| | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society & New York Philharmonic | The Tender Land (Opera In Three Acts): Fast Tempo | |
| | Giulietta Simionato, Richard Cassilly, Ezio Flagello, American Opera Society Chorus, American Opera Society Orchestra & Arnold Gamson | I Capuleti e i Montecchi, Act I: Ascolta. Se Romeo t'uccise un figlio (Live) | |
| | Studio Chorus, Maria Marlo, Maria di Gerlando, Elizabeth Carron, Thomas Schippers, Richard Cassilly, Studio Orchestra, Gabrielle Ruggiero, Catherine Akos, David Aiken, Russell Goodwin, John Reardon, Leon Lishner, David Poleri, Lucy Becque, Keith Kaldenberg, Gloria Lane & Ernesto Gonzales | The Saint of Bleecker Street: Act II: Introduction - Hai l'occhio nero, nero della quaglia (First Guest, Chorus, Second Guest, Michele, Annina, Carmela, Salvatore, A Guest) | |
| | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society & New York Philharmonic | The Tender Land (Opera In Three Acts): As At First | |
| | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt, Edda Moser, Karl Ridderbusch & Theo Adam | Leonore, Op. 72, Act 3: Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | |
| | Pierre Boulez, BBC Symphony Orchestra & Richard Cassilly | Moses und Aron, Act II: Scene III - Das Goldenen Kalb und der Altar "Dieses Bild bezeugt!" | |
| | Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Aaron Copland, Choral Art Society & New York Philharmonic | The Tender Land (Opera in Three Acts): Act 2: Briskly | |
| | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society & New York Philharmonic | The Tender Land (Opera In Three Acts): Act One: The Day Before Graduation (late Afternoon). Gently Flowing | |
| | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt, Edda Moser & Karl Ridderbusch | Leonore, Op. 72, Act 3: "Er erwacht!" (Leonore, Rocco, Florestan) | |
| | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt & Richard Cassilly | Leonore, Op. 72, Act 3: "O Leonore, sprich!" (Florestan, Leonore) | |
| | Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Aaron Copland, Choral Art Society & New York Philharmonic | The Tender Land (Opera in Three Acts): Act 1: With motion | |
| | Coro del Teatro alla Scala di Milano, Georges Prêtre, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act I: "Arrêtez, ô mes frères!" (Samson, Chœur) | |
| | Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt, Edda Moser, Richard Cassilly, Karl Ridderbusch & Hermann Christian Polster | Leonore, Op. 72, Act 3: Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | |
| | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society & New York Philharmonic | The Tender Land (Opera In Three Acts): Moderately | |
| | Richard Cassilly & Edda Moser | Leonore, Op. 72, Act 3, Scene 4: O Leonore, sprich! | |
| | Jessye Norman, Sir Colin Davis, BBC Choral Society, BBC Singers, Dame Janet Baker, BBC Symphony Orchestra, Richard Cassilly & John Shirley-Quirk | A Child of our Time / Pt. 1: "How Can I Cherish My Man in Such Days.Steal Away" | |
| | Leonardo Monreale, Georges Prêtre, Shirley Verrett, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act I: "Je viens célébrer la victoire" (Dalila, Samson, Viellard hébreu) | |
| | Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Aaron Copland, Choral Art Society & New York Philharmonic | The Tender Land (Opera in Three Acts): Act 2: That evening. Lively and rough | |
| | Studio Chorus, Maria Marlo, David Poleri, Catherine Akos, Elizabeth Carron, Keith Kaldenberg, Thomas Schippers, John Reardon, Studio Orchestra, Maria di Gerlando, David Aiken, Russell Goodwin, Leon Lishner, Gabrielle Ruggiero, Lucy Becque, Richard Cassilly, Gloria Lane & Ernesto Gonzales | The Saint of Bleecker Street: Act I Scene 1: Oh, sweet Jesus, spare me this agony (Annina, Chorus) | |
