominique Visse, Gerald Finley, John Bowen, Lynne Dawson, Maria Cristina Kiehr, Orchestra of the Age of Enlightenment, René Jacobs, Robin Blaze, Rosemary Joshua, Stephen Wallace & Susan Bickley | Dido and Aeneas, Z. 626, Act III: Chorus "With Dropping Wings Ye Cupids Come" | |
