| | The King's Consort, Robert King, James, Goodman, Charles Daniels, King's Consort Choir, Mark Kennedy, Michael George & James Bowman | Save Me, O God, Z. 51 | |
| | The King's Consort, Robert King, Charles Daniels & Michael George | Hosanna to the Highest, Z. 187 | |
| | The King's Consort, Robert King, Nicholas Witcomb, Charles Daniels, Choir of New College Oxford, Michael George & James Bowman | O Give Thanks Unto the Lord, Z. 33: III. Remember Me, O Lord | |
| | Mark Kennedy, James Bowman, Charles Daniels, Michael George, King's Consort Choir, The King's Consort & Robert King | Hear Me, O Lord, and That Soon, Z. 13a Z. 13b | |
| | James Bowman, Charles Daniels, Michael George, King's Consort Choir, The King's Consort & Robert King | Lord, How Long Wilt Thou Be Angry?, Z. 25 | |
| | Eamonn O'Dwyer, Mark Kennedy, Mark Milhofer, James Bowman, Charles Daniels, Michael George, King's Consort Choir, The King's Consort & Robert King | Evening Service in G Minor, Z. 231: I. Magnificat | |
| | John Eliot Gardiner, English Baroque Soloists, Gillian Keith, Daniel Taylor, Charles Daniels, Stephen Varcoe & Monteverdi Choir | Nach dir, Herr, verlanget mich, BWV 150: Meine Augen sehen stets zu dem Herrn (Chorus) | |
| | Daniel Taylor, English Baroque Soloists, John Eliot Gardiner, Charles Daniels, Stephen Varcoe, Gillian Keith & Monteverdi Choir | Nach dir, Herr, verlanget mich, BWV 150: Aria (Terzetto): Zedern mussen von den Winden [Alto, Tenor, Bass] | |
| | The King's Consort, Charles Daniels, James Gilchrist & Robert King | Zefiro torna | |
| | Stephen Varcoe, The King's Consort, Robert King, Rogers Covey-Crump, Nicholas Witcomb, Jerome Finnis, Charles Daniels, Robert Evans, Choir of New College Oxford, Michael George & James Bowman | My Heart Is Inditing of a Good Matter, Z. 30: III. Symphony – Hearken, O Daughter | |
| | Stephen Varcoe, The King's Consort, Robert King, Rogers Covey-Crump, Nicholas Witcomb, Jerome Finnis, Charles Daniels, Robert Evans, Choir of New College Oxford, Michael George & James Bowman | My Heart Is Inditing of a Good Matter, Z. 30: II. She Shall Be Brought Unto the King | |
| | The King's Consort, Robert King, Charles Daniels, King's Consort Choir & Deborah York | Gott, sei mir gnädig nach deiner Güte: VII. Arioso – Chorus: Lass mich hören Freud und Wonne | |
| | The King's Consort, Robert King, Charles Daniels & Peter Harvey | Gott, sei mir gnädig nach deiner Güte: V. Arioso: Siehe, ich bin aus sündlichem Samen gezeuget | |
| | The King's Consort, Robert King, Carolyn Sampson, Rebecca Outram, Charles Daniels, James Gilchrist, Peter Harvey & Robin Blaze | Was mein Gott will, das gescheh allzeit: I. Was mein Gott will, das gescheh allzeit | |
| | The King's Consort, Robert King, Charles Daniels, Robert Evans, Choir of New College Oxford, Michael George & James Bowman | My Beloved Spake, Z. 28: III. And the Time of the Singing of Birds Is Come | |
| | The King's Consort, Robert King, Charles Daniels, Robert Evans, Michael George & James Bowman | My Beloved Spake, Z. 28: II. For Lo! the Winter Is Past | |
| | The King's Consort, Robert King, Charles Daniels, Robert Evans, Michael George & James Bowman | My Beloved Spake, Z. 28: I. Symphony – My Beloved Spake and Said Unto Me | |