| | Studio Orchestra, Gabrielle Ruggiero, John Reardon, Gloria Lane, Maria Marlo, David Poleri, Ernesto Gonzales, Elizabeth Carron, Keith Kaldenberg, Richard Cassilly, Catherine Akos, Russell Goodwin, Studio Chorus, Thomas Schippers, Leon Lishner, Maria di Gerlando, David Aiken & Lucy Becque | The Saint of Bleecker Street: Act I Scene 1: Well … I'm tired of waiting! (Maria Corona, Assunta, Carmela, Chorus, A Young Woman) | |
| | Richard Cassilly, John Shirley-Quirk, Jessye Norman, Dame Janet Baker, BBC Symphony Orchestra & Sir Colin Davis | A Child of our Time / Pt. 3: "I would know my shadow and my light" | |
| | Richard Cassilly, Edda Moser, Karl Ridderbusch, Herbert Blomstedt & Staatskapelle Dresden | Leonore, Op. 72, Act 3, Scene 2: Trio: Euch werde Lohn in bessern Welten | |
| | Richard Cassilly, Leon Lishner, Maria di Gerlando, David Aiken, Lucy Becque, Russell Goodwin, Thomas Schippers, Studio Orchestra, Gabrielle Ruggiero, Catherine Akos, Studio Chorus, John Reardon, Gloria Lane, Maria Marlo, David Poleri, Elizabeth Carron, Ernesto Gonzales & Keith Kaldenberg | The Saint of Bleecker Street: Act III Scene 2: Oh, my Love, at last the hour has come (Annina, Carmela) | |
| | Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt, Richard Cassilly, Helen Donath, Eberhard Büchner, Karl Ridderbusch & Hermann Christian Polster | Leonore, Op. 72, Act 3: "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | |
| | Pierre Boulez, BBC Symphony Orchestra, Gunter Reich, Richard Cassilly, BBC Singers & Orpheus Boys' Choir | Moses und Aron, Act II: Scene V - Moses und Aron "Aron, was hast du getan?" | |
| | Jessye Norman, Dame Janet Baker, Richard Cassilly, John Shirley-Quirk, BBC Choral Society, BBC Singers, BBC Symphony Orchestra & Sir Colin Davis | A Child of our Time / Pt. 1: How can I cherish my man in such days.Steal away | |
| | Pierre Boulez, BBC Symphony Orchestra, Gunter Reich & Richard Cassilly | Moses und Aron, Act I: Scene II - Moses begegnet Aron in der Wüste "Du Sohn meiner Väter" | |
| | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt, Edda Moser & Theo Adam | Leonore, Op. 72, Act 3: "Alles ist bereit" (Rocco, Leonore, Pizarro) | |
| | Dame Gwyneth Jones, Karl Böhm, Philharmonisches Staatsorchester Hamburg & Richard Cassilly | Salome, Op. 54, TrV 215: "Ah! Ich habe deinen Mund geküsst, Jochanaan" | |
| | Laurel Hurley, Richard Cassilly, Ezio Flagello, American Opera Society Chorus, American Opera Society Orchestra & Arnold Gamson | I Capuleti e i Montecchi, Act I: Ah, se Romeo m'invola (Live) | |
| | Mignon Dunn, Karl Böhm, Philharmonisches Staatsorchester Hamburg, Richard Cassilly & Kurt Moll | Salome, Op. 54, TrV 215: "Wo ist Salome?" | |
| | Gloria Lane, Ernesto Gonzales, Thomas Schippers, Studio Orchestra, Gabrielle Ruggiero, Catherine Akos, Studio Chorus, John Reardon, David Poleri, Lucy Becque, Elizabeth Carron, Keith Kaldenberg, Richard Cassilly, Leon Lishner, Maria Marlo, Maria di Gerlando, David Aiken & Russell Goodwin | The Saint of Bleecker Street: Act II: Yes, Michele, go home (Desideria, Michele, Annina, Chorus) | |
| | Coro del Teatro alla Scala di Milano, Georges Prêtre, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act III: "Frères! votre chant douloureux" (Samson, Chœur) | |
| | Richard Cassilly, Cincinnati Symphony Orchestra & Walter Susskind | Das Lied von der Erde: III. Von der Jugend | |
