| | London Symphony Orchestra, Nicola Benedetti & Daniel Harding | Meditation from Thais | |
| | Isabelle Faust, Swedish Radio Symphony Orchestra & Daniel Harding | Violin Concerto No. 1, Sz 36, Op. posth.: I. Andante sostenuto | |
| | Ray Chen, Daniel Harding & Swedish Radio Symphony Orchestra | Violin Concerto in D Major, Op. 35: Canzonetta. Andante | |
| | Daniel Harding, Mahler Chamber Orchestra & Janine Jansen | Violin Concerto in D Major, Op. 35: 2. Canzonetta (Andante) | |
| | Janine Jansen, Daniel Harding & Mahler Chamber Orchestra | Violin Concerto in D Major, Op. 35: 1. Allegro moderato | |
| | François Leleux, Swedish Radio Symphony Orchestra & Daniel Harding | Concerto for Oboe and small Orchestra in D Major, Op. 144: I. Allegro moderato | |
| | Isabelle Faust, Daniel Harding & Swedish Radio Symphony Orchestra | Violin Concerto No. 2, Sz 112: II. Andante tranquillo | |
| | François Leleux, Swedish Radio Symphony Orchestra & Daniel Harding | Concerto for Oboe and small Orchestra in D Major, Op. 144: III. Vivace - Allegro | |
| | François Leleux, Swedish Radio Symphony Orchestra & Daniel Harding | Concerto for Oboe and small Orchestra in D Major, Op. 144: II. Andante | |
| | Daniel Harding, Mahler Chamber Orchestra & Janine Jansen | Souvenir d'un lieu cher, Op. 42: 3. Mélodie (Arr. for Strings) | |
| | Isabelle Faust, Mahler Chamber Orchestra & Daniel Harding | Violin Concerto op.77 in D major: II. Adagio | |
| | Christian Gerhaher, Daniel Harding & Symphonieorchester des Bayerischen Rundfunks | Tannhäuser, WW 70, Act 3: Wie Todesahnung - O, du mein holder Abendstern (Szene des Wolfram) | |
| | Daniel Harding, Mahler Chamber Orchestra & Janine Jansen | Souvenir d'un lieu cher, Op. 42: 1. Meditation (Arr. for Strings) | |
| | Christian Gerhaher, Daniel Harding & Symphonieorchester des Bayerischen Rundfunks | Tannhäuser WW 70, Act 2: Blick' ich umher in diesem edlen Kreise (Ansprache des Wolfram) | |
| | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen & Daniel Harding | Danse macabre in G Minor, Op. 40 | |
| | Patricia Petibon, Concerto Köln & Daniel Harding | Die Zauberflöte, K. 620, Act II - Queen of the Night's Aria | |
| | Nicola Benedetti, London Symphony Orchestra & Daniel Harding | Thaïs: Meditation | |
| | Swedish Radio Symphony Orchestra, Daniel Harding & Maria João Pires | Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | |
| | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen & Daniel Harding | Danse macabre in G Minor, Op. 40 | |
| | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen & Daniel Harding | Méditation de Thaïs | |
| | Janine Jansen, Daniel Harding & Mahler Chamber Orchestra | Violin Concerto in D Major, Op. 35: 3. Finale (Allegro vivacissimo) | |
| | Ray Chen, Daniel Harding & Swedish Radio Symphony Orchestra | Violin Concerto in D Major, Op. 35: Canzonetta: Andante | |
| | Dorothea Röschmann, Daniel Harding & Swedish Radio Symphony Orchestra | Le nozze di Figaro, K. 492: Porgi, amor, qualche ristoro | |
| | Swedish Radio Symphony Orchestra, Daniel Harding & Maria João Pires | Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | |
| | Patricia Petibon, Concerto Köln & Daniel Harding | Vorrei spiegarvi, oh Dio, K. 418 | |
| | Patricia Petibon, Symphonieorchester des Bayerischen Rundfunks & Daniel Harding | Carmina Burana / 3. Cour d'amours: "In trutina" | |
| | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding, Chor des Bayerischen Rundfunks & Robert Blank | Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" | |
| | Daniel Harding, Concerto Köln & Patricia Petibon | "Der Hölle Rache kocht in meinem Herzen" | |
| | Janine Jansen, Mahler Chamber Orchestra & Daniel Harding | Souvenir d'un lieu cher, Op. 42: III. Mélodie | |
| | Janine Jansen, Daniel Harding & Mahler Chamber Orchestra | Souvenir d'un lieu cher, Op. 42: 2. Scherzo (Arr. for Strings) | |
| | Matthias Goerne, Daniel Harding & Swedish Radio Symphony Orchestra | Tannhäuser, WWV 70, Act II, Scene 2: Wie Todesahnung, Dämm'rung deckt die Lande (Wolfram) | |
| | Swedish Radio Symphony Orchestra & Daniel Harding | Symphonie fantastique, Op. 14: II. Un bal | |
| | Mari Eriksmoen, Bernarda Fink, Andrew Staples, Tarez Nazmi, Augsburger Domsingknaben, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks & Daniel Harding | Szenen aus Goethes Faust, WoO 3 Pt. VII: Fausts Verklärung. Gerettet ist das edle Glied (2) | |
| | John Relyea, London Symphony Orchestra, London Symphony Chorus, Andrew Kennedy & Daniel Harding | Billy Budd: Come here, Remember your promise (Claggart/Novice) | |
| | Daniel Harding, Wiener Philharmoniker & Igor Levit | Rhapsody on a Theme of Paganini, Op. 43: Variation XIX. A tempo vivace | |
| | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen & Daniel Harding | Méditation de Thaïs | |
| | Daniel Harding & Philharmonia Orchestra | Dance Scenes: IV. Molto allegro | |
| | Isabelle Faust, Mahler Chamber Orchestra & Daniel Harding | Violin Concerto in D Major, Op. 77: II. Adagio | |
| | Daniel Harding & Swedish Radio Symphony Orchestra | Symphony No. 5 in C-Sharp Minor, Part. III: 4. Adagietto. Sehr langsam | |
| | Andrew Staples, Jurgen Ruck, Scharoun Ensemble Berlin & Daniel Harding | Kammermusik 1958: No. 6, Gibt es auf Erden ein Maß? | |
| | Jurgen Ruck, Scharoun Ensemble Berlin & Daniel Harding | Kammermusik 1958: No. 1, Prefazione | |
| | Daniel Harding, Wiener Philharmoniker & Igor Levit | Rhapsody on a Theme of Paganini, Op. 43: Variation XIV - L'istesso tempo | |
| | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen & Daniel Harding | Le Boeuf sur le toit Op. 58 | |
| | Daniel Harding, Wiener Philharmoniker & Renaud Capuçon | Violin Concerto in D Major, Op. 77: III. Allegro giocoso ma non troppo vivace | |
| | Christian Gerhaher, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks, Maximilian Schmitt & Maximilian Hornung | Die Heimkehr des Verbannten, Act 2: Norton! Du bist es, der mit Frevler Wuth (Szene und Arie des Edmund) | |
| | Verbier Festival Orchestra & Daniel Harding | Symphony No. 9: Ie. (Horns) | |
| | Daniel Harding, Dorothea Roschmann & Mahler Chamber Orchestra | Symphony No. 4 in G: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" | |
| | Gilles Cachemaille, Daniel Harding & Mahler Chamber Orchestra | Don Giovanni, K. 527, Act 1 Scene 6: No. 4, Aria, "Madamina, il catalogo e questo" (Leporello) | |
| | Hugo Shepherd, London Symphony Orchestra, Daniel Harding & Ian Bostridge | Billy Budd: God o' mercy! (Vere/Boy) | |
| | Wiener Philharmoniker & Daniel Harding | Symphony No. 10 in F-Sharp (Unfinished): Ed. Deryck Cooke: V. Finale | |