| | Robert King, The King's Consort, Nicholas Witcomb, Jerome Finnis, Charles Daniels, Robert Evans, Choir of New College Oxford, Michael George & James Bowman | O Sing Unto the Lord, Z. 44: VI. Tell It Out Among the Heathen That the Lord Is King | |
| | Robert King, The King's Consort, Nicholas Witcomb, Jerome Finnis, Charles Daniels, Robert Evans, Choir of New College Oxford & James Bowman | O Sing Unto the Lord, Z. 44: V. O Worship the Lord in the Beauty of Holiness | |
| | Robert King, The King's Consort, Nicholas Witcomb, Jerome Finnis, Charles Daniels, Robert Evans, Choir of New College Oxford, Michael George & James Bowman | O Sing Unto the Lord, Z. 44: III. Sing Unto the Lord, and Praise His Name | |
| | Carolyn Sampson, Rebecca Outram, Rogers Covey-Crump, Daniel Auchincloss, Charles Daniels, James Gilchrist, Robert Evans, Peter Harvey, The King's Consort & Robert King | Laudate Dominum omnes gentes III 1640 | |
| | Eamonn O'Dwyer, Mark Kennedy, Mark Milhofer, James Bowman, Charles Daniels, Michael George, King's Consort Choir, The King's Consort & Robert King | Evening Service in G Minor, Z. 231: II. Nunc dimittis | |
| | King's Consort Choir, The King's Consort, Robert King, Charles Daniels & Michael George | Jehova, quam multi sunt hostes mei, Z. 135 | |
| | Jean Rigby, Charles Daniels, The King's Consort & Robert King | Deus tuorum militum, RV 612 | |
| | Charles Daniels, James Gilchrist, King's Consort Choir, The King's Consort & Robert King | Vespers: XIII. Magnificat Part 12: Gloria Patri | |
| | Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, Daniel Taylor, Monteverdi Choir & Charles Daniels | Halt im Gedachtnis Jesum Christ (Chorus) | |
| | English Baroque Soloists, Daniel Taylor, Gillian Keith, Charles Daniels, Stephen Varcoe, Monteverdi Choir & John Eliot Gardiner | Nach dir, Herr, verlanget mich, BWV 150: Ciacona: Meine Tage in dem Leide (Chorus) | |
| | John Eliot Gardiner, Daniel Taylor, English Baroque Soloists, Charles Daniels, Monteverdi Choir, Gillian Keith & Stephen Varcoe | Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) | |
| | Daniel Taylor, Gillian Keith, Monteverdi Choir, John Eliot Gardiner, Charles Daniels, Stephen Varcoe & English Baroque Soloists | Nach dir, Herr, verlanget mich, BWV 150: Aria: Doch bin und bleibe ich vergnugt (Soprano) | |
| | Charles Daniels, Stephen Varcoe, English Baroque Soloists, Monteverdi Choir, Gillian Keith, Daniel Taylor & John Eliot Gardiner | Nach dir, Herr, verlanget mich, BWV 150: Chorus | |
| | John Eliot Gardiner, Gillian Keith, Charles Daniels, Stephen Varcoe, Monteverdi Choir, English Baroque Soloists & Daniel Taylor | Nach dir, Herr, verlanget mich, BWV 150: Sinfonia | |
| | Bernhard Landauer, Charles Daniels, Diego Fasolis, I Barocchisti & Klaus Mertens | Bach Weihnachtsoratorium BWV 248, Cantata No. 1 "Am ersten Weihnachtstag", 4. Aria: Bereite dich Zion | |
| | Capella de la Torre, Katharina Bäuml & Charles Daniels | England be glad | |
| | Charles Daniels, James Bowman, King's Consort Choir, The King's Consort, Robert King & Michael George | In Thee, O Lord, Do I Put My Trust, Z. 16 | |
