| | Nuremberg Symphony Orchestra & Räto Tschupp | Sylvia Suite: Pizzicato | |
| | Alex North, Richard Kaufman & Nuremberg Symphony Orchestra | Unchained Melody | |
| | Hanspeter Gmür & Nuremberg Symphony Orchestra | Giselle: II. Andante - Allegretto | |
| | Hanspeter Gmür & Nuremberg Symphony Orchestra | Giselle: I. Presto - Lento | |
| | Nuremberg Symphony Orchestra & Hanspeter Gmür | The Sirene: Overture | |
| | Nuremberg Symphony Orchestra & Räto Tschupp | Sylvia: Pizzicato from Suite | |
| | Nuremberg Symphony Orchestra & Hanspeter Gmür | Der Fliegende Holländer: Reste Vorspiel (nicht zu verwenden) | |
| | Nuremberg Symphony Orchestra, Hanspeter Gmür & José Maria Perez | Il Trovatore, Act III, Scene 6: X. Ah! Sì, ben mio | |
| | Nuremberg Symphony Orchestra, Othmar Mága & Rudolf Zartner | Concerto for Harpsichord and Orchestra No. 1 in D Minor, BWV 1052: I. Allegro | |
| | Nuremberg Symphony Orchestra & Max Loy | Academic Festival Overture, Op. 80 | |
| | Stefanos Tsialis, Nuremberg Symphony Orchestra & Theodore Kerkezos | Homage, LRC 227: I. Prelude - II. Idyll (cadenza) | |
| | Hanae Nakajima, Nuremberg Symphony Orchestra & Räto Tschupp | Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio | |
| | Julia Sophie Wagner, Long Long, Daniel Ochoa, Nuremberg Symphony Orchestra & Paul Mann | A Florentine Tragedy: Nicht doch, mein Prinz | |
| | Verschillende artiesten, Erich Kloss & Nuremberg Symphony Orchestra | Prelude to "Die Meistersinger" | |
| | Nuremberg Symphony Orchestra, Munich Symphony Orchestra, Rato Tscupp, Zsolt Deaky, Hanspeter Gmur, Rato Tscupp, Zsolt Deaky & Nuremberg Symphony Orchestra | Nutcracker, Ballet Suite, Op. 71, Waltz of the Flowers | |
| | Nuremberg Symphony Orchestra & Rebecca Broberg | Der Kobold (The Goblin), Op. 3: Act II Scene 4: Traum' Ich Wieder? Ist Alles Nur Trug? (Verena) | |
| | 손은영, Nuremberg Symphony Orchestra & Wolfgang Dorner | Concerto for Piano and Orchestra in A Minor, Op. 54: III. Allegro Vivace | |
| | Nuremberg Symphony Orchestra & Zsolt Deaky | Egmont, Op. 84: Overture | |
| | Nuremberg Symphony Orchestra & Paul Mann | The Magic Mirror, Pt. 1 "In the Woman's Chamber": No. 5, The Husband Enters | |
| | Nuremberg Symphony Orchestra & Paul Mann | The Magic Mirror, Pt. 2 "In the Laboratory of a Medieval Alchemist and Magician": No. 10, The Husband Is Given a Magic Mirror | |
| | Räto Tschupp, Nuremberg Symphony Orchestra & Hanae Nakajima | Piano Concerto No. 2 in B major, Op. 19: III. Rondo. Molto allegro | |
| | Othmar Mága, Nuremberg Symphony Orchestra & Eva Brink | Lulu Suite for Soprano & Orchestra: I. Rondo: Andante e Hymne | |
| | Verschillende artiesten, Max Loy & Nuremberg Symphony Orchestra | Hungarian Rhapsody No 6 | |
| | Nuremberg Symphony Orchestra & Christian Simonis | Souvenir de Madrid, Op. 304 (Version for Orchestra) | |
| | Othmar Mága & Nuremberg Symphony Orchestra | Parsifal, WWV111: Overture | |
| | 손은영, Nuremberg Symphony Orchestra & Wolfgang Dorner | Concerto for Piano and Orchestra in A Minor, Op. 54: I. Allegro Affettuoso | |