| | Georges Prêtre, Shirley Verrett, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act II: "Un dieu plus puissant que le tien" (Dalila, Samson) | |
| | Gloria Lane, Studio Chorus, John Reardon, David Poleri, Ernesto Gonzales, Lucy Becque, Elizabeth Carron, Keith Kaldenberg, Studio Orchestra, Gabrielle Ruggiero, Catherine Akos, Thomas Schippers, Richard Cassilly, Leon Lishner, Maria Marlo, Maria di Gerlando, David Aiken & Russell Goodwin | The Saint of Bleecker Street: Act I Scene 2: Annina, I've something to confess to you (Carmela, Annina) | |
| | Studio Chorus, John Reardon, Gloria Lane, Maria Marlo, David Poleri, Ernesto Gonzales, Lucy Becque, Elizabeth Carron, Keith Kaldenberg, Studio Orchestra, Gabrielle Ruggiero, Catherine Akos, Thomas Schippers, Richard Cassilly, Leon Lishner, Maria di Gerlando, David Aiken & Russell Goodwin | The Saint of Bleecker Street: Act III Scene 2: Agnus Dei, qui tollis peccata mundi (Assunta, Chorus, Annina, Carmela) | |
| | Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Aaron Copland, Choral Art Society & New York Philharmonic | The Tender Land (Opera in Three Acts): Act 3: Later that night; then graduation day (dawn). Introduction - starting slowly | |
| | Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Aaron Copland, Choral Art Society & New York Philharmonic | The Tender Land (Opera in Three Acts): Act 2: Very broadly | |
| | Georges Prêtre, Shirley Verrett, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act II: "Samson! ô toi! mon bien aimé" (Dalila, Samson) | |
| | Richard Cassilly, Gerald English, Lawrence Foster & Orchestra of the Royal Opera House, Covent Garden | Troilus and Cressida (revised version), Act One: Forgive me ... Pandarus! ... Passing through the city (Pandarus/Troilus) | |
| | Richard Cassilly, Dame Janet Baker, Gerald English, Lawrence Foster & Orchestra of the Royal Opera House, Covent Garden | Troilus and Cressida (revised version), Act One: Dear Child, you need a littel comfort (Pandarus/Cressida/Trioilus) | |
| | Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt, Edda Moser, Richard Cassilly, Karl Ridderbusch, Hermann Christian Polster & Helen Donath | Leonore, Op. 72, Act 3: "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | |
| | Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Aaron Copland, Choral Art Society & New York Philharmonic | The Tender Land (Opera in Three Acts): Act 1: Somewhat faster | |
| | Coro del Teatro alla Scala di Milano, Georges Prêtre, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act III: "Vois ma misère, hélas! vois ma détresse!" (Samson, Chœur) | |
| | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society & New York Philharmonic | The Tender Land (Opera In Three Acts): Broadly | |
| | Richard Cassilly, Leon Lishner, David Aiken, Lucy Becque, Russell Goodwin, Thomas Schippers, Studio Orchestra, Gabrielle Ruggiero, Catherine Akos, Studio Chorus, John Reardon, Gloria Lane, Maria Marlo, Maria di Gerlando, David Poleri, Elizabeth Carron, Keith Kaldenberg & Ernesto Gonzales | The Saint of Bleecker Street: Act II: I know that you all hate me (Michele) | |
| | BBC Choral Society, BBC Singers, Jessye Norman, Dame Janet Baker, Richard Cassilly, John Shirley-Quirk, BBC Symphony Orchestra & Sir Colin Davis | A Child of our Time / Pt. 2: "Nobody knows the trouble I see" | |
| | Georges Prêtre, Shirley Verrett, Orchestra del Teatro alla Scala di Milano & Richard Cassilly | Samson et Dalila, Op. 47, ICS 205, Act II: "Mon coeur s'ouvre à ta voix" (Dalila, Samson) | |
| | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society & New York Philharmonic | The Tender Land (Opera In Three Acts): Moderately Fast | |