| | Charles Daniels, Chor & Orchester der J.S. Bach-Stiftung & Rudolf Lutz | L'allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1 "L'allegro": 26. Arie l'allegro: Or Let the Merry Bells Ring Round (Tenor) | |
| | Charles Daniels, Mark Padmore, Michael George, Robert King, The King's Consort & King's Consort Choir | Turn Thou Us, O Good Lord, Z. 62 | |
| | Monica Huggett, Charles Daniels, Shannon Mercer, Matthew White, Jacques-Olivier Chartier, Tyler Duncan, Joshua Hopkins, Cappella Romana & Portland Baroque Orchestra | Saint John Passion, BWV 245, Pt. II: "Erwäge, wie sein blutgefärbte Rücken" (Aria) | |
| | Charles Daniels, Michael George, Robert King, Rogers Covey-Crump & The King's Consort | When On My Sick Bed I Languish, Z. 144 | |
| | Montréal Baroque, Charles Daniels & Eric Milnes | Cantata Nun komm, der heiden heiland, BWV 61: Récitatif - Der Heiland ist gekommen (Tenor) | |
| | Chor & Orchester der J.S. Bach-Stiftung, Rudolf Lutz, Charles Daniels, Peter Harvey, Chaspar Mani & Valentin Parli | Matthäuspassion, BWV 244: 36. Rezitativ und Chor. "Und der Hohepriester antwortete" (Evangelist, Hohepriester, Jesus) | |
| | Charles Daniels, Michael George, The King's Consort, Robert King, Rogers Covey-Crump & King's Consort Choir | Be Merciful unto Me, Z. 4 | |
| | Charles Daniels, Bach Collegium Japan & Masaaki Suzuki | Preise dein Glücke, gesegnetes Sachsen, BWV 215: No. 3, Freilich trotzt Augustus' Name | |
| | Harry van der Kamp, Monika Mauch, Charles Daniels, Eric Milnes, Montréal Baroque & Franziska Gottwald | Cantate pour le 3e dimanche après l'Épiphanie Alles nur nach Gottes Willen, BWV 72: V. Was mein Gott will, das g’scheh allzeit | |
| | Izabela Klosinska, Romuald Tesarowicz, Jadwiga Rappe, Charles Daniels, Warsaw National Philharmonic Choir, Warsaw National Philharmonic Orchestra & Kazimierz Kord | Missa Pro Pace: Agnus Dei | |
| | Charles Daniels, Chor & Orchester der J.S. Bach-Stiftung & Rudolf Lutz | L'allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1 "L'allegro": 5. Arie l'allegro: Haste Thee, Nymph (Tenor) | |
| | Bernarda Fink, Paul McCreesh, Gabrieli & Charles Daniels | Messiah, HWV 56, Pt. 3: No. 48. Duet: O Death Where Is Thy Sting? | |
| | The King's Consort, Robert King & Charles Daniels | Of Old, When Heroes Thought It Base, Z. 333: III. The Bashful Thames, for Beauty so Renown'd | |
| | Musica Amphion, Gesualdo Consort Amsterdam, Rémy Baudet, Pieter-Jan Belder, Albert Brüggen, Charles Daniels, Frank de Bruine, Marnix de Cat, Amaryllis Dieltiens, Gawain Glenton, Nele Gramss, Harry van der Kamp, Kees Koelmans, Franc Polman, Susanne Regel, Staas Swierstra, Joost Swinkels, Charles Toet, Marinette Troost, Margaret Urquhart, Vincent van Laar, Klaas van Slageren & Sayuri Yamagata | Cantata Sehet, welch eine Liebe, BWV 64: III. Recitativo, Geh, Welt! Behalte nur das Deine | |
| | Andrew Carwood, Robert Harre-Jones, Charles Daniels, Angus Smith, Don Greig & Robert Macdonald | O Virgo prudentissima - Beata Mater à 6 | |
| | Charles Daniels, Choir of New College Oxford, Michael George, James Bowman, Jerome Finnis, The King's Consort, Robert King, Robert Evans & Nicholas Witcomb | O Sing Unto the Lord, Z. 44: VI. Tell It Out Among the Heathen That the Lord Is King | |