| | Nuremberg Symphony Orchestra & Zsolt Deaky | Symphony No. 104 D Major (Salomon) Adagio - allegro | |
| | Ruth Hesse, Rudolf Knoll, Ernst Wiemann, Nuremberg Symphony Orchestra & Hanspeter Gmür | Aida, Act II: IX. "Triumphal March" | |
| | Nuremberg Symphony Orchestra & Zsolt Deaky | Symphony No. 104 D Major (Salomon) Minueto - Allegro | |
| | Othlmar Maga, Nuremberg Symphony Orchestra & Ralph Holmes | Violin Concerto In D Major, Op 44: Canzonetta Andante & Finale Allegro Vivacissimo | |
| | Alexander von Pitamic, Nuremberg Symphony Orchestra & Peter Lang | Piano Concerto No.17 in C Major, K. 453: II. Andante | |
| | Othmar Mága & Nuremberg Symphony Orchestra | Six Pieces for Large Orchestra, Op. 6 | |
| | Nuremberg Symphony Orchestra & Othmar Mága | Parsifal, WWV 111: Overture | |
| | Nuremberg Symphony Orchestra, Hanspeter Gmür & José Maria Perez | Rigoletto, Act III, Scene 2: II. La donna è mobile | |
| | Nuremberg Symphony Orchestra, Hanspeter Gmür, Eva Illes, Ruth Hesse, Rudolf Knoll & Ernst Wiemann | Aida, Act I: IX. "Ritorna vincitor!" | |
| | Verschillende artiesten, Ura Schneider & Nuremberg Symphony Orchestra | Academic Festival Overture, Op 80 | |
| | Othmar Mága, Nuremberg Symphony Orchestra, Conrad von der Goltz, Jan Polacek & Kirste Hjort | Concerto for Violin, Cello, and Piano in C Major, Op. 56: II. Largo (attacca) | |
| | Kay Stiefermann, Rebecca Nelsen, Nuremberg Symphony Orchestra & Paul Mann | Der schlimm-heilige Vitalis, Act III, Scene 10: Sieh' da! Mein einzig Töchterlein spaziert am frühen Morgen | |
| | Nuremberg Symphony Orchestra, Hanspeter Gmür, Hanspeter Gmür & Nuremberg Symphony Orchestra | Symphony No 97: Menuetto e Trio-Allegretto | |
| | Nuremberg Symphony Orchestra | Der Kobold (The Goblin), Op. 3: Act III: Introduction | |
| | Nuremberg Symphony Orchestra & Othmar Mága | Violin Concerto in D Major, Op. 35: II. Canzonetta - Andante | |
| | Nuremberg Symphony Orchestra & Christian Simonis | Columbus-Marsch, Op. 332 (Version for Orchestra) | |
| | Nuremberg Symphony Orchestra | Der Kobold (The Goblin), Op. 3: Act I: Introduction | |
| | Nuremberg Symphony Orchestra, Rato Tscupp & Zsolt Deaky | Nutcracker Ballet Suite, Op. 71: Trepak - Russian Dance | |
| | Nuremberg Symphony Orchestra, Hanspeter Gmür & José Maria Perez | Carmen, Act II: VI. La fleur que tu m'avais jetée "Flower Song" | |
| | Othmar Mága, Nuremberg Symphony Orchestra & Jörg Metzger | Cello Concerto in B , Op.104 / B. 191: I. Allegro... Quasi improvisando | |
| | Claudia Corona, Gregor Bühl & Nuremberg Symphony Orchestra | Piano Concerto, Op. 42: III. Allegro con fuoco | |
| | Verschillende artiesten, Günter Neidlinger & Nuremberg Symphony Orchestra | La Gazza Ladra | |
| | Matthias Stier, Markus Eiche, Tijl Faveyts, Madrigal Choir of the Nuremberg University of Music, Rebecca Nelsen, Nuremberg Symphony Orchestra & Paul Mann | Der schlimm-heilige Vitalis, Act III, Scene 12: Hilf Gott, der Abt Sebastian! | |
| | Zsolt Deaky, Nuremberg Symphony Orchestra & Hanae Nakajima | Piano Concerto No. 5 in E Flat major, Op. 73: I. Allegro | |
